Daily Local News (West Chester, PA)

Why ‘WandaVisio­n’ fans will be ‘heartbroke­n’ by ‘Doctor Strange 2’

- By Christi Carras

What is “Doctor Strange in the Multiverse of Madness” if not “WandaVisio­n” perseverin­g?

Marvel fans longing for a second season of “WandaVisio­n” can take solace knowing that the latest “Doctor Strange” film — which premiered Monday night in Hollywood — essentiall­y functions as a sequel to the Disney+ limited series.

In addition to continuing the titular sorcerer’s journey as protector of the universe — or universes, rather — the trippy superhero epic also builds directly upon the magic and the trauma of “WandaVisio­n,” starring Elizabeth Olsen as Sokovian enchantres­s Wanda Maximoff.

Directed by “SpiderMan” veteran Sam Raimi, “Doctor Strange in the Multiverse of Madness”’ sees Olsen reprise her role as Wanda opposite Benedict Cumberbatc­h as Doctor Strange, Benedict Wong as Wong and newcomer Xochitl Gomez as America Chavez.

“Wanda has always been a huge character, and people love Lizzie as Wanda, but ‘WandaVisio­n’ expanded her. It made her more of a real character,” said “Multiverse of Madness” co-producer Mitch Bell at Monday’s premiere.

“The fans were excited about seeing her and where she goes after that.”

For anyone who missed the water-cooler moment that was “WandaVisio­n” (or simply needs a refresher): The popular show saw Wanda cast a utopian hex over the suburban neighborho­od of Westview, N.J., after losing her brother, Pietro, and her romantic partner, Vision, in battle.

Inside the hex, Wanda was able to temporaril­y escape her debilitati­ng grief by conjuring an idyllic life with Vision and their twin sons, Billy and Tommy, that resembled her favorite family sitcoms. But if there’s anything both Wanda and Doctor Strange have learned, it’s that mortality-defying sorcery comes at a hefty price, and Wanda eventually was forced to return to a reality where her brother, partner and children don’t exist.

If that all sounds a little dark and profound for a Disney-owned superhero franchise, it was. The miniseries received 23 Emmy nomination­s, as well as critical acclaim for its allegorica­l depiction of the stages of grief, which continue to play a pivotal role throughout “Doctor Strange in the Multiverse of Madness.”

“Marvel, what we want to always do is heart and humor in the movies,” Bell said.

“You want to make sure that people laugh, and you want to make sure that people have a really good time. Adding the grief aspect of it just [means] more emotions . ... That [makes] fans more attached to the characters . ... They’re going to be heartbroke­n by a few things in this movie.”

While mapping the sprawling plot of “Doctor Strange in the Multiverse of Madness,” screenwrit­er order to get into Wanda’s devastated headspace and determine the next phase of her emotional arc, he watched sad movies and ordered “a bunch of pizza.”

“It’s compelling to put characters that you know really well through difficult seasons of loss,” Waldron said. “We’re always looking through that.”

“I don’t think grief is something that you move on from,” Olsen said at the premiere. “It’s something you just learn to live with.”

At the end of “WandaVisio­n,” Olsen’s character finally begins to transform into her powerful alter ego, the Scarlet Witch. Now that she’s arrived, “Multiverse” makes it clear that the Scarlet Witch is here to stay in the Marvel Cinematic Universe.

“Where [Wanda] is right now is also accepting that she is this mythic woman, the Scarlet Witch,” Olsen said. “Someone who’s taking ownership of that power and has more confidence than we’ve ever seen before.”

Newspapers in English

Newspapers from United States