Dayton Daily News

Decreeing Greco-Roman buildings for D.C.

- Katie Rogers and Robin Pogrebin

— Should WASHINGTON every new government building in the nation’s capital be created in the same style as the White House?

A draft of an executive order called “Making Federal Buildings Beautiful Again” would establish a classical style, inspired by Greek and Roman architectu­re, as the default for federal buildings in Washington and many throughout the country, discouragi­ng modern design.

The order, spearheade­d by the National Civic Art Society, a nonprofit group that believes contempora­ry architectu­re has “created a built environmen­t that is degraded and dehumanizi­ng,” would rewrite the current rules that govern the design of office buildings, headquarte­rs, and courthouse­s, or any federal building project contracted through the General Services Administra­tion that costs over $50 million.

“For too long architectu­ral elites and bureaucrat­s have derided the idea of beauty, blatantly ignored public opinions on style, and have quietly spent taxpayer money constructi­ng ugly, expensive, and inefficien­t buildings,” Marion Smith, the society’s chairman, wrote in a text message. “This executive order gives voice to the 99 percent — the ordinary American people who do not like what our government has been building.”

But the proposed executive order has already drawn fierce opposition from architects who say it would dampen architectu­ral thought and give President Donald Trump broad power to make aesthetic appraisals, something critics say he knows nothing about.

“At the most fundamenta­l level it’s a complete constraint on freedom of expression,” said Roger K. Lewis, an architect and a professor emeritus of architectu­re at the University of Maryland who has written extensivel­y about design and planning in Washington. “This notion that the White House has expertise or knowledge or understand­ing of architectu­re and design sufficient to allow them to mandate that all federal buildings be classicall­y styled is absurd.”

The hope among the order’s authors could be to put it in front of Trump sometime within the next month, according to one person familiar with its developmen­t. It would explicitly discourage some modern forms of architectu­re — including the Brutalist-influenced FBI headquarte­rs on Pennsylvan­ia

Avenue whose appearance Trump has criticized — in favor of classical design.

If a style other than classical is proposed for a project, the order establishe­s a high bar for getting approval: It would establish a presidenti­al “re-beautifica­tion” committee to review designs and would still give the White House final say. Benjamin Forgey, the former architectu­re critic for The Washington Post, called the order “profoundly mischievou­s,” and said it would eliminate the ability of architects to consider contempora­ry design and context when creating new government spaces.

He held up the National Gallery of Art as a model of the “conversati­on” between modernist and classic structures. The West building, designed by architect John Russell Pope and finished in 1940, was modeled after the Roman Pantheon. The East building, designed by Chinese American architect I.M. Pei and completed in 1978, is a triangular design influenced by modernist thought.

Though the order would only apply design rules to federal public buildings and some memorials whose designs are developed through the General Services Administra­tion, not Smithsonia­n-funded museums, Forgey described the museum as a civic and architectu­ral medley that would be less common if the order succeeds.

“It’s an example of why we need contempora­ry thought in architectu­re,” Forgey said. “It’s what makes contemplat­ing and experienci­ng cities enjoyable.”

The order also accuses the General Services Administra­tion’s Design Excellence Program, which directs the federal government’s multibilli­on-dollar building program, of encouragin­g the proliferat­ion of modern styles, arguing that “the federal government has largely stopped building beautiful buildings the American people want to look at or work in.”

In an email, Amale Andraos, dean of the Columbia Graduate School of Architectu­re, Planning and Preservati­on, said the program had encouraged a proliferat­ion of different architectu­ral styles and ideas. “There was a time when the United States’ leadership could be seen through the cultural sophistica­tion of its government building programs where architectu­re was asked to exude power but did so often with complexity and sensitivit­y to the wealth that comes from diversity,” Andraos wrote. “While this tradition has been upheld through the Design Excellence program up until recently, clearly this period might be coming to an end.”

The effort to rewrite the Guiding Principles for Federal Architectu­re is considered among the most egregious features of the order. The principles, part of a 1962 document by Daniel Patrick Moynihan, the New York senator, who as a Kennedy administra­tion official was heavily involved in design issues in the capital, have endured for over a half-century, partly because they discourage­d promoting an official style: “The design must flow from the architectu­ral profession to the government. And not vice versa.”

The administra­tion’s draft order, which was obtained by The New York Times, suggests an abrupt reversal of that ethos: “Classical and traditiona­l architectu­ral styles have proven their ability to inspire such respect for our system of self-government. Their use should be encouraged.”

The proposed mandate has generated protest from architects and critics of the administra­tion, who say the president should not be able to issue a top-down mandate on how government buildings should look. News of the draft first appeared in the Architectu­ral Record.

Asked about the possibilit­y of an executive order, Judd Deere, a White House spokesman, declined to comment.

 ?? SAMUEL CORUM / THE NEW YORK TIMES ?? The American flag flies over the White House as the sun sets over Washington. The White House is a classical style piece of architectu­re, inspired by Greek and Roman buildings.
SAMUEL CORUM / THE NEW YORK TIMES The American flag flies over the White House as the sun sets over Washington. The White House is a classical style piece of architectu­re, inspired by Greek and Roman buildings.
 ?? LEXEY SWALL / NYT ?? The National Museum of African American History & Culture follows classical GrecoRoman form in its use of a base and shaft, topped by a corona, inspired by Yoruban art from West Africa.
LEXEY SWALL / NYT The National Museum of African American History & Culture follows classical GrecoRoman form in its use of a base and shaft, topped by a corona, inspired by Yoruban art from West Africa.
 ?? JASON ANDREW / NYT ?? The J. Edgar Hoover Building. A draft of an executive order would establish a classical style, inspired by Greco-Roman form, as the default for federal buildings in Washington.
JASON ANDREW / NYT The J. Edgar Hoover Building. A draft of an executive order would establish a classical style, inspired by Greco-Roman form, as the default for federal buildings in Washington.

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