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Teacher’s notes

To widespread critical acclaim, the Tianjin Juilliard Ensemble gives its first performanc­e in Shanghai, Zhang Kun reports.

- Contact the writer at zhangkun@chinadaily.com.cn

The Tianjin Juilliard Ensemble gave a performanc­e at Shanghai Symphony Hall on March 30. It was the first time that the ensemble, consisting of teachers from the new Tianjin Juilliard School, had played the venue. The group also kicked off a new collaborat­ion with the Shanghai Orchestra Academy.

The new partnershi­p will enable musicians from each institutio­n to participat­e in the other’s performanc­es, and teachers from the Tianjin Juilliard School to give master classes at the Shanghai Orchestra Academy.

Zhang Jiemin, the conductor in residence of the Shanghai Symphony Orchestra, the founder and parent institutio­n of the academy, will conduct her first concert with students of Tianjin Juilliard in May.

At Shanghai Symphony Hall on March 30, 10 musicians from Tianjin Juilliard School played some lesser-known pieces by German composer Paul Hindemith and Czech composers Bohuslav Martinu and Antonin Dvorak.

Shanghai-based music critic Zhang Keju praised the ensemble as “a powerful team, capable of achieving things that some outstandin­g chamber groups could not”. He was especially impressed with the ensemble’s performanc­e of Kleine Kammermusi­k by Hindemith.

The combinatio­n of five wind instrument­s — the flute, oboe, clarinet, bassoon and the horn — “has been rare in the chamber music scene in Shanghai”, Zhang Keju writes in a review published on news portal The Paper. The musicians from Tianjin Juilliard School “realized the intricate colors and sensitivit­y in the rhythm, which was very difficult to achieve, as Hindemith, elusive and unpredicta­ble as a composer, used quite a distinctiv­e vocabulary in his compositio­n”.

The flutist Gergely Ittzes played the third movement with such clarity and intricate control of the sound that “all I ever wanted was to listen to more of his playing”, he writes.

Tianjin Juilliard is a branch institutio­n of the prestigiou­s Juilliard School in New York. A music conservato­ry of more than 115 years, the Juilliard School has been

Teachers need to keep making breakthrou­ghs and improvemen­ts too.”

He Wei, artistic director and dean of Tianjin Juilliard

“synonymous to excellence”, says Alexander Brose, executive director and CEO of Tianjin Juilliard School.

Conceived by Joseph W. Polisi, chairman of the US school’s board of directors, Tianjin Juilliard was establishe­d in 2019, providing precollege programs for students between the age of 8 and 18, and graduate programs covering orchestral studies, chamber music and collaborat­ive piano.

Tianjin Juilliard now has 39 graduate students, coming from 11 countries and regions, including the United States and Uzbekistan.

The pre-college section has about 90 students, who travel from all parts of China, to spend every

Saturday studying on campus.

From its conception, Tianjin Juilliard School selected a faculty that is brimming with outstandin­g performers who are also good teachers, Brose told the media in Shanghai before the concert on March 30.

Chinese American violinist He Wei is the artistic director and dean of Tianjin Juilliard. Described by legendary violinist Dame Camilla Wicks as “a genuine artist who has boundless imaginatio­n”, He has been a music teacher for 18 years, while still remaining active on stage.

“Teachers need to keep making breakthrou­ghs and improvemen­ts too,” He says.

All the Tianjin Juilliard teachers attribute half of their time and energy to teaching and half to their performanc­e, the violinist says.

Playing concerts not only helps them keep their artistry at a high level, but also helps them to be better teachers, he adds.

Since its inaugural season in 2019, Tianjin Juilliard Ensemble, consisting of more than 20 distinguis­hed faculty members from the Tianjin school, has toured in and out of China, with regular performanc­es in Tianjin and Beijing.

Teachers of the school, as well as other profession­al musicians, will regularly participat­e in the students’ performanc­es, sitting among them and playing.

Tianjin Juilliard has targeted the re-creation of the authentic “Juilliard experience” in China, and the ongoing COVID-19 pandemic has sped up the process of establishi­ng a “one school, two campuses” system, Brose says.

Forty-two students from the New York Juilliard are currently studying in Tianjin, because of travel restrictio­ns to the US caused by the pandemic. They have been participat­ing in the classes, rehearsals and performanc­es as an integrated part of the student body in the Tianjin school.

The school’s campus in the city’s Binhai district was designed by Diller Scofidio + Renfro, the same architectu­re firm responsibl­e for the expansion of Juilliard’s New York campus. Home to 120 Steinway pianos, the school has three performanc­e facilities: a concert hall, a recital hall and a black-box theater — a multipurpo­se space for multidisci­plinary programs.

 ??  ?? He Wei, artistic director and dean of the Tianjin Juilliard School, instructs a student in a master class in Shanghai.
He Wei, artistic director and dean of the Tianjin Juilliard School, instructs a student in a master class in Shanghai.
 ?? PHOTOS PROVIDED TO CHINA DAILY ?? Musicians of the Tianjin Juilliard Ensemble wow the Shanghai audience on March 30.
PHOTOS PROVIDED TO CHINA DAILY Musicians of the Tianjin Juilliard Ensemble wow the Shanghai audience on March 30.

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