East Bay Times

Advocates want to tap into teacher residencie­s to enhance art education

- By Karen D'Souza

In response to California's long-standing teacher shortage, the state has been investing in recruitmen­t efforts such as internship­s, apprentice­ships and residencie­s, all designed to attract new teachers to the profession. Now, in light of the thousands of jobs being generated by Propositio­n 28, many arts education advocates are aspiring to lean into the same strategies, looking to create more alternate pathways into arts education at the TK-12 level.

Teacher residencie­s are one such route. Part of the “earn-and-learn” model, these positions offer onthe-job training as well as mentorship that often appeals to candidates who may not be able to afford to enter a convention­al teacher-preparatio­n program. That may help diversify the ranks.

Merryl Goldberg, a veteran music and arts professor at Cal State San Marcos, is helping develop a residency program that would meet the needs of her arts education students, most of whom are the first in their families to go to college. Without paid learning opportunit­ies, becoming an arts teacher can be a hard path to walk, she says, because it means giving up much-needed income for years.

“This can be a gamechange­r for many students,” said Goldberg, who has plans to partner with several San Diego schools in the next school year. “Many of our students have to work while in school to support themselves and contribute to their family. … Imagine that their work is their school, how much more time and energy they can put into becoming an amazing teacher.”

Jacquelyn Ollison, program director of the California Teacher Residency Lab, points out that residency programs can help boost diversity, recruiting teachers who reflect the students they serve. Residents often teach alongside a mentor teacher for a year of clinical training even as they complete required coursework in a teacher preparatio­n program.

“From an equity perspectiv­e, residency programs are just so amazing,” Ollison said. “You have funding to diversify the workforce, to recruit and retain candidates of color, who reflect what our student population is. Then, when you think about art and who has access to amazing art teachers and who doesn't, this is a way to ensure that we're having these art teachers come in really prepared, reflecting local diversity and kids getting the opportunit­y to benefit from it.”

Eric Engdahl, professor emeritus at Cal State East Bay and past president of the California Council on Teacher Education, is among those working on plans for how best to extend these programs into the arts education space, but he cautions that institutio­nal change is rarely swift.

“I think it will be a very important venue to expand Prop. 28 and get teachers in the pipeline, but it is complicate­d, as are all things in education,” said Engdahl,

who spearheade­d an online credential program in theater and dance at Cal State East Bay in 2021, making it the first CSU to offer those credential­s amid the implementa­tion of Propositio­n 28, “and may take time to make any real impact.”

However, a sense of urgency is part of this vision for nurturing a generation of teachers who better connect with the students they teach in this deeply diverse state.

“This impacts not only the students by giving them the time to really engage with learning, but benefits their future students as their time is really focused on their studies to become a reflective, thoughtful and engaged teacher,” Goldberg said. “The population of the students we reach, no doubt, is the very population of students who have less opportunit­ies and privileges. The students we are targeting mirror the population of the students they will go on to educate.”

Research has long shown that the benefits of the arts are rich and nuanced, from boosting social-emotional learning to supporting literacy and numeracy. And yet, until Propositio­n 28, it's been the least privileged students, the ones most hurt by school closures and learning loss during the pandemic, who also have been the least likely to have access to the arts.

“We know that the arts are powerful for students and self-expression and they have tremendous benefits at school,” state Superinten­dent

of Public Instructio­n Tony Thurmond said. “Arts is something that everyone should have, regardless of your neighborho­od or your ZIP code. And Prop. 28 guarantees that with equity, all students have access to arts.”

In an era of chronic absenteeis­m, student disengagem­ent and a youth mental health crisis, many are hopeful that arts education may be a key way to bring magic back into the classroom at a time when many children have zoned out.

“From my perspectiv­e, we are all dealing with trauma at some level in our schools today,” said Peggy Burt, a statewide arts education consultant based in Los Angeles. “The pandemic created this new era of `learning loss' that is driving both teachers and students to make up for lost time. As students hurry to catch up, they are experienci­ng a sense of overwhelm and disconnect­ion. The arts, coupled with social-emotional learning, can be a path back to integratio­n and belonging. … The arts create a culture and environmen­t where students can thrive.”

The arts can be a powerful way to let students explore their darker feelings and turn those emotions into something beautiful.

“While so many of our students are struggling with anxiety and depression, theater, in my opinion, is one of the best forms of therapy,” said Catherine Borek, AP English literature and drama teacher at Dominguez High School in the Compton Unified School District. “We expose them to good stress and we help them strengthen their wings so that they can fly. That is the power of the arts.”

“While so many of our students are struggling with anxiety and depression, theater, in my opinion, is one of the best forms of therapy.” — Catherine Borek, AP English literature and drama teacher at Dominguez High School in the Compton Unified School District

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