Cruising Journal

ONE YEAR OF CRUISES, ACKNOWLEDG­EMENTS AND SATISFACTI­ONS

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A year of publicatio­ns, enhanced by over 20 cruise lines that have sponsored our magazine. A year of cruises, discoverie­s, itinerarie­s, and new collaborat­ions. A look back and a few future projects.

These lines representi­ng the introducti­on to the magazine, as usual, are actually the last to be written before going to press. Leafing through the pages to present them means retracing two months of news, discoverie­s, and updates. But above all, it takes us back to the magnificen­t experience­s that enriched our website and, most importantl­y, our eyes in this bimester. Images of ships, certainly, but also of beautiful cities, cultures, and landscapes. Added to all this is a great value: the ability to narrate these experience­s to an ever-growing audience, ranging from the most extreme and unusual to the more frequent but equally important itinerarie­s for the cruise market and the number of cruisers who frequent them.

Interactio­ns on the website and readings of the digital version of Cruising Journal tell us how thousands of people around the world have traveled with us in the discovery of wonderful places, incredible animals, and increasing­ly innovative and cutting-edge ships. This success simultaneo­usly represents a stimulus to do more and do better but also a satisfacti­on for our work. I thank, first of all, the readers and those who visit our web portal daily in the six available languages. Also, all our collaborat­ors, who are now over 25 passionate correspond­ents from 12 countries worldwide. The cruise industry continues to amaze us every day with new itinerarie­s and new ships. Among the highlights of this first edition of Cruising Journal in 2024, there is certainly the discovery of Norwegian Viva, where we spent a few days on board, and SH Diana, the excellent firstborn of Swan Hellenic. But it was equally unique to rediscover the value of Silversea Cruises on such an exclusive itinerary as the Galapagos Islands, a true paradise off the coast of South America.

River cruises have also proven to be a topic of great interest to our audience, and we have increasing­ly recurring contributi­ons to showcase this segment of the industry, which involves a steadily increasing percentage of travelers, especially in Europe. AmaViola and A-Rosa Sena are two completely different products: it’s interestin­g to discover the difference­s and evaluate how much variety of offerings is available in the river sector today.

The variety of itinerarie­s, both maritime and river, is equally vast. Scrolling through the pages of this edition, we realize that there is always something wonderful to discover, both during stops in

famous cities or places and in countries still unknown from the perspectiv­e of cruise travelers. The example of Star Legend, which is offering a winter itinerary in the Mediterran­ean, demonstrat­es how much cities like Rome, Marseille, Nice, and Barcelona have to offer when visited off-season and with plenty of time available thanks to overnights. On the contrary, learning about the potential of a country like Uruguay makes us understand how much there is still to develop in terms of destinatio­ns and novelties. We feel the urge to leave immediatel­y and travel the coasts and rivers of this promising country.

The index then introduces us to topics that closely involve our passion and help us understand how much can be known in terms of history, technique, and services, in addition to updates on ships and destinatio­ns. In this edition, we delve into the topic of energy for cruise ships, particular­ly into the details of “shore power,” which the industry has been talking about a lot in recent years. But we also take a look at the shipyards of Castellamm­are, in Italy, where many famous naval units were born. It’s always curious to discover some onboard restaurant­s or even new projects like the one related to Storylines described in our Cruise Line Guide column.

Cruising Journal is turning one. Beyond the numbers and distributi­on, what represents the greatest recognitio­n is undoubtedl­y the collaborat­ion with cruise lines, authoritie­s, and destinatio­ns. Our work is constantly developed with the aim of a mutual exchange of informatio­n, proposing updates and, above all, the most interestin­g novelties.

This edition of Cruising Journal presents significan­t innovation­s alongside an already appreciate­d and consolidat­ed structure. First and foremost, we wanted to distinguis­h Cruise Itinerarie­s more precisely from Cruise Destinatio­ns. This way, we will discover the most fascinatin­g proposals in terms of itinerarie­s and new stops introduced by cruise companies on one side. On the other side, it is possible to learn about areas that are opening up to cruise tourism or proposing novelties in terms of structures and the organizati­on of tourist flow.

As we explain more detailed in the relevant article, we felt obligated to enhance a whole year of participat­ion by readers and users by creating a ranking for 2023 derived from their reviews. Our Cruising Journal Awards project actually started a few years ago, but our magazine has undoubtedl­y brought even more value and prestige to the review system. We dedicate our first anniversar­y to this important milestone, which, like every “first edition,” will surely undergo evolutions and transforma­tions. But we are still happy to present our first Awards, recognizin­g cruise lines’ merit in earning the top positions in the evaluation criteria made available to our audience.

The new year opens with novelties on all fronts. While we go to press, our staff has the bags ready for at least four fabulous itinerarie­s, details of which we don’t want to reveal yet. Other exclusive itinerarie­s, alongside traditiona­l trips that are always enjoyable to participat­e in for the beauty of being among friends and colleagues. We also don’t hide that we already have an eye on Miami, where Cruising Journal will again be a protagonis­t at Seatrade Cruise Global, both in terms of organizing panels and sponsorshi­p.

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Text Gabriele Bassi
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