LaVette finds album’s groove with help from friends
Renowned for making sad tunes sadder, song stylist extraordinaire Bettye LaVette was strikingly upbeat, for two reasons.
First, she had just recently learned that one of her old tunes, 1970’s “Easier to Say Than
Do,” had landed on the soundtrack to “The Beanie Bubble,” a film starring Elizabeth Banks and Zach Galifianakis. “I have no idea how or why,” she said with a long, dry cackle.
“I’m just glad they’re saying my name.”
Second, LaVette is stoked about her own new album, “LaVette!” featuring the Southern soul songs of Randall Bramblett and all-star guests like John Mayer, Jon Batiste and Steve Winwood.
“As Hubert Humphrey used to say, I’m as pleased as punch,” said LaVette of the record now available.
The veteran singer discovered Bramblett about eight years ago when he opened for her in an Annapolis, Maryland, club. He gave her a couple of his CDs. Then her manager/ husband explored more
of Bramblett’s catalog and made a mix CD for her. She was smitten by the songs.
“He wrote them for me, but he didn’t know it,” LaVette said in an August interview from her New Jersey home. “He gave me liberty to personalize them by making them more feminine or twisting the story around.”
This time, LaVette isn’t re-imagining familiar numbers. She’s finding herself in obscure tunes,
discussing life’s dilemmas with pathos and sometimes self-deprecating humor. There’s the pushback of “Don’t Get Me Started” and the heartbreaking “I’m Not Gonna Waste My Love.” On the simmering funk single “Plan B,” she admits that she’s not cut out for a day job and has no fallback strategy.
LaVette and Bramblett met only once in person but talk often on the phone. “He’s the only person I know who has had more flop records than I’ve had,” LaVette said. “He’s had 17 albums and none of them have sold.”
The Michigan native got her start on Motown as a teenager, scoring minor R&B hits in the 1960s.
After decades in obscurity save for a six-year stint on Broadway in “Bubbling Brown Sugar,” LaVette launched a recording comeback in 2003, making a series of themed albums — including a collection of tunes by female songwriters, material from the British Invasion and pieces by Bob Dylan.
She has received recognition along the way, including blues awards and Grammy nominations. She authored a raw, riveting, celebrity-filled 2012 memoir, “A Woman Like Me.” But none of her well-reviewed endeavors has been a big seller.
Steve Jordan, best known now as the Rolling Stones’ new drummer, produced her previous two albums. When he heard the material that she wanted to record next, he not only agreed to produce the project but to release it on his label, Jay-Vee Records.
“Steve Jordan is my Quincy Jones,” said LaVette, 77, who jokes that she’s in her fifth career.
“He got a chance to be very broad and proficient, and most Black producers don’t get a chance to do that. My only regret is that I’m so damn old; I wish I could have met him when I was 30.”
LaVette’s version of
“Let Me Down Easy,” which went to No. 20 on the R&B charts in 1965, was sampled last year by electronic duo Odesza for its dance tune “The
Last Goodbye,” with their video featuring footage of an 18-year-old LaVette singing. And the tune was tapped for a TV commercial for Apple’s MacBook Air.
“I’m still trying to catch my breath. I’ve never gotten a check for quite that sum in my 62 years in show business,” she said, noting that Odesza is giving her half of the proceeds. “I’m so grateful, flattered and totally overwhelmed. I’m grateful for all these tidbits. I wish I didn’t have to view them from my walker.”
She broke into a prolonged cackle.