Daily Times (Primos, PA)

Coronaviru­s hitting the music industry hard

- By Michael Christophe­r rockmusicm­enu@gmail.com To contact music columnist Michael Christophe­r, send an email to rockmusicm­enu@ gmail.com. Also, check out his blog at www.thechronic­lesofmc. com

When word came down Fountains of Wayne co-founder Adam Schlesinge­r had died from COVID-19 complicati­ons, it hit home for many that — like the rest of the world — the music industry is hardly immune to the current pandemic. The award-winning songwriter was just 52, though, making the news even more jarring.

Along with frontman and guitarist Chris Collingwoo­d, bass player and multi-instrument­alist Schlesinge­r founded Fountains of Wayne in 1995 and had their biggest hit with the Grammy-nominated “Stacy’s Mom” in 2003. The two shared lyric writing throughout the band’s history, which for all intents and purposes ended in

2013 following the touring cycle for their fifth studio effort, ‘Sky Full of Holes,’ due to the tumult surroundin­g its recording. Schlesinge­r also founded the indie rock band Ivy and was a member of the supergroup Tinted Windows along with James Iha of The Smashing Pumpkins and Hanson’s Taylor Hanson.

Success was found elsewhere for Schlesinge­r in writing for television, Broadway and film, composing the title track to ‘That Thing You Do!,’ the 1996 directoria­l debut of Tom Hanks. The song was nominated for an Oscar and Golden Globe. He went on to receive multiple Emmy nods and wins, and his ties to the acting world were extended as his younger cousin, Jon Bernthal, found success starring in ‘The Walking Dead’ and ‘The Punisher.’

Schlesinge­r isn’t the first musician of note to become infected and die from coronaviru­s — nor will he be the last.

Country star Joe Diffie died last Sunday at the age of 61 from complicati­ons of the disease. His honkytonk career kicked off in 1990 with the hits “Home” and “If You Want Me To,” and he saw a string of chart toppers throughout the decade like “Bigger Than the Beatles,” “Third Rock from the Sun” and “Pickup Man.”

Also succumbing to coronaviru­s Sunday was Alan Merrill, the

69-year-old co-writer and singer of “I Love Rock ‘n’ Roll” for his band The Arrows in 1975. Less than a decade later, Joan Jett would have her highest charting single covering the song when it landed at No. 3 in 1982. Twenty years later, Britney Spears covered it for her widely panned

2002 film debut ‘Crossroads.’ Trumpeter Wallace Roney, the sole protégé of jazz legend Miles Davis, died Tuesday at the age of 59. The Philadelph­ia native was instrument­al in bringing jazz back into fashion beginning in the late-80s, often incorporat­ing other genres into his compositio­ns like hip-hop and Afro-Caribbean music.

John Prine, the 73-year-old country folk singer/songwriter, was revealed by his family to be battling coronaviru­s, having been hospitaliz­ed a week ago. Fans of the two-time Grammy Award winner breathed a short-lived sigh of relief when his wife Fiona tweeted he was in stable condition. She quickly clarified in a follow-up post.

“I need to clarify what I mean by ‘John is stable,’” Fiona wrote. “That is not the same as improving. There is no cure for COVID-19. He needs our prayers and love — as do the thousands of others who are critically ill. Stay at home. Wash your hands. We love you.”

Elsewhere in the music world, frontman for Testament, Chuck Billy and Exodus and Slayer guitarist Gary Holt have both tested positive for COVID-19. Also believed to be battling the virus is Death Angel drummer Will Carroll, who has been hospitaliz­ed since the middle of March. All three of the thrash bands were together on tour throughout Europe for five weeks beginning in February, right when numbers there were starting to spike.

Bon Jovi keyboardis­t David Bryan disclosed he too had tested positive earlier in the month, as did singer/songwriter Jackson Browne. Radiohead guitarist Ed O’Brien said he is doing better after dealing with the symptoms from the disease, having self-isolated.

VINYL OF THE WEEK

Keep an eye on this spot as each week we’ll be looking at new or soon-to-be-released vinyl from a variety of artists. It might be a re-pressing of a landmark recording, special edition or new collection from a legendary artist. This week, it’s the most recent work by one of the all-time greatest singer/ songwriter­s.

Joni Mitchell: ‘SHINE’ Following her retirement from making new records announceme­nt in 2002, it looked as if the only fresh material the world would be hearing from Joni Mitchell was going to be retrospect­ive collection­s. Her stance changed with the advent of the Iraq War and political turmoil surroundin­g it, resulting in ‘Shine,’ the 19th studio album from the Canadian singer/songwriter and first assemblage of original material in nearly a decade.

The 10 tracks on the album echoed Mitchell’s pensive mood, conjuring up reflective lyrics and beautiful, often-minimalist, pianodrive­n melodies that paint a somber yet hopeful picture. Highlights include the Grammy Award winning instrument­al opener “One Week

Last Summer,” the epic “Night of the Iguana,” loosely based on John Huston’s 1964 film, the title track, featuring an appearance by longtime friend James Taylor on guitar and a revisiting of Mitchell’s 1970 hit “Big Yellow Taxi,” which felt weirdly prophetic decades years after its debut.

Reception to the LP was positive, proving Mitchell’s enduring prowess as a musical force. It was certified Gold by the RIAA, selling nearly 60,000 copies worldwide in its first week, and debuted at number 14 on the Billboard Top 200, marking Mitchell’s highest US chart position since her 1976 LP, ‘Hejira.’ Pressed on 180-gram vinyl at RTI, ‘Shine’ now makes its debut in the vinyl format with its release this Friday, April 3.

The cover art on ‘Shine’ is inspired by the 2007 ballet, “Dancing Joni: The Fiddle and the Drum,” a collaborat­ive effort between Mitchell and choreograp­her Jean Grande-Maitre of the Alberta Ballet. The performanc­e was set to 13 of the singer-songwriter’s most provocativ­e songs and lit by a backdrop of Mitchell’s artwork — specifical­ly a series of photos she took of her malfunctio­ning flatscreen television set, with several of the images included in a triptych book on war, torture and revolution, and later featured in art shows in Los Angeles and New York.

‘Shine’ is available now online and in stores from all respectabl­e retailers who carry vinyl.

 ?? PHOTO COURTESY OF MICHAEL CHRISTOPHE­R ?? Joni Mitchell’s album ‘Shine,’ a reaction to the Iraq war, is out on vinyl.
PHOTO COURTESY OF MICHAEL CHRISTOPHE­R Joni Mitchell’s album ‘Shine,’ a reaction to the Iraq war, is out on vinyl.
 ?? ASSOCIATED PRESS ?? This Sept. 14, 2019 file photo shows Adam Schlesinge­r, winner of the awards for outstandin­g original music and lyrics for “Crazy Ex Girlfriend,” in the press room at the Creative Arts Emmy Awards in Los Angeles. Schlesinge­r, an Emmy and Grammy winning musician and songwriter known for his band Fountains of Wayne and his songwritin­g on the TV show “Crazy Ex-Girlfriend,” has died from coronaviru­s at age 51.
ASSOCIATED PRESS This Sept. 14, 2019 file photo shows Adam Schlesinge­r, winner of the awards for outstandin­g original music and lyrics for “Crazy Ex Girlfriend,” in the press room at the Creative Arts Emmy Awards in Los Angeles. Schlesinge­r, an Emmy and Grammy winning musician and songwriter known for his band Fountains of Wayne and his songwritin­g on the TV show “Crazy Ex-Girlfriend,” has died from coronaviru­s at age 51.
 ?? PHOTO COURTESY OF MICHAEL CHRISTOPHE­R ?? The cover art on ‘Shine’ is inspired by the 2007 ballet, “Dancing
Joni: The Fiddle and the Drum,” a collaborat­ive effort between
Joni Mitchell and choreograp­her Jean Grande-Maitre of the Alberta Ballet.
PHOTO COURTESY OF MICHAEL CHRISTOPHE­R The cover art on ‘Shine’ is inspired by the 2007 ballet, “Dancing Joni: The Fiddle and the Drum,” a collaborat­ive effort between Joni Mitchell and choreograp­her Jean Grande-Maitre of the Alberta Ballet.

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