‘Mrs. Fletcher’ deftly explores empty nest from both sides
Within the past few years, it seems every peer onmy Facebook feed sent their first child off to college, and then barely a few weeks pass before you see celebratory photos of the kid’s first visit home. There’s loving your children and then there’s being besotted with them.
Perhaps that’swhy I’m so drawn to Eve Fletcher, the fed-up single mother so enticingly, relatably portrayed by Kathryn Hahn inHBO’s scrumptious new dramedy “Mrs. Fletcher,” premiering Sunday.
Eve’s popular but brutish 18-year-old son, Brendan (Jackson White), is a self-absorbed jerk on the day she drives him to his freshman dorm at a campus several hours away.
He deprives her of even a hint of gratitude or fond farewell, choosing to spend the last minutes before they depart upstairs in his bedroom, receiving oral sex fromhis ex-girlfriend, while Eve packs theGrand Caravan.
Because Eve unfortunately overheard the crude, misogynistic names Brendan called the girl while being intimate, she tries to have a talk to her son about respect while driving to the university.
“You have to be nice to women,” she stammers. “Especially now, you know, in this day and age— in life, really.” He tunes her out and turns up the radio.
With Brendan gone (and never answering her texts), Eve realizes that she spent too many years forgetting to have a life outside of raising him andworking at her job as the director of a community center for senior citizens. She comes home, pours a glass of wine and opens her laptop to
explore the wideworld of streaming hardcore porn.
In addition to exploring her dirtier thoughts, Eve enrolls in a personal essaywriting class at the local community college, taught byMargo (Jen Richards), a transwoman. There are only a few other students in the class— one of them is Julian (Owen Teague), a quiet, 18-year-old freshman who happens to have been on the receiving end of Brendan’s bullying in high school. Julian instantly develops a crush on Eve, who is not altogether opposed to his interest; it fuels the olderwoman/ younger lover fantasies she’s been exploring online.
The running theme through “Mrs. Fletcher” is howquicklywe tend to shut off the avenues that may lead us to our greater satisfactions— even the private ones. The show excels atweaving a diverse bundle of stories together into a story about personal awareness. The teacher wonders whether her attraction to a cisgendered, heterosexual male in the class (Rashad Edwards) is mutual; a free-spirited co-worker (KatieKershaw) helps Eve loosen up; Eve’s neighbor (Casey Wilson) suffers the effects of a long-stewing marital crisis.
Although the showis
obviously and correctly centered onHahn as Eve, the real surprise is White’s memorable and terrifically nuanced performance as Brendan.
The best parts of the show follow Brendan into his disastrous first semester. He’s cocky and confident in a socially woke, liberal studies environment that no longer puts a primacy on conferring BMOC status on each and every dude-bro who swaggers across the quad. He’s shunned by young women, abandoned by his roommate and written off by his academic adviser— and, to a great degree, he deserves it. Beneath his toughness, he feels rejected by his father, Ted (JoshHamilton), Eve’s ex-husband, who has remarried a youngerwoman and nowhas a young autistic son.
“The thing is, you’re good. I don’t have toworry about you,” Ted assures Brendan, before cutting short a parents’weekend visit. “You’re so smart, you’re good at sports, people love you. You’re good, yeah?”
It couldn’t be further fromthe truth, and it has always been series creator TomPerrotta’s great gift to give dimension and depth to characters who, on the surface, haven’t earned our sympathies.