‘My Cousin Rachel’ delivers a juicy, gothic melodrama

Director Roger Michell has tackled many different genres in his long career, including romantic comedies, dramas and thrillers. “My Cousin Rachel” offers the chance to sink his teeth into a juicy, gothic romantic melodrama, based on a 1951 novel by Daphne Du Maurier.

The story was adapted to the silver screen in 1952 with Olivia de Havilland and Richard Burton in the lead roles, and now Rachel Weisz and Sam Claflin tackle the story of passion and paranoia. In this tale, impetuous, distrustful masculinity meets mysterious, veiled femininity, which proves to be a combustible combination on contact.

Though Rachel is an omnipresent figure, this story belongs to Philip (Claflin). His beloved cousin and guardian, Ambrose (Claflin plays both men), retreats to Italy to convalesce, where he meets and marries an intriguing woman, Rachel (Weisz). After his untimely death, his widow arrives at his English estate, where Philip, his only heir, is now man of the house and highly suspicious of his new relative, thanks to a series of anguished notes from a dying Ambrose. The sheltered young man has whipped himself into a frenzy over her arrival, but it turns out the cousin in question is actually quite beautiful and charming, and soon everything is topsy-turvy.

Weisz gives a performance that is virtuosic in its control. Her face is like the placid surface of a lake, never giving anything away. Is it nefarious? A defense? Both? Her Rachel is highly intelligent, resourceful, guarded, but also playful and compassionate. Claflin gives one of his best performances to date as the petulant Philip.