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ART-THROPOCENE

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In the center of the rectangula­r gallery, an ivory-keyed, self-playing piano churns out an eerie tune. It’s based on a data-driven algorithm predicting the extinction of African elephants. Elsewhere, sprouts peek out of earthenwar­e pots, grown from seeds recovered from the stomachs of birds that died flying into Chicago skyscraper­s. A photo on the wall shows the colorful, malignant fingers of an oil spill reaching through the Gulf of Mexico.

The exhibit is a first of its kind for the Smithsonia­n National Museum of Natural History (NMNH). “Unsettled Nature: Artists Reflect on the Age of Humans” features 16 works by seven different artists. All share a single purpose: Invite visitors to reflect on the many ways humans have transforme­d the planet.

“These are images that are supposed to unsettle you and make you think,” says Scott Wing, a paleobotan­ist at NMNH who co-curated the exhibit alongside Joanna Marsh from the Smithsonia­n American Art Museum. “It’s easier to change people’s minds by stimulatin­g them to think than it is by telling them what to do.”

While “Unsettled Nature” illustrate­s environmen­tal devastatio­n wrought by human hands, it also offers glimmers of hope. One photo shows an urban street corner in Brooklyn reclaimed by plants, highlighti­ng nature’s tenacity. Lacy symmetry in one X-ray image of geneticall­y engineered, blight-resistant potato sprouts shows that human interventi­on in nature can be beneficial. “There’s an urgent need for people to think and decide for themselves how they want the future to look,” says Wing.

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 ?? ?? THESE IMAGES of an open pit gold mine in Nevada (left) and an abandoned street corner in New York are part of the Smithsonia­n’s “Unsettled Nature” exhibit, open through March.
THESE IMAGES of an open pit gold mine in Nevada (left) and an abandoned street corner in New York are part of the Smithsonia­n’s “Unsettled Nature” exhibit, open through March.
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