Hamilton Journal News

Virtual Golden Globes is no party, but they tried

- By Lindsey Bahr

Tina Fey asked the tough question 10 minutes into the threehour Golden Globes broadcast Sunday: Could this whole night have been an email? Well, maybe.

We wouldn’t have gotten to see the awkwardnes­s of Daniel Kaluuya’s acceptance speech (almost) cut before it began, Don Cheadle giving a tie-dyed sweatshirt clad Jason Sudeikis the wrapup signal, or Catherine O’Hara’s husband playing her off with his iPhone — a funny bit hampered by bad sound.

But we also wouldn’t have gotten to tear up along with Chadwick Boseman’s widow Taylor Simone Ledward or see the sweetness of Mark Ruffalo’s kids standing proudly behind him when he won, or Ethan Hawke’s sitting with him when he didn’t.

We also wouldn’t have gotten swept away by Norman Lear’s heartfelt remarks. It helped that Lear’s setup looked profession­ally produced. Many did not. Celebritie­s, we’ve all learned over the past year, have bad lighting and shoddy internet connection­s too, even on an awards show night.

The 78th Annual Golden Globes came in limping Sunday, not just because of the strangenes­s of producing a live, bicoastal show a year into a pandemic, but because in the week leading up to the event, the 87-person organizati­on behind the endeavor, the Hollywood Foreign Press Associatio­n, was given an unflatteri­ng spotlight in a series of exposes in The Los Angeles Times and The New York Times. The most stinging revelation was that there are zero Black members in their ranks.

Whether or not they would

In this video grab issued Sunday, Feb. 28, 2021, by NBC, hosts Tina Fey, left, from New York, and Amy Poehler, from Beverly Hills, Calif., speak at the Golden Globe Awards. address it was perhaps the biggest question going into the night. Hosts Fey and Amy Poehler said they needed to change. And three members of the HFPA came out on stage to say they intended to. The remoteness of it all allowed them to control the controvers­y on their own terms, or at least manage it. For the show, it was a silver lining. For the audience, it felt like a punt. In a normal year, every nominee and guest would have been asked about it on the red carpet. All the celebritie­s who posted that Time’s Up message on their socials would have had to say something. Sunday, there was no one to ask. The HFPA may have just bought themselves another year to get their act together.

Although their nomination­s are occasional­ly absurd, the ultimate winners often aren’t. “Nomadland” director Chloé Zhao became the first woman to win best director since Barbra Streisand in 1984. Boseman won too. As did “Minari” and Lee

Isaac Chung (who also shared an especially sweet moment with his young daughter), even if it was relegated to the foreign language category. Kate Hudson, who proved to be a trouper despite all the fun made of her nomination and film, did not. Unfortunat­ely, as the night wore on, more and more winners found themselves played off by the show, including most of “The Crown.” Worse, the cut off music was bad.

The evening had its inspired comedic moments too, most of which came from hosts Fey and Poehler who in their fourth time leading the show seamlessly played off of one another with almost 3,000 miles between them. Though it was easy to forget that they were on different coasts, they were always ready with a welltimed gag acknowledg­ing that they weren’t. They also mocked the weirdness of it all, about halfway through exhaustedl­y recapping the meager GIF and meme


moments thus far — Cheadle, Tracy Morgan mispronoun­cing “Soul” as sal and Sudeikis’ hoodie.

“Those are the messy things we love about the Globes,” Poehler said.

The show has always been touted as a party, boozy, glamourous and unruly with hosts who are welcome to poke fun and occasional­ly even cross the line. The booziness perhaps has been overstated of late — most are far too savvy to get drunk on camera before their category. Besides, that’s what the after parties are for. But there was a lot lost here, even as the show tried to manufactur­e moments between the nominees with awkward semi-public five-way conversati­ons before commercial breaks.

“This is so weird,” said Lily Collins, to the heads on the five disconnect­ed screens around her. She could have been speaking for all of us.

Cutting away to the nominees after a joke or a related win was rarely successful and often stilted, although the later categories seemed to learn from the mistakes of the earlier ones. But it made it even more frustratin­g that the show failed to use their in-person talent more creatively. Yes, Kristen Wiig and Annie Mumolo got a fun “Barb and Star” moment, as did Maya Rudolph and Kenan Thompson. But they also got Tiffany Haddish to show up and all she got was one quip about Eddie Murphy’s mansions. The NBC tie-ins, too, seemed more shameless than usual.

The Golden Globes have in years past been a frivolity that’s still a pretty watchable, star-studded show. It occasional­ly even captured the zeitgeist in surprising­ly meaningful ways. Audiences expect the worst and sometimes find it. But there are also grace notes in all the silliness— remember the sea of black to support the newly formed Time’s Up a few years ago and that Oprah speech? And maybe it’s that tension that has kept the Globes audience relatively stable. Whether or not this year will hold up when the numbers come in remains to be seen, but it would be a surprise. And does it matter? It’s not as though anyone involved is planning to relive this experience.

“We all know that awards shows are stupid,” Fey said early on.

Yes, they are. But maybe it’s just the stupidity we all need after a very tough year.

In this video grab issued Sunday, Feb. 28, 2021, by NBC, nominees in the category for best supporting actor in a motion picture react as Daniel Kaluuya, top center, is announced as the winner for his role in “Judas and the Black Messiah” at the Golden Globe Awards.

 ?? NBC VIA AP ??
 ?? NBC VIA AP ??

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