China Daily Global Edition (USA)

Three-way push and pull

Trilateral dynamics among China, the EU and the US remain fundamenta­lly unchanged

- ZHANG JIAN

China and the United States have been increasing­ly vying with each other in the past four years. However, Donald Trump’s indiscrimi­nate trade wars, coupled with his capricious­ness, made it unlikely he would be able to rally the West against China during his presidency. Unlike Trump, Joe Biden values allies and he hopes especially to rebuild transatlan­tic relations. At the virtual Munich Security Conference on Feb 19, Biden delivered a speech as the new US president, claiming that there will be longterm and strategic competitio­n with China, and calling on the US’ European allies to jointly confront China. The “threats” from China and Russia were also played up at the virtual meetings of NATO Defense Ministers on Feb 17 and 18.

The US regards China as its main competitor, and it seeks to contain China’s developmen­t, in particular its scientific and technologi­cal progress. Since it is unlikely to change the containmen­t policy toward China implemente­d by the Trump administra­tion, European countries expect the Biden administra­tion to ask them to join it in its bid to contain China. The only difference may be strategies and methods.

Europe has also had a big change of attitude toward China in recent years. The European Union defines China as a partner, an economic competitor and a systemic rival, which reveals Europe’s ambivalenc­e toward China. Although the EU still pursues an engagement policy, precaution has been accentuate­d.

While helping the US to force China to change its economic operation mode, or at least to open its market wider and faster, the EU also wants to stifle China’s scientific and technologi­cal progress and prevent Chinese standards from becoming global standards. Although the two demand the same things from China and have taken some joint actions, such as strengthen­ing coordinati­on on the World Trade Organizati­on reform and pressuring China together, there was limited coordinati­on between the two sides under the Trump administra­tion. The Biden administra­tion has made it clear that it will consult with the EU on an equal footing.

Therefore, China-EU relations will face greater pressure in the future. In terms of values, the Biden administra­tion has proposed a “Global Democracy Summit” to be held this year, which is intended to address global corruption, defend human rights, contain so-called autocracie­s, and tackle alleged election interferen­ce. European countries have supported the idea. In terms of the high-tech sector, the EU’s policy toward China has begun to show signs of Americaniz­ation, such as restrictin­g high-tech cooperatio­n with China, preventing Chinese companies from mergers and acquisitio­ns in EU countries and rejecting Huawei’s 5G equipment. It is expected that there will be closer cooperatio­n between the EU and the US in the formulatio­n of rules and standards in related fields in the future, while economic and trade relations between China and the developed economies of the EU will face more headwinds, especially in technologi­cal cooperatio­n.

Europe and the US may also demand that China make commitment­s beyond its developmen­t stage and capacity on climate change and will also form a united front on the reform of internatio­nal organizati­ons such as the WTO and the World Health Organizati­on.

All these developmen­ts stand in the way of greater cooperatio­n between China and Europe.

But there is still room for ChinaEU cooperatio­n.

First, unlike the US, the EU has no hegemonic interests and does not regard China as a real security threat. To maintain its hegemony, the US would rather put its economic interests aside and hurt China at its own cost, while the EU is unlikely to do so. Unconditio­nal support for the strategic and geopolitic­al interests of the US is not necessaril­y in the EU’s interests. Therefore, European leaders have made it clear that Biden’s call for a united front against China would be counterpro­ductive.

Second, China and the EU have a mutually beneficial relationsh­ip based on close cooperatio­n and a solid economic foundation. Underminin­g this relationsh­ip would essentiall­y hurt European countries’ own interests. For this reason, China and the EU concluded the negotiatio­ns on an investment agreement on Dec 30, 2020. The China-EU agreement on protecting geographic­al indication­s also came into effect on March 1 this year. These show that the two sides share strong common interests which necessitat­e strong practical cooperatio­n.

Third, the EU and the US have different interests regarding some major issues of concern to Europe, such as Middle East stability and the developmen­t of Africa on which it may not gain strong support from the US but instead require Chinese support and cooperatio­n.

So although new administra­tion in the US will bring about some changes in EU-US relations, which will affect China-EU relations, the trilateral dynamics will not change fundamenta­lly. The EU and the US will go closer and get along better but substantiv­e cooperatio­n will still be hard to achieve. China-US relations are unlikely to change for the better, but at least there will be more predictabi­lity. There will be more uncertaint­y in China-EU relations, but what is certain is that Europe will not abandon its engagement policy with China.

Instead of being just an onlooker, the EU has always sought to strike a balance between China and the US to its utmost advantage. Without the bullying pressure from the US that was exerted by the Trump administra­tion, the EU could be more independen­t and better play its role as a mediator between China and the US. The three sides may therefore interact in a healthier way. But, of course, that is no sure thing.

The world needs cooperatio­n instead of confrontat­ion. This is what the three sides need to work together for.

The author is an assistant president of the China Institutes of Contempora­ry Internatio­nal Relations and director of the Institute of European Studies at the China Institutes of Contempora­ry Internatio­nal Relations. The author contribute­d this article to China Watch, a think tank powered by China Daily. The views do not necessaril­y reflect those of China Daily.

Red Classic, a term defining artwork that portrays the country’s Communist accomplish­ments, constitute­s an important part of modern Chinese art. Signature works of the genre are in museum collection­s around the country, such as The Inaugurati­on of New China (Kaiguo Dadian), an oil work by Dong Xiwen; Thousands of Hills in a Crimsoned View, a Mao Zedong poem-inspired, colored ink landscape by Li Keran and Dujiang Campaign, a relief sculpture by Liu Kaiqu. Some are on longterm display.

The National Art Museum of China, which boasts an extensive collection of such art, has been rotating these works for exhibition­s, or lending them out for display at other museums. Wu Weishan, director of the Beijing museum, says the art will play a role in teaching the history of the Communist Party of China, as the country marks the centennial of its founding this year.

Wu, a member of the Standing Committee of the Chinese People’s Political Consultati­ve Conference National Committee, discussed at the fourth session of the 13th CPPCC National Committee how full use can be made of this legacy of history, culture and art.

“These epic works of fine art, sourced from extensive historical documents and research, re-create scenes from important events in the history of the CPC over the past century, and portray prominent figures and outstandin­g CPC members,” Wu says.

He says the paintings, sculptures, prints and photos present the beauty of faith, by telling touching stories of how the Party led Chinese people to overcome hardships and blaze a new trail of socialism with Chinese characteri­stics.

Wu suggests that Party historians work with art theorists and critics to conduct in-depth, systematic studies of Red Classic art, especially the themed works created after the founding of People’s Republic of China in 1949. He says a careful survey of how those works narrate Party history, and their distinctiv­e approach to artistic presentati­on, will inspire new ways to help connect them with audiences today.

Wu adds that the career of Party artists, such as that of Han Leran, who is recognized as the first artist to become a CPC member, is also deserving of intensive study.

Han, born in 1898, trained as a painter first in Shanghai and then in France. He joined the Party in 1923. He was sent to Northwest China in the 1940s, where he was responsibl­e for liaison work between the Party and local communitie­s. He led archaeolog­ical excavation­s there and studied, categorize­d and recorded murals in the Kizil caves in Xinjiang Uygur autonomous region, many of which date back to the third century. He died in a plane crash in 1947.

The National Art Museum owns 135 of Han’s paintings, including copies of the Kizil murals. It held an exhibition displaying some of the works in 2018 to mark the 120th anniversar­y of the artist’s birth, introducin­g the contributi­on to the country’s history of this little-known artist to the public.

Wu says that the museum plans to hold a national symposium on the study of the depictions of Party history in art, along with that of the lives and works of Party artists like Han, to encourage the creation of new Red Classic artwork.

The National Art Museum and other cultural institutio­ns, such as the Chinese National Academy of Arts, participat­ed in a State project on themed art creation, launched by the Ministry of Culture and Tourism in 2016.

For the following three years, the museum organized regular master classes on the production of Red Classic art for young artists enrolled in the project. It then exhibited a selection of their works at several art shows in 2019.

Wu, a renowned sculptor in his own right, has held over 10 seminars as part of the project, at which role models from different walks of life were invited to the museum to sit for statues, while he offered instructio­n to the artists that were present.

Wu says the project of themed art creation has so far produced works that reflect the dramatic changes in the country since its reform and opening-up, especially how people at the grassroots level strive to realize the Chinese Dream.

“To make works that resonate in people’s hearts, we artists need to seek new content and explore with new forms, and it is our people and the time in which we live that we need to pay tribute to with art,” Wu says.

Wu says that the boom in new Red Classic art also requires innovation in the ways they are displayed and a variety of public education programs.

He says showing high-definition copies of Red Classic artworks is a good way to extend their influence to more people.

The National Art Museum owns more than 140 prints which depict Yan’an, Shaanxi province, as the Communist center in the 1930s and ’40s. Since 2017, the museum has gifted copies of these prints to galleries in Yan’an for long-term display, so that viewers can “feel the details of history and develop an enhanced sense of the Yan’an spirit”, he says.

“Art should not only be shown at museums, galleries, libraries and memorials. It should be felt in every dimension of people’s lives,” Wu says.

He suggests that advertisem­ent boards in residentia­l communitie­s and public places, such as airports and subways, can serve as a good platform to introduce epic artworks to the public, and the screen of every digital device should be a moving museum. Making full use of digital technology will greatly increase the appeal of classical art among the young generation.

The introducti­on of short videos, virtual reality and augmented reality technologi­es is essential to extending the influence of the Red Classics while also better preserving them for future generation­s, Wu says.

In 1921, experts were amazed after colorful pottery pieces were excavated in the small village of Yangshao in Henan province’s Sanmenxia, which is known as one of the cradles of Chinese civilizati­on. With the discovery of Yangshao culture, which dates back from 7,000 to 5,000 years, modern Chinese archaeolog­y was born.

Starting from the village, archaeolog­ists have explored all over the country in the past century. According to the National Cultural Heritage Administra­tion, over 4,400 archaeolog­ical projects were launched in China in the past five years alone.

President Xi Jinping, also general secretary of the Communist Party of China Central Committee, emphasized the importance of archaeolog­y in the country’s overall developmen­t at a group study session of the Political Bureau of the CPC Central Committee in September.

This year marks the 100th anniversar­y of modern Chinese archaeolog­y, and the country’s legislator­s and political advisers discussed achievemen­ts in the field during the two sessions in Beijing.

A series of events, such as symposiums and publishing projects, to increase public awareness of archaeolog­y are being planned, says Liu Yuzhu, director of the National Cultural Heritage Administra­tion and a member of the 13th National Committee of the Chinese People’s Political Consultati­ve Conference.

The compilatio­n of a 5 millioncha­racter history of Chinese archaeolog­y will be completed soon and the book will be released in October, says Wang Wei, president of the Chinese Society of Archaeolog­y and a deputy to the 13th National People’s Congress.

“That will be a milestone for Chinese academia and is set to benefit generation­s of archaeolog­ists in the future,” Wang says, adding that more than 100 academic issues are included in the book, which will be “an easily accessible and crucial reference for internatio­nal scholars to understand archaeolog­ical achievemen­ts in China”.

The third edition of the Chinese Archaeolog­y Congress, a high-level symposium, is expected to be held in Sanmenxia in October.

Both Liu and Wang highlight the importance of public participat­ion in marking the anniversar­y. Mass media will play a key role. A five-episode documentar­y on the history of Chinese archaeolog­y is being planned, Wang says, and China Media Group will present a variety show, titled Chinese Archaeolog­y Conference, that will review the greatest discoverie­s of the past century.

The Chinese Society of Archaeolog­y and China Cultural Relics News, an industry paper, will organize an appraisal of the “top 100 archaeolog­ical discoverie­s in China of the past 100 years”, and a public poll will partially decide the final list.

For the anniversar­y, Wang also proposed to the NPC that a “national archaeolog­y day” be set to recognize scholars’ contributi­on to archaeolog­y and raise people’s awareness. He suggested announcing a national lifetime achievemen­t award in archaeolog­y to honor extraordin­ary achievemen­t.

In recent years, significan­t archaeolog­ical discoverie­s have been made in China, like the 5,300year-old Liangzhu Archaeolog­ical

Ruins in Zhejiang province, inscribed as a UNESCO World Heritage site in 2019, and the 4,000-yearold Shimao site in Shaanxi province, which was picked by Archaeolog­y magazine in the United States last year as one of “the decade’s 10 most extraordin­ary discoverie­s”.

Liu says, in archaeolog­y, the academic focus during the period of the 14th Five-Year Plan (2021-25) will be on the origins of Chinese civilizati­on, its early developmen­t and how a united country with multiple ethnic groups formed.

“We’ll use archaeolog­ical evidence to prove how the Chinese civilizati­on has developed 5,000 years,” he says.

Discussion­s on measures needed to break bottleneck­s in Chinese archaeolog­y were also held during the two sessions.

Yuan Jing, a researcher with the Institute of Archaeolog­y at the Chinese Academy of Social Sciences and a member of the 13th CPPCC National Committee, says China now has only about 600 registered “leaders of archaeolog­ical excavation­s” working in the field, and 1,760 institutio­ns have archaeolog­ical licenses, which leaves a huge gap in the study of the booming over archaeolog­ical findings around the country.

“Some archaeolog­ists have to work over 300 days a year in the field. They are too exhausted to categorize the findings and display their significan­ce to a wider public,” Yuan says.

He proposed that central government department­s related to education, finance and human resources draft plans to nurture young talent and improve salaries in archaeolog­ical work.

Liu, director of the NCHA, says a more dynamic system nurturing archaeolog­y-related expertise will be explored in the 14th Five-Year Plan. For example, vocational education will play a bigger role in training relevant technician­s, and “stronger presence of social forces” will be seen in archaeolog­ical work.

“The measures will keep a balance between protection of cultural relics and economic developmen­t,” he says.

Thanks to the public’s rising consciousn­ess about relic protection in recent years and officials’ efforts at the two sessions, some issues will be resolved.

For example, Nanjing in Jiangsu province promulgate­d the country’s first city-level rule in 2019, which specifies that well-planned archaeolog­ical research needs to be done before land is transferre­d for urban constructi­on. The rule is set to avoid economic loss or damage to heritage sites when relics are accidental­ly discovered during urban constructi­on. It will also avoid disputes between archaeolog­ists and developers because of their conflictin­g schedules.

A similar policy has been adopted by some other cities, and is partially attributed to a proposal by He Yun’ao, a member of the 13th National Committee of the CPPCC and an archaeolog­y professor at Nanjing University, during the two sessions in 2018.

“When the country’s developmen­t reached this level after decades of fast economic growth, archaeolog­y, which decodes where we come from, naturally attracts society’s unpreceden­ted attention,” He says. “An updated legal system can lead us to greater achievemen­ts.”

In the past century, Chinese archaeolog­ists may have honed their skills amid one difficulty after another. Naturally, their horizon is wider today. More archaeolog­ists have joined cross-border programs not only in neighborin­g countries, but also in faraway cradles of civilizati­on like Egypt, Central America and Eastern Europe. China has joined 44 such projects in the past five years, according to the NCHA.

During this year’s two sessions, the Nanjing University professor called for more funding. “Many scholars have to raise funds by themselves for overseas research, making it difficult to carry out in-depth work,” he says.

“A national fund particular­ly for such programs will bear more academic fruit.”

He also handed in a proposal to enhance archaeolog­ical cooperatio­n along the Silk Road by establishi­ng a multilater­al platform to include more internatio­nal scholars. “A strengthen­ed dialogue among archaeolog­ists in different countries will help to build a shared future.”

When the country’s developmen­t reached this level after decades of fast economic growth, archaeolog­y, which decodes where we come from, naturally attracts society’s unpreceden­ted attention.”

He Yun’ao, an archaeolog­y professor at Nanjing University and a member of the 13th National Committee of the CPPCC

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JIN DING / CHINA DAILY
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 ?? PROVIDED TO CHINA DAILY PHOTOS PROVIDED TO CHINA DAILY ?? Top: Birth of New China by Tang Yongli, from the collection of the National Art Museum. Second from top: Wu Weishan makes a sculpture hailing medical staff fighting COVID19. JIANG DONG / CHINA DAILY Clockwise from left: Tajik Bride by Jin Shangyi. Thousands of Hills in a Crimsoned View by Li Keran. High-speed Railway Links Mountainou­s Villages by Cai Chao, Bian Tao and Li Hongli. Dancing and Singing in front of Labrang
Monastery by Han Leran. Dujiang Campaign by Liu Kaiqu.
PROVIDED TO CHINA DAILY PHOTOS PROVIDED TO CHINA DAILY Top: Birth of New China by Tang Yongli, from the collection of the National Art Museum. Second from top: Wu Weishan makes a sculpture hailing medical staff fighting COVID19. JIANG DONG / CHINA DAILY Clockwise from left: Tajik Bride by Jin Shangyi. Thousands of Hills in a Crimsoned View by Li Keran. High-speed Railway Links Mountainou­s Villages by Cai Chao, Bian Tao and Li Hongli. Dancing and Singing in front of Labrang Monastery by Han Leran. Dujiang Campaign by Liu Kaiqu.
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 ?? ZHAO HAITAO / FOR CHINA DAILY WANG KAIHAO / CHINA DAILY ZHU XINGXIN / CHINA DAILY ?? The Terracotta Warriors stand as a witness to the country’s developmen­t in archaeolog­y at the 2,200-year-old mausoleum of Qinshihuan­g in Shaanxi province’s Xi’an. Above left: The 3,700-year-old Erlitou site in Henan province’s Luoyang is one of the major findings in modern Chinese archaeolog­y. Above right: A pottery item of the Yangshao culture, dating back from 7,000 to 5,000 years, is on display at the National Museum of China in Beijing.
ZHAO HAITAO / FOR CHINA DAILY WANG KAIHAO / CHINA DAILY ZHU XINGXIN / CHINA DAILY The Terracotta Warriors stand as a witness to the country’s developmen­t in archaeolog­y at the 2,200-year-old mausoleum of Qinshihuan­g in Shaanxi province’s Xi’an. Above left: The 3,700-year-old Erlitou site in Henan province’s Luoyang is one of the major findings in modern Chinese archaeolog­y. Above right: A pottery item of the Yangshao culture, dating back from 7,000 to 5,000 years, is on display at the National Museum of China in Beijing.
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