Salman Toor
With a debut solo show currently on view at the Whitney, the painter shares what fuels his creativity.
A nude figure reclines on a bed while taking a selfie. Four men dance and cuddle in an apartment awash in emerald green. Two men play with a puppy on a verdant sofa. Many of the oil works in artist Salman Toor’s solo debut show at the Whitney Museum of American Art in Manhattan, through April 4, depict young, queer, Brown men in intimate domestic settings. “The home environments of my paintings have so far been fantasies of shabby chic, slightly cutesy spaces that ooze comfort and coziness, like something out of a Victorian illustration,” explains Toor, who was born in Lahore, Pakistan, studied in the United States, and lives mainly in New York. “Growing up in a conservative society, these kinds of spaces were safe places for me.” In a style he describes as “Old Master painting meets modernism meets illustration meets cartoons often with Brown people in them,” Toor also captures the danger and fear in the diasporic experience, in scenes of police stoppings and inspections. Still, even when he visits more sober terrain, he maintains a lightness of spirit, true to the show’s title, “How Will I Know,” from the Whitney Houston song of the
same name. “Painting is a little like dancing for me,” Toor says. “It’s only fun if I feel it in my bones and forget
who might be watching.”