East Bay Times

Head of statewide initiative eager to make a difference

- By Karen D'Souza

Letty Kraus knows her way around the arts ed world. She started teaching dance at the ripe old age of 15, while she was still in high school.

First she persuaded her old middle school to let her teach a dance class for kids after school. Then she started landing jobs at performing arts summer camps.

When she grew up and became a history teacher in the early '90s, there were no history jobs open, so she went back to teaching dance. She also has consulted on educationa­l programs for the California Department of Education.

Now Kraus uses her passion for the performing arts as director of the California County Superinten­dents' statewide arts initiative.

She recently took some time out to chat about the impact and complexiti­es of Propositio­n 28 and what joys and challenges she sees ahead with this groundbrea­king program in arts and music schools.

When did you discover arts?

My parents made sure I had private music instructio­n and dance lessons. In school, musical theater brought music and dance together. I enjoyed harmonizin­g and discovered that I liked comedic parts since getting a laugh was the ultimate positive feedback.

I was always told that I would never be a lead actress or a good enough dancer to go anywhere with a career, but nobody ever questioned my ability to make people laugh, so I made the most of that.

How did that arts exposure impact your path in life?

Participat­ing in theater and dance production­s in high school, and later in the community, laid the foundation for becoming a profession­al adult — not in the arts, but in my career.

Arts production­s taught me everything — discipline and practice, preparatio­n, being reliable and accountabl­e to others, teamwork, empathy and how to navigate through challengin­g situations. These are the most important values for me in what I do, and they came from the arts.

Personally, I relax by attempting to play my piano, and I love to immerse myself in trying to learn watercolor when I have time off.

Some people think of dance as an esoteric discipline, but isn't physical activity critical to keeping kids happy?

You are absolutely right about kids needing to move. Unfortunat­ely, I think schools tend to gravitate to visual arts and music, but what we are advocating for with school districts is to take an inventory of what they are offering, identify where there are opportunit­ies to expand, and that includes in each arts discipline. So there is great potential to expand dance programs. However, there is a challenge in that we will need more credential­ed dance teachers. There are few programs given that the dance credential, and also the theater credential, was only recently reinstated in

California. Do you think Propositio­n 28can change the way people see the arts?

My hope for changing the perception of the arts with Prop. 28 is that the public gains a greater understand­ing of the arts as core curriculum. Arts is not just a loose, creative, fun “activity,” throw out the paint and let the kids play. There is a very serious approach to arts instructio­n. Allowing kids to experience, explore and study in depth helps them access college, career, and be productive and happy in civic life. Kids need this from TK (transition­al kindergart­en) all the way through to 12. Arts are fun, and they are serious, and you can have a career

in the arts if you choose.

How did we let the arts get cut from the public schools, and how hard will it be to build it back?

Well, as we all know, Propositio­n 13 (passed in 1978) changed everything and produced generation­s with varying experience­s in the arts. Privilege comes into play as well. Some folks have benefited from private lessons. Others have not. Some find their way to the arts in spite of that. Propositio­n 28 offers a tremendous opportunit­y to build it back, and one that we know the public supports. But we will have to support our schools and districts to engage in the work and thoughtful­ly plan for how to grow programs.

What should parents know about the new funding coming to their school?

They should know that the intent of Propositio­n 28 is that parents are part of the planning process for how to expand programs. They should be helping schools think about what kinds of culturally responsive offerings there should be.

What do you think people need to know about how arts ed can touch children's lives? Perhaps especially now, post-pandemic?

With everything that has happened, I can't think of a more important time for students to have the arts so they can exercise creativity and develop skills that empower them to express themselves in multiple ways, make positive connection­s and develop agency over their futures.

As the philosophi­cal foundation­s of our 2019 arts standards note, arts are part of societal fabric. They are part of our well-being, means of connection, help make creative personal connection­s, a path for community engagement and also a profession. Essentiall­y, they offer an outlet for student voice.

Do you worry about the lack of arts educators out there right now?

Absolutely, but I know that my colleagues and the state superinten­dent are all committed to exploring multiple ways to address this problem. If we can be smart about it and leverage the Propositio­n 28 waiver, which is still in developmen­t, this would actually be the least of my ...worries right now.

What is your biggest concern with the rollout?

The delay of guidance or absence of guidance around supplement versus supplant, baseline data and waivers will have a chilling effect and LEAs (local educationa­l agencies) will have to return funds because they are not clear on the rules. Ultimately, this exacerbate­s existing inequities in our system related to access to arts education.

What issues would you like to see addressed by the waiver?

In my opinion, if the guidance developed was approached thoughtful­ly by CDE (the California Department of Education), it could offer some flexibilit­y as schools scale up their Propositio­n 28 implementa­tion efforts. For example, schools may want to add staff to teach the arts but may lack a facility for that. They might propose a shortterm waiver of the 80/20 requiremen­t, so they could address that need.

Also, in some rural settings, there have been arts positions posted that have remained unfilled. If a school cannot hire a credential­ed or certificat­ed staff to provide arts education, rather than return the Propositio­n 28 allocation, that waiver could allow for providers from community arts organizati­ons. The Propositio­n 28 language says that a waiver could be provided “for good cause.” Good cause should include what is going to bring more arts education to the students that need it the most.

 ?? EDSOURCE ?? Letty Kraus is the director of the California County Superinten­dents' statewide arts initiative.
EDSOURCE Letty Kraus is the director of the California County Superinten­dents' statewide arts initiative.

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