It’s time Trevor Noah takes home an Emmy Award
The same slate of six late-night talk shows have earned Emmy nominations the last two years. And though the COVID-19 pandemic has upended their formats and presentation, it’s a pretty safe bet that voters will return all six series to the Emmys this year. Why change ... until it’s time to award the trophy. Then voters would do well to consider an old favorite they haven’t rewarded since it changed hosts five years ago.
Here’s how the variety talk series categories are shaping up, along with a relatively robust group of television movies.
VARIETY TALK SERIES:
“The Daily Show With Trevor Noah,” “Last Week Tonight With John Oliver,” “The Late Show With Stephen Colbert,” “Jimmy Kimmel Live!,” “Full Frontal With Samantha Bee,” “The Late Late Show With James Corden.” Next up: “Late Night With Seth Meyers,” “The Tonight Show Starring Jimmy Fallon,” “Conan,” “Desus & Mero,” “A Little Late With Lilly Singh.”
Late-night television adapted to the mandated shutdown with impressive speed, delivering often intimate looks at hosts’ lives (and homes) in ways that have provided some small measure of comfort in uncertain times. And, in the aftermath of the police killing of George Floyd, the programs often provided vital forums to discuss racism and systemic inequality, with one host, Fallon, thoughtfully grappling with a past “Saturday Night Live” sketch in which he wore blackface to portray Chris Rock.
The most vital voice has belonged to Noah, who has spoken with anger and urgency on race in America, specifically, the country’s long history of racist law enforcement. Noah’s segment on the recent police killing of Rayshard Brooks in a Wendy’s parking lot found him searching to make sense of another police shooting of an unarmed Black man. Noah ticked off the reasons some people use to explain the killings, the “ifs.”
“If you didn’t resist arrest, then you’d still be alive,” he said. “Or if you didn’t run away from the cops, you’d still be alive. Well, if you didn’t have a toy gun and were 12 years old in the middle of a park, then you would have still been alive. Well, you know what, if you weren’t wearing a hoodie, then you would have still been alive. If you didn’t talk back to the cops, you would have been still been alive. If you weren’t sleeping in your bed as a Black woman, you would have still been alive.
“There’s one common thread beyond all the ‘ifs.’ If you weren’t Black, maybe you’d still be alive.”
There’s been no shortage of meaningful conversation on all these shows for the last few months. “The Daily Show,” though, has been absolutely essential.
TELEVISION MOVIE:
“El
Camino,” “Bad Education,” “Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend,” “American Son,” “Togo.” Next up: “Patsy & Loretta,” “Troop Zero,” “Selah and the Spades,” “A Christmas Carol,” “Transparent Musicale Finale.”
“Black Mirror” episodes (yes, “episodes,” not movies) have prevailed in this category three years running, leading the Television Academy to stipulate TV movie submissions must have a running time of at least 75 minutes. It was weird then that they caved in April, allowing Netflix to submit “Smithereens,” a 70-minute “Black Mirror” episode starring “Fleabag’s” Adam Scott playing a London ride-hailing driver whose user rating is destined to go down the toilet. Then, after an outcry, the TV academy flipflopped again, ruling “Smithereens” would compete in the drama series category.