Nighy, Ward shine in uplifting crowd-pleaser of soccer movie
“The Beautiful Game,” a new movie starring Bill Nighy and Micheal Ward, is about a reallife international soccer tournament called the Homeless World Cup.
Don’t go in expecting documentary realness or grit, however. This is a movie-movie, tidily constructed to leave audiences feeling inspired and uplifted. This isn’t a bad thing — verité authenticity has its place, but so do well constructed, glossy fantasies that still evoke authentic emotion and get at some essential truths. This Netflix release, directed by Thea Sharrock, is firmly the latter. Just managing expectations.
The first Homeless World Cup was held in 2003, and in the past two decades, nearly 70 countries and 1.2 million people have participated. And yet, I suspect, its existence might come as a surprise to many. The foundation’s goals are noble, raising awareness for homelessness in major world cities and giving players a sense of pride and community.
Colin Farrell, who narrated the 2008 documentary about the games, “Kicking It,” and has since become an ambassador for the foundation, is one of the producers on the film. Screenwriter Frank Cotrell-Boyce also worked with the foundation and past participants to inspire the characters he’d end up writing. It may be a movie, but it has legitimacy in its bones.
If you have a “Ted Lasso”shaped hole in your heart, or are still feeling burned from Taika Waititi’s misfire “Next Goal Wins,” this might just do the trick. Ward is Vinny, a down-onhis-luck dad to a young girl who also happens to be an immensely talented player. But he’s not remotely ready to join any team, even one going to a real tournament in Rome, that has the word “homeless” in it.
Nighy plays Mal, a kind, soft-spoken soccer legend who coaches the unhoused England team: Nathan (Callum Scott Howells), Aldar (Robin Nazari), Kevin (Tom Vaughan-Lawlor), Cal (Kit Young) and Jason (Sheyi Cole). They all have stories of how they got where they were, but all are eager to play. Vinny is the stick in the mud, making things tense at every turn. Essentially, he thinks he’s better than his teammates on the field and off, which, of course, says more about him than the other guys.
While Vinny and the England team are the primary focus, there are B-plots given to Japan’s firsttime team full of older players and an ambitious young coach (Aoi Okuyama); America, a woman’s team with a star player (Cristina Rodlo); and South Africa, the best of the bunch under the leadership of a shrewd nun, Protasia (Susan Wokoma).
For an ensemble as big as this, the story does an admirable job of giving most something to do. It’s not a bad travelogue for Rome either, and it’s also always nice to have a dash of Valeria Golino, who is leading the tournament.
Is it a little glossy and sanitized with a jaunty score? Sure. But it also thoughtfully explores themes of redemption, invisibility, pride and sportsmanship without being preachy or condescending.
And, not for nothing, Sharrock and her team do a good job of showing just how exciting soccer can be — not a feat many movies have accomplished.