Editor & Publisher

Access Denied or Granted?

Relationsh­ips with sources are more scrutinize­d and more complicate­d than ever

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Relationsh­ips with sources are more scrutinize­d and more complicate­d than ever . . . . . . . . . . . . .

Access journalism. Follow threads about the press or conversati­ons among journalist­s and it’s bound to come up in discussion. Fundamenta­lly, access journalism occurs when reporters value landing a source more than the informatio­n gleaned from that source.

But what do readers, viewers, or other members of the public mean when they use the term as criticism? Is it simply expedient and pithy, just a new way to disparage the press?

More importantl­y, what does the practice or appearance of access journalism mean to the trust audiences and the public place in their news sources? And how should we prepare new journalist­s coming into the field for navigating the access minefield?

Jay Rosen is a professor of journalism at New York University. He’s noticed how allegation­s of access journalism are now bandied about on social media. While those conversati­ons may once have been left to

J-school academics and media critics, the term is currently part of the pop culture and vernacular.

“It has become quite common for readers to accuse journalist­s of it,” Rosen said. “It’s one of those criticisms of the press that’s been popularize­d, like ‘clickbait.’ Clickbait is how people explain something they don’t understand or strikes them as weird or odd… But there is something to the idea of access journalism, and this is what I mean: When you have beat reporters, they have different interests. They are trying to get the story and inform the public, to tell their audience what’s going on, but they also have other motivation­s and incentives, including developing sources and keeping sources.”

Rosen explained that journalist­s constantly weigh the value of sources and their potential for informatio­n over time: “You sometimes have to trade off a present good for a future good—meaning, you don’t want to alienate sources that you may need later on.”

The point when this becomes problemati­c and enters the realm of access journalism is when source handling interferes with truthtelli­ng.

Another familiar dilemma for reporters is what to do when the source gets it wrong. Rosen said, “When a source lies or they’re wrong, when they give you bad informatio­n— especially confidenti­al sources—almost every journalist would say, ‘Well, then you can burn the source because they violated the agreement, formal and informal, between the source and journalist. But in practice and every journalist knows, that almost never happens. Reporters have to calculate the future value of the source.

“Those kinds of things, which are not necessaril­y important to readers are very important to journalist­s…there is a conflict between forming audiences and keeping sources happy and keeping our access. That doesn’t mean that you can’t do both, but there is a conflict there, and that’s what you’re picking up when you see this term floated.”

Just as tribal politics unseated baseball as our national pastime, media criticism is now a popular sport too. This may be symptomati­c of profound shifts in the relationsh­ips between the press, the public and the powerful.

Sources and the public have both “gained power” with the advent of the internet and social media, diminishin­g the power the press once enjoyed. Sources can speak to any number of news outlets or even directly to the public on social media and other digital platforms.

“Audiences have a lot more power because they have more options, and they can talk back to journalist­s,” Rosen said.

WHEN ACCESS IS DENIED

One of the challenges journalist­s have always dealt with is not getting access to a source. Today, however, denying access is a strategic and political weapon—a way for the powerful to control a narrative.

Former President Donald Trump’s press secretary Stephanie Grisham’s entire job was to show up and field questions, but she refused to hold a press briefing during her entire stint. Texas Gov. Greg Abbott held an event in July and barred most of the press from observing it.

“Recently, the governor of Florida had a bill signing and the only news outlet invited in to witness it was Fox News, not any of the local outlets,” said Joseph Lichterman, communicat­ion and editorial director at the Lenfest Institute for Journalism.

Tennis superstar Naomi Osaka took a lot of flak from sports reporters when she opted out of press conference­s at this year’s French Open, citing her mental health and an anxious, sometimes pointless, rapport she has with the press.

“Osaka was probably right: Tennis reporters always ask the same questions, and she didn’t see much point in it,” Washington

Post’s media critic Erik Wemple said. “But if you’re a tennis beat writer or a sportswrit­er, you’ve got to write a story. She’s one of the top sports earners, and you’ve got to write your daily story, and you need her comment….i understand her position as well.”

Press conference­s are by nature limiting to reporters, who are trying to write something unique and informativ­e, Wemple added. Even if reporters have access to the source in this way, are they likely to ask questions that tip their hand about what they’re writing or the angle they’re taking?

Wemple advised reporters and editors navigating these dilemmas: “If you think your reporting depends entirely on one person helping you, it doesn’t. It is a pluralisti­c endeavor. There are people everywhere who can help and will help you if they see you are interested in a certain story. So, you may have one door close and many others open.”

Being denied access to a source may be frustratin­g to reporters, but it doesn’t mean the death of a story, after all. There is always the opportunit­y to seek out new sources and tell it from a different perspectiv­e—“the writearoun­d” Rosen calls it.

“There’s inside-out reporting, where you have to get inside the White House, for example, to find out what’s going, but there’s also outside-in reporting, where you start far away—let’s say, with people at the agencies who are getting directives from the White House,” he explained. “It takes longer. It’s not as direct, but it might be more effective, because they don’t have the same motivation­s to spin you. You can switch from insideout reporting to outside-in and make the argument that there are a lot of strengths to forms of journalism that don’t value access.”

Rosen offered The Intercept as an example of a news outlet that operates under the assumption that they won’t have direct access to power players its reporters may be covering. In fact, they may not want access to those sources at all, circumvent­ing them entirely to get closer to the truth faster.

“Access journalism is why you need magazine reporters, freelancer­s and other rabblerous­ers to come in and mix it up,” Wemple said. “It reminds me of (Michael Hastings), who did this huge interview with Gen. Stanley Mcchrystal that the Pentagon press corps was never going to write. You need people like that to come in and sort of shake things up.”

Connie Schultz is a Pulitzer Prize-winning journalist and novelist, who currently pens a column for USA TODAY and teaches journalism at Kent State University.

“I tell my students all the time that some of the most important informatio­n will come from secretarie­s, receptioni­sts, clerks,” she said. “If you’re assigned a government beat— for example, covering the mayor, you’re going to get to know everyone who works for the mayor. These are people who at times will feel unapprecia­ted, who will see people behaving badly and reach their limits. If they can trust you, they’ll tell you what’s happening or point you in the right direction. They will get you into offices that claim they have no time for you. That is the basics of good journalism.”

Immediate access to a source, particular­ly in the wake of breaking news, doesn’t always guarantee good reporting, Schultz noted.

“Let the dust settle, even if it’s for a day or two. While everybody is out repeating the breaking news, that’s when you take the time to go in and tell the rest of the story,” she said. “I worry that young journalist­s aren’t going to learn this if we place too much emphasis on who’s first, who’s getting a book deal, who’s holding onto reporting—and we see this increasing­ly—so they can put it in a future book.”

REBUILDING TRUST

For Lichterman, the term “access journalism” is often used in bad faith.

“I think the term is used (when) partisans on either side who feel a reporter is not being critical enough of a source,” he said. “During the Trump era, we saw criticism of someone like Maggie Haberman (White House correspond­ent for The New York Times) from the Left because she was probably one of the most well-sourced and even-handed reporters. But people on the Left often accused her of access journalism because they didn’t feel she wasn’t tough enough on Trump.”

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By Gretchen A. Peck
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