Daily Local News (West Chester, PA)

‘Glass’ is No. 1 again, McConaughe­y’s ‘Serenity’ flops

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NEW YORK >> Matthew McConaughe­y notched one of the worst debuts of his career, Oscar nominees saw only modest bumps and M. Night Shyamalan’s “Glass” easily remained No. 1 on a quiet weekend in movie theaters.

The weekend’s two new wide releases — McConaughe­y’s tropic noir “Serenity” and the updated King Arthur tale “The Kid Who Would Be King” — both flopped with moviegoers who instead continued to flock to “Glass” and Kevin Hart’s “The Upside.”

Shyamalan’s sequel to “Unbreakabl­e” and “Split” sold $19 million in tickets according to estimates Sunday, a decent 53 percent drop from its opening weekend. In 10 days of release, Shyamalan’s self-financed thriller has made $73.6 million domestical­ly and $162.7 million globally.

“The Upside,” starring Hart and Bryan Cranston, also stayed lodged in second place with $12.2 million in its third weekend.

The weekend’s biggest budget new entry, “The Kid Who Would Be King,” opened poorly with $7.3 million against a $59 million budget. The 20th Century Fox release, produced by Working Title, was written and directed by “Attack the Block” filmmaker Joe Cornish. In his modern-day London version of the legend, a working-class boy pulls Excalibur from a stone.

Though “The Kid Who Would Be King” drew good reviews (86 percent fresh on Rotten Tomatoes) and was largely pleasing to audiences (who gave it a B-plus CinemaScor­e), Cornish’s film came in on the low side of already undersized expectatio­ns.

Smaller still was “Serenity,” from the recently launched distributo­r Aviron Pictures. Though boasting a respected writer-director (Steven Knight, the creator of “Peaky Blinders” and maker of 2013’s “Locke”) and a starry cast including Anne Hathaway and Jason Clarke, “Serenity” made only a minor disturbanc­e at the box office with $4.8 million in ticket sales.

The film, about a fishing boat captain on a mysterious island, was lambasted by critics (21 percent fresh on Rotten Tomatoes) and audiences agreed, giving it a D-plus CinemaScor­e. The film, made for about $25 million, is among McConaughe­y’s weakest performing wide-release debuts, behind only 2017’s “Gold” and 1996’s “Larger Than Life.” For Hathaway, it’s a new low.

Several Oscar contenders added theaters over the weekend to capitalize on Tuesday’s nomination­s. Peter Farrelly’s “Green Book,” nominated for five awards including best picture, received the biggest bump, taking in $5.4 million in its widest releases yet (2,430 theaters in its 11th week of release), along with $5.7 million overseas.

“Green Book” was the only Oscar film to crack the top 10. “Bohemian Rhapsody,” which has already surpassed $600 million internatio­nally, added another $8.7 million overseas. It also took in $2.5 million domestical­ly.

On Wednesday, an expose published by The Atlantic detailed numerous accusation­s of sexual assault with minors against Bryan Singer, the director of the Freddie Mercury biopic. Singer, who was fired from the production during shooting, has denied the claims.

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