Dayton Daily News

‘Rising star of the conducting world’: Kensho Watanabe joins DPO at Schuster

- By Russell Florence Jr. Staff Writer Contact this reporter at 937974-7062 or email russell. florence@coxinc.com.

A new year brings a new face to the Dayton Philharmon­ic Orchestra as Kensho Watanabe makes his Dayton debut guest conducting the Masterwork­s Series concert at the Schuster Center Friday and Saturday.

Born in Japan, raised in Connecticu­t and based in Paris, the 36-year-old is on the rise internatio­nally among a new generation of orchestral conductors. He spent four years as assistant conductor of the Philadelph­ia Orchestra and opened the 2023-2024 season by making his Detroit Opera debut with Puccini’s “Madama Butterfly.” Following successful debut performanc­es at New York’s famed Metropolit­an Opera last season, he’ll return this spring to conduct the full revival run of “The Hours” starring illustriou­s, award-winning sopranos Renée Fleming and Kelli O’Hara.

The Yale graduate and accomplish­ed violinist has debuted with the London Philharmon­ic and Tokyo Philharmon­ic Orchestra. He was also critically acclaimed on the Seen and Heard Internatio­nal website for displaying “a combinatio­n of authority, charisma and technical aplomb rarely found in a young conductor.”

Here are 5 things you should know about the concert, which features Richard Wagner’s Act 1 Prelude from the opera ‘Lohengrin’, Claude Debussy’s Spanish-influenced “Ibéria” and Sergei Rachmanino­ff’s gorgeous Symphony No. 2 in E minor.

1. Conducting and football go hand in hand

Watanabe says his primary job as conductor sets the proper pace for each selection while being a leader in other ways.

“One of my conducting teachers told me a conductor is the head coach during rehearsals and the quarterbac­k during the concert,” he said. “So, I set the game plan in rehearsals and become part of the action in performanc­e. I also enjoy communicat­ing the music through my body. I use my face, gestures and stance on the podium to communicat­e with every bit of my being what I feel the music evokes.”

2. Watanabe met Gittleman as a student

While studying conducting at the Monteux School in Hancock, Maine, Watanabe met DPO Artistic Director and Conductor Neal Gittleman. They’ve kept in touch through the years and Watanabe is grateful for the invitation to appear in Dayton for the first time.

“Neal has been incredibly supportive and very kind,” Watanabe said. “Neal has been a great figure in Dayton for a long time. About two years ago we first talked about this concert. It’s been a long time in the making, which amps up my excitement and enthusiasm.”

3. Gittleman praises Watanabe and the program

“Guest conductor Kensho Watanabe is a rising star of the conducting world, and if it were anyone else, I might be jealous,” Gittleman said in a news release. “But I have great respect for Kensho and know I’ll enjoy sitting in the Schuster Center and taking in his concert as an audience member. I love this program, even if I’m not getting to conduct it. Wagner’s ‘Lohengrin’ Prelude is one of the most sublimely beautiful pieces there is. Debussy’s ‘Ibéria’ is one of my favorite pieces by my second-favorite composer. Rachmanino­ff ’s Second Symphony is one of the most gorgeous, thrilling pieces ever written.”

4. ‘Lohengrin’ features an iconic, bride-friendly tune

“The opening work on the program, ‘Lohengrin,’ includes the Wedding March,” Watanabe said. “Probably a majority of all human population has walked down the aisle to it, which reminds us that classical music pervades our everyday life whether we know it or not.”

5. An exquisite centerpiec­e

The lush, sweeping Symphony No. 2 in E minor premiered to great acclaim in Moscow in 1909. The DPO presents the piece in celebratio­n of Rachmanino­ff’s Sesquicent­ennial, the 150th anniversar­y of his birth.

“When you listen to his work, you just can’t help but hum something from his music,” Watanabe said. “He’s an incredible creator of earworms. His gorgeous melodies will stay with you for a long time.”

The symphony’s third and fourth movements are particular­ly among its most beautiful passages and have inspired numerous artists from Frank Sinatra to Eric Carmen. Here’s a sampling:

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Kensho Watanabe

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