Notre Dame cathedral spire gets weathervane
A French national symbol of vigilance caps restoration after building's 2019 fire
PARIS » Notre Dame Cathedral got its rooster back Saturday, in a pivotal moment for the Paris landmark's restoration.
The installation by a crane of a new golden rooster, reimagined as a dramatic phoenix with licking, flamed feathers, goes beyond being just a weathervane atop the cathedral spire. It symbolizes resilience amid destruction after the devastating April 2019 fire — as restoration officials also revealed an anti-fire misting system is being kitted out under the cathedral's roof.
Chief architect Philippe Villeneuve, who designed this new rooster, stated that the original rooster's survival signified a ray of light in the catastrophe.
“That there was hope, that not everything was lost. The beauty of the (old) battered rooster... expressed the cry of the cathedral suffering in flames,” Villeneuve said. He described the new work of art, approximately 11/2 feet long and gleaming in the December sun behind Notre Dame Cathedral, as his “phoenix.”
Villeneuve elaborated on the new rooster's significance, saying: “Since (the fire) we have worked on this rooster (the) successor, which sees the flame carried to the top of the cathedral as it was before, more than 96 meters from the ground... It is a fire of resurrection.”
In lighthearted comments, the architect said that the process of design was so intense he might have to speak to his “therapist” about it.
Before ascending to its perch, the rooster — a French emblem of vigilance and Christ's resurrection — was blessed by Paris Archbishop Laurent Ulrich in a square behind the monument. The rooster — or “coq” in French — is an emotive national emblem for the French because of the word's semantics — the Latin gallus meaning Gaul and gallus simultaneously meaning rooster.
Ulrich placed sacred relics in a hole inside the rooster's breast, including fragments of Christ's Crown of Thorns and remains of St. Denis and St. Genevieve, infusing the sculpture with religious importance.
The Crown of Thorns, regarded as Notre Dame's most sacred relic, was among the treasures quickly removed after the fire broke out. Brought to Paris by King Louis IX in the 13th century, it is purported to have been pressed onto Christ's head during the crucifixion. A sealed tube was also placed in the sculpture containing a list the names of nearly 2,000 individuals who contributed to the cathedral's reconstruction, underscoring the collective effort behind the works.