East Bay Times

Protests over Gaza intensify at museums, festivals across U.S.

- By Zachary Small and Marc Tracy

The event at the Yerba Buena Center for the Arts in February was titled “Love Letter to SoMa,” after the San Francisco neighborho­od that the contempora­ry art museum calls home.

But eight of the artists involved in it staged an interventi­on called “Love Letter to Gaza,” altering their own works, including by spray-painting “Viva Palestine” on one and unfurling a banner that said “No More Blood Money — Ceasefire Now.” The artists' demands included calls for the museum to boycott Israeli institutio­ns and “remove all Zionist board members and funders.”

In the aftermath, the museum closed its galleries for a month, and its interim chief executive, Sara Fenske Bahat, resigned.

“For me as an individual, the last weeks have been excruciati­ng,” she wrote in her resignatio­n letter. “Not just as a leader, but as a Jewish leader.” She wrote that the “vitriolic and antisemiti­c backlash directed at me personally” had made remaining intolerabl­e. “I no longer feel safe in our own space, including due to the actions of some of our own employees,” she wrote.

The Yerba Buena Center for the Arts event was among the most dramatic in a series of demonstrat­ions about the Israel-Hamas war that have rocked the cultural sector in recent months with protests, withdrawal­s and other calls for boycotts.

In February, security officials temporaril­y closed the Museum of Modern Art in New York after hundreds of demonstrat­ors occupied its atrium and distribute­d pamphlets accusing trustees with financial ties to Israeli companies of complicity in the war.

Last month, hundreds of protesters gathered on the steps of the Metropolit­an Museum of Art and unfurled an artist quilt honoring Palestinia­ns. As demonstrat­ors sang and played instrument­s, other activists distribute­d pamphlets inside that labeled one trustee as a “Zionist” and another as a “war profiteer.” The group also praised a letter signed earlier that month by more than 150 staff members asking museum leaders to “take a stand in defense of Palestinia­ns and the cultural heritage of Palestine.”

Dozens of speakers and performers pulled out of the South by Southwest Festival in Austin, Texas, last month to protest the event's sponsorshi­p by the U.S. Army and U.S. defense contractor­s in light of what activists characteri­zed as their entangleme­nt with Israel's military.

In Europe, Nobel Prizewinni­ng author Annie Ernaux advocated a boycott against German statefunde­d institutio­ns over the government of Germany's support for Israel. Protesters have sought to keep Israeli representa­tives out of internatio­nal events including the Venice Biennale and Eurovision 2024.

Those who support boycotting Israeli institutio­ns see it as a nonviolent way to push for change, modeled on the fight against apartheid in South Africa. But there are many officials in the art world who see boycotts as incompatib­le with the spirit of artistic freedom and interchang­e.

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