Daily Southtown

Scheheraza­de program wraps orchestra’s season in Palos Heights

- By Jessi Virtusio Jessi Virtusio is a freelance reporter for the Daily Southtown.

Illinois Philharmon­ic Orchestra’s Scheheraza­de concert not only closes the group’s 2021-22 season but also features the last of three world premieres from composer-in-residence Martha Horst.

“I’m thrilled that they honored their commitment to present this piece,” said Horst, who began her tenure as composer-in-residence during Illinois Philharmon­ic Orchestra’s 2019-20 season.

Horst’s “Reverberat­ions” debuts May 14 at Trinity Christian College’s Ozinga Chapel in Palos Heights.

“I wrote this piece in approximat­ely three months. That would have been in 2019. The due date was in March 2020 so I was literally putting it in the mail as the COVID lockdown was happening,” said Horst, of Normal.

“It’s written for a standard-size orchestra, and it features little cells that echo through the different instrument­s of the orchestra and mimic echoes of reverberat­ing through an acoustic hall.

“The use of the word ‘reverberat­ion’ can refer to an echo sound in a room but we also use the word as in something reverberat­es with me like the effect of COVID. It’s also about ideas coming back in a memory sort of way.”

Horst won Illinois Philharmon­ic Orchestra’s 2019 Classical Evolve compositio­n competitio­n with a piece titled “emergere” after workshoppi­ng the piece with music director Stilian Kirov.

“The way they did the contest, which is really clever, is you applied to be considered. Then they had three finalists and asked us to write a piece quickly for this large ensemble subset of the orchestra,” she said.

“This was the first time I worked with Stilian. Before the pieces were performed, he sat down with each of us for 20 minutes and went over things in the score.

“Audience members could even participat­e like ‘American Idol’ and help choose who they thought should be the composer-in-residence.”

Horst, whose piece “Among the Arbor” world premiered on April 22 during Lawrence Axelrod’s piano recital at Museu Nacional da Música in Portugal, was given the opportunit­y to write three works for Illinois Philharmon­ic Orchestra as part of winning Classical Evolve.

“Ukko,” which she wrote in summer 2019, world premiered during Illinois Philharmon­ic Orchestra’s 42nd opening night in October 2019 while “Quiet Places,” her second piece for the orchestra, world premiered in November 2019.

“Reverberat­ions” was scheduled to world premiere during Illinois Philharmon­ic Orchestra’s 201920 season but was delayed due to pandemic rescheduli­ng.

“Now, as we’re coming out of COVID, it’s great to have an opportunit­y to hear live music,” said Horst, a professor of compositio­n and theory for Illinois State University’s Wonsook Kim College of Fine Arts in Normal.

“It’s going to be a wonderful homecoming. I got to know some of the musicians. They were wonderful to work with, and I enjoyed working with the staff. It’s going to be great to see all of them again.”

Conducted by Kirov, the concert was scheduled to feature pianist Alexander Toradze.

Artists Management Company Ltd., which represente­d Toradze, said he died May 11 in his home in South Bend, Indiana, at 69 years old after suffering heart failure during an April 23 performanc­e with The Vancouver Symphony Orchestra in Washington.

“Illinois Philharmon­ic Orchestra extends our deepest condolence­s to Mr. Toradze’s family, friends and the wider classical music world,” officials said in a prepared statement.

Nikolai Rimsky-Korsakov composed “Scheheraza­de,” the program’s title piece.

“It’s a lot of fun but also very colorful so it’ll be wonderful to hear the orchestra in all its different colors. Rimsky-Korsakov’s a master orchestrat­or,” said Horst, whose piece “Rabbit Hole” world premiered as part of Spektral Quartet’s recent The Bernard Rands Effect concerts.

In a first for Illinois Philharmon­ic Orchestra, the Scheheraza­de show is being celebrated as the Lois & Stanley Birer UNMemorial Concert and sponsored by the namesakes who are longtime supporters, with each holding the title of Illinois Philharmon­ic Orchestra life director.

“When we go to a funeral and see all the flowers, we wonder how much the deceased would have loved to see and smell the flowers,” said Stanley Birer in a statement.

“Then a great inspiratio­n came to us. Why not donate a performanc­e of the Illinois Philharmon­ic Orchestra before we died and be able to enjoy the pleasure of listening to our orchestra?”

 ?? HEIDI PETERS ?? Nikolai Rimsky-Korsakov’s “Scheheraza­de,” the title piece of Illinois Philharmon­ic Orchestra’s May 14 concert at Trinity Christian College’s Ozinga Chapel in Palos Heights, is scored for woodwinds, above, brass, percussion and strings. The program closes the orchestra’s 44th season.
HEIDI PETERS Nikolai Rimsky-Korsakov’s “Scheheraza­de,” the title piece of Illinois Philharmon­ic Orchestra’s May 14 concert at Trinity Christian College’s Ozinga Chapel in Palos Heights, is scored for woodwinds, above, brass, percussion and strings. The program closes the orchestra’s 44th season.

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