Daily Freeman (Kingston, NY)

Toots Hibbert, 77, reggae star, Mountain Jam performer

- By Hillel Italie

Toots Hibbert, one of reggae’s founders and most beloved stars who gave the music its name and later helped make it an internatio­nal movement through such classics as “Pressure Drop,” “Monkey Man” and “Funky Kingston,” has died. He was 77.

Hibbert, frontman of Toots & the Maytals, had been in a medically-induced coma at a hospital in Kingston, Jamaica, since earlier this month. He was admitted in intensive care after complaints of having breathing difficulti­es according to his publicist. It was revealed in local media that the singer was awaiting results from a COVID-19 test after showing symptoms.

News of the five-time Grammy nominee’s illhealth came just weeks after his last known performanc­e, on a national livestream during Jamaica’s Emancipati­on and Independen­ce celebratio­ns in August. Hibbert had performed with Toots & the Maytals during Mountain Jam at Hunter Mountain in 2010. The group performed at the music festival again in 2019 when it moved Bethel.

A family statement said Hibbert died Friday at University Hospital of the West Indies in Kingston, Jamaica, surrounded by family.

Ziggy Marley, son of Bob Marley, tweeted about the death saying he spoke with Hibbert a few weeks ago and, “told him how much i loved him we laughed & shared our mutual respect,” adding, “He was a father figure to me.”

A muscular ex-boxer, Hibbert was a bandleader, songwriter, multi-instrument­alist and showman whose concerts sometimes ended with dozens of audience members dancing with him on stage. He was also, in the opinion of many, reggae’s greatest singer, so deeply spiritual he could transform “Do re mi fa so la ti do” into a hymn. His raspy tenor, uncommonly warm and rough, was likened to the voice of Otis Redding and made him more accessible to American listeners than many reggae artists. Original songs such as “Funky Kingston” and “5446 That’s My Number” had the emotion and call and response arrangemen­ts known to soul and gospel fans. Hibbert even recorded an album of American hits, “Toots In Memphis,” which came out in 1988.

Never as immersed in politics as his friend and great contempora­ry Bob Marley, Hibbert did invoke heavenly justice in “Pressure Drop,” preach peace in “Revolution,” righteousn­ess in “Bam Bam” and scorn over his 1960s drug arrest and imprisonme­nt in “54-46 That’s My Number.” He also captured, like few others, everyday life in Jamaica in the years following its independen­ce from Britain in 1962, whether telling of wedding jitters (“Sweet and Dandy”) or of trying to pay the rent (“Time Tough”). One of his most popular and surprising songs was his reworking of John Denver’s nostalgic “(Take Me Home) Country Roads,” with the setting changed from West Virginia to a world Hibbert knew so well.

Almost heaven, West Jamaica

True ridge mountains Shining down the river All my friends there Older than those ridge Younger than the mountains

Blowin’ like a breeze

•••

As with other reggae stars, Hibbert’s following soared after the release of the landmark 1972 film, “The Harder They Come,” which starred Jimmy Cliff as a poor Jamaican who moves to Kingston and dreams of a career in music. The Jamaican production was a word of mouth hit in the U.S. and the soundtrack, often ranked among the greatest in movie history, included the Maytals’ “Pressure Drop” and “Sweet and Dandy.” Hibbert also appeared in the film, as himself, recording “Sweet and Dandy” in the studio while Cliff’s character looks on with awe. Around the same time, the Maytals signed with Island Records and released the acclaimed album “Funky Kingston,” which the critic Lester Bangs called “the most exciting and diversifie­d set of reggae tunes by a single artist yet released.” (The album would eventually come out in two different versions).

By the mid-1970s, Keith Richards, John Lennon, Eric Clapton and countless other rock stars had become reggae fans and Hibbert would eventually record with some of them. A tribute album from 2004, the Grammy winning “True Love,” included cameos by Richards, Bonnie Raitt, Ryan Adams and Jeff Beck. Hibbert also was the subject of a 2011 BBC documentar­y, “Reggae Got Soul,” with Clapton, Richards and Willie Nelson among the commentato­rs.

A guest appearance on “Saturday Night Live” in 2004 brought Hibbert an unexpected admirer, the show’s guest host, Donald Trump, who in his book “Think Like a Billionair­e” recalled hearing the Maytals rehearse: “My daughter Ivanka had told me how great they were, and she was right. The music relaxed me, and surprising­ly, I was not nervous.”

The Maytals originally were a vocal trio featuring Hibbert, Henry “Raleigh” Gordon and Nathaniel “Jerry” Mathias, with the group later adding such instrument­alists as bassist

Jackie Jackson and drummer Paul Douglas. They broke up in the early 1980s, but the following decade Hibbert began working with a new lineup of Maytals.

Hibbert’s career was halted in 2013 after he sustained a head injury from a vodka bottle thrown during a concert in Richmond, Virginia, and suffered from headaches and depression. But by the end of the decade he was performing again and in 2020 he released another album, “Got To Be Tough,” which included contributi­ons from Ziggy Marley and Ringo Starr, whose son, Zak Starkey, served as coproducer.

Grammy nomination­s for Hibbert included best reggae album of 2012 for “Reggae Got Soul” and best reggae album of 2007 for “Light Your Light.” Hibbert was ranked No. 71 on a Rolling Stone list, compiled in 2008, of the 100 greatest contempora­ry singers.

 ?? ELIAS FUNEZ - MEMBER IMAGE SHARE, THE UNION ?? In this July 13, 2019 file photo, Toots Hibbert performs with the Maytals in Grass Valley, Calif.
ELIAS FUNEZ - MEMBER IMAGE SHARE, THE UNION In this July 13, 2019 file photo, Toots Hibbert performs with the Maytals in Grass Valley, Calif.

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