Country

Musical Chairs

- GARY SLOAN ODENTON, MD

THE YEAR I MOVED from Florida to Sioux Falls, South Dakota, Sioux Falls had its worst winter in 75 years. Temperatur­es were routinely minus 25⁰F, so when an Orlando friend invited me to visit in January, I went. My connecting flight was late, so although I had a boarding pass and a seat assignment to Florida, they had already given my seat away. As I boarded, I was told, “Sir, please take the first available seat. We are ready to close the door and push the plane back.”

No seats were available except in a row blocked with yellow tape. In the middle section of the plane was a man seated next to a cello. When I asked the flight attendant about it, she said, “The man next to it bought a seat for his cello. He’s entitled to both seats.” I asked about the seats wrapped in yellow tape. She said, “The oxygen masks for that row don’t work, so no one can sit there per FAA regulation­s. If you can’t find a seat, you’ll have to leave the plane.”

So I looked her straight in the eye and said, “Is there an FAA regulation that says a cello has to occupy a seat with a working oxygen mask?” They moved the cello, and I got the seat.

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