Field and Stream
When Dave wrote this, he was only 28. Normally, at 28, you don’t write nearly this well because life has to beat up on you before your skills sharpen. But “Road House” is a pitch-perfect description of how many Americans hunt. The young, the reckless, the broke all seem to find wrecks and turn them into combo motels, diners, four-wheelers, and dumpsters. They are absolutely indispensable, and you have adventures in them that you don’t have in other vehicles. —D.E.P.
BETWEEN THE SMASHED grille and the hole where a miniature chrome eagle once stood are the letters “F RD.” She is a 1975 Ford Gran Torino, a baby-blue roadhog, and the stuff of dreams for small-town boys, aspiring mechanics, and demolition derby enthusiasts.
The 351 Windsor under the hood does not purr; it gargles and spits, and if you don’t drive this car with one hand draped over the wheel, you just don’t get it. She’s an allAmerican hunk of junk, and for my friend Paulie and me, she’s been our camp on the eve of duck season.
She was made for it. The upholstery is blue velour with thick bits of foam poking through; it’ll soak up half a cup of coffee without leaving a trace. If I track mud in from the marsh, I just kick it through the hole in the floor. If Paulie blows a tire driving through a field, we just put on the spare, and when the hunt’s over, he goes back to “UNEEDA Tire,” and gets another one for $15.
And she’s a model of convenience. We fill her tank with gas and her interior with Fig Newtons, potato chips, beef jerky, and Dr Pepper, then cruise to the boonies, pull into the field beside the duck pond, and we’re camping. In the morning, we drag the canoe to the edge of the cattails, and we’re hunting.
We’ve never gotten much sleep in the Torino. Usually, the night is spent wrestling with a mountain of gear. If I do fall asleep, I typically wake up 15 minutes later to retrieve a decoy from under my ribs or take Paulie’s socks off my forehead. And it’s always cold.
But that’s okay. We don’t go there to sleep, really. Instead, Paulie digs out a Hank Williams Sr. tape, and we listen to the Drifting Cowboy moan about how much his life stinks. Feeling sorry for yourself is contagious, so we complain about how busy we’ve become, what a drag it is having to make a living…the usual.
Sooner or later, though, we shift gears. One of us brings up an old hunt, which leads to a litany of past guns we’ve owned. Then one of us brings up an old girlfriend… We talk into the night, about nothing really— country singers, heartbreaks, present guns and girlfriends—until daylight threatens.
It can’t happen in a hotel or even in a new SUV, only in a car such as the Gran Torino, out in the sticks, at two in the morning. On those nights, Paulie and I are a couple of small-town kids with nothing better to do…and while it lasts, that’s all we want to be.