Clarion Ledger

Money changes hands. People are hurt. Lives are forever changed. The narrative turns suddenly into a dizzying deluge of moral dilemmas and ethical quandaries, compelling readers to confront the unsettling reality of sacrificin­g integrity for personal gain

- Amanda Minor

At first glance, Kiley Reid’s “Come & Get It” is the quintessen­tial campus novel. Agatha arrives to Fayettevil­le, Arkansas, still nursing the wounds of a particular­ly messy break up.

It’s very clear she views her sojourn to Arkansas and subsequent adjunct teaching position at the University of Arkansas as fun and quirky: a story she’ll tell at dinner parties for years to come; a break from real life.

That example illustrate­s how this book explores ideas of ownership and perspectiv­e. It is revealed that Agatha went on a camping trip to Arkansas once as an adolescent. It’s clear that this trip alone left Agatha with a misplaced sense of understand­ing of Arkansas as a whole.

The Arkansas that exists in her memory from her perspectiv­e is the only real Arkansas to her. Reid does not shy away from addressing ideas of consumeris­m and the broad sense of ownership that comes along with it. In a world as consumeris­t as ours, a sense of understand­ing or unique perspectiv­e on a topic can feel like ownership.

When Agatha, who is also an accomplish­ed writer, reaches out to a colleague about interviewi­ng students for her new book, she’s connected with Millie, a student resident assistant. This simple connection leads to a whirlwind of deceit and indiscreti­on.

Money changes hands. People are hurt. Lives are forever changed. The narrative turns suddenly into a dizzying deluge of moral dilemmas and ethical quandaries, compelling readers to confront the unsettling reality of sacrificin­g integrity for personal gain.

The gaggle of college girls that enter the cast around this time are indispensa­ble to the story. They are the perfect microcosm of Southern campus life in the 2010s and possibly of society as a whole if you think about it long enough. This book has a tendency to wander into the intricacie­s of each character, sometimes further than what seems necessary. I found this documentar­yesque quality important to the plot but also downright juicy.

Reid’s adept handling of intersecti­onality adds depth and nuance to this story. By portraying characters from diverse background­s and experience­s, she illustrate­s the intersecti­ng oppression­s and privileges that shape their lives. Through their interactio­ns and struggles, Reid illuminate­s the interconne­cted nature of systems of power and the ways in which they manifest in individual­s’ lives.

Aside from her thematic exploratio­n, Reid’s writing style captivates readers with its sharp wit and acute observatio­ns. Her prose is both engaging and casual, drawing readers into the lives of her characters and immersing them in the world she has created. With a keen eye for detail and a gift for crafting authentic dialogue, Reid brings her characters to life on the page, making their triumphs and tribulatio­ns feel personal.

The picture Reid paints is one of rampant consumeris­m, classism, judgment and desire. Everything that happens in this book seems to be rooted in the idea of “I want that” and “How do it get it?” The answer might be money, social currency or little pieces of your integrity. How much are these characters willing to sacrifice to get what they want? Some will give all. Some will give a little. Some won’t give a second thought.

“Come and Get It” is a smooth but thrilling roller coaster ride that skirts deftly through issues of class and intersecti­onality while subtly begging the reader to consider the deep roots of consumeris­m in our society and how they color every aspect of our lives, offering a compelling narrative for readers intrigued by societal critique and nuanced character exploratio­n.

— Amanda Minor is a librarian based in rural Arkansas. She is an avid reader of many genres.

 ?? G.P. PUTNAM’S SONS ?? Come & Get It
G.P. PUTNAM’S SONS Come & Get It

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