Daily Press (Sunday)

6 biggest takeaways from the 2020 Tony nomination­s list

- By Gordon Cox

Would any time be a good time for the Tony Awards this year? With the country gripped by a pandemic, a presidenti­al election and an overdue reckoning on racial justice — and a Broadway industry struggling to survive a shutdown that will extend through at least May — it seems an awkward time to be celebratin­g. But despite all the uncertaint­ies, the awards have forged ahead with the announceme­nt of the 2020 Tony nomination­s on Thursday. Here are seven takeaways from the list.

There’s still no date for the ceremony

Wondering when the winners will be announced? So is everybody else. No official date has been set for the 2020 Tony Awards, although sometime in early December seems the likeliest bet. There are also no details on what format the ceremony will take, or if it will get its traditiona­l spot on the CBS broadcast schedule.

It’s going to be hard to make this year’s awards feel like more than a rushed formality

The lack of clarity, this late in the game, isn’t helping the impression that the awards this year are more of an obligation than a celebratio­n. That, in turn, risks making the nomination­s feel like “the best we could do in a bad year” — which threatens to diminish the work of the creatives and producers on the list. Take the race for lead actress in a musical: There are only three contenders — Karen

Olivo (“Moulin Rouge! The Musical”), Elizabeth Stanley (“Jagged Little Pill”) and Chesapeake’s Adrienne Warren (“Tina”) — but every one of them would be a surefire nominee in any other year, and strong competitio­n for the award itself.

Tone will be tricky

Whatever the ceremony looks like, it’s going to be near-impossible to strike a balance between celebratio­n and seriousnes­s that

will please everyone. The nomination­s announceme­nts offered a glimpse of that, as Tony winner James Monroe Iglehart (“Aladdin”) put on a cheerful, friendly demeanor that couldn’t help but feel a little awkward, given the circumstan­ces.

The design nomination­s underscore what a small, closed community

Broadway can be

You’ll see a lot of names come up more than once among the design nominees: Both costume designer Dede Ayite (“Slave Play,” “A Soldier’s Play”) and lighting designer Justin Townsend (“Jagged Little Pill,” “Moulin Rouge!”) are competing with themselves in the same category, while costume and set designer Clint Ramos (“Slave Play,” “The Rose Tattoo”) and set designer Derek McLane (“Moulin Rouge!,” “A Soldier’s Play”) show up in more than one category. That’s great news for those designers, of course, but it’s also an indicator of just how small the world of Broadway can be, and how often a risk-averse industry bets on untried talent, especially behind-the-scenes.

‘Slave Play’ broke the record previously held by ‘Angels in America’

It’s an open question whether records mean much in an abbreviate­d year, but it’s still notable: Jeremy O. Harris’ buzzy, controvers­ial “Slave Play” walked away with an even dozen nomination­s. That ’s a record-breaking tally for a non-musical; the previous record holder was the 2018 revival of “Angels in America,” which earned11no­minations.

These will be the last Tony Awards for a while

With the 2020-21 season effectivel­y cancelled by the announceme­nt that Broadway would remain dark through May, the upcoming ceremony, whatever it looks like, is going to be the last of Broadway’s awards celebratio­ns for a long time.

 ?? MATTHEW MURPHY/ASSOCIATED PRESS ?? This image released by Vivacity Media Group shows Elizabeth Stanley, left, and Celia Rose Gooding during a performanc­e of “Jagged Little Pill.”
MATTHEW MURPHY/ASSOCIATED PRESS This image released by Vivacity Media Group shows Elizabeth Stanley, left, and Celia Rose Gooding during a performanc­e of “Jagged Little Pill.”

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