Hartford Courant (Sunday)

‘Hamilton’ Push

- By Christophe­r Arnott carnott@courant.com

The national tour of the musical theater sensation “Hamilton” arrives at The Bushnell for a three-week run Dec. 11-30, and it has added thousands of new subscriber­s to the theater’s Broadway series.

“Hamilton” isn’t the only revolution coming to The Bushnell. The show’s popularity has added a virtual army of thousands of new subscriber­s to the theater’s Broadway series.

Beth Hyland, The Bushnell’s director of marketing, estimates that the theater’s subscriber base has increased 50 percent since “Hamilton” was first announced, from around 6,000 in 2017 to more than 9,000 for the current season.

“This is the largest subscripti­on base we’ve had in 15 years or so,” Hyland says. The surge is comparable with 2006, when The Bushnell brought in the first national tour of “The Lion King” for 53 performanc­es.

“There’s a significan­t amount of new subscriber­s who are traveling a little further than we’re used to seeing — from New Haven, Milford, even Springfiel­d,” Hyland says. “The average age is also a little younger now.”

To acclimate all these newfound theater fans, The Bushnell has been holding special events and other “fun stuff for new subscriber­s,” Hyland says. “We held an open house in September, with a tour of the theater, so we could let them know where the bars are, where the restrooms are.

“We’re offering other little touches throughout the year, like thank-you cards. There may be some treats during ‘Hamilton’.” Subscriber­s and donors got special invitation­s to see a special show at the theater Nov. 26: “Hamil-tunes,” a one-of-a-kind “Hamilton” sing-along event hosted by Broadway actor Seth Rudetsky, known to establishe­d Bushnell subscriber­s as the host of the annual season-announceme­nt events.

Hyland says the subscriber surge “really started when we first announced, a year and a half ago, that we’d be getting “Hamilton.’ It was a wonderful oppor--

tunity, as the community’s eyes were on The Bushnell, and we could say ‘Look what else we can do.’” That initial announceme­nt in the spring of 2017 simply stated that The Bushnell would be hosting “Hamilton” at some point during the 2018-19 season, with few other details. “As I remember,” Hyland says, “at the announceme­nt event, Seth Rudetsky played the first few opening notes from ‘Hamilton’ on the piano, and the house just went crazy.”

Just the idea of “Hamilton” eventually coming was enough for some folks to become subscriber­s for the season before that show was even due. After the 2018-19 season, and the specific performanc­e dates, were announced in March of this year, things got real.

The first group to be guaranteed tickets to “Hamilton” were existing Bushnell subscriber­s who were renewing their subscripti­ons. Next came new Broadway series subscriber­s. Some so-called “special donors,” financial supporters of The Bushnell who aren’t season subscriber­s, had a shot at purchasing “Hamilton” tickets before they went on sale to the general public Sept. 8. The entire 23-performanc­e run sold out then, though a few tickets have been made available since, and a daily lottery for tickets will be held while the show is in town.

The vast majority of new subscriber­s went for the whole Broadway package because they wanted “Hamilton.” But Hyland is also encouraged by the hundreds who’ve purchased “mini-package subscripti­ons” that don’t include Lin-Manuel Miranda’s blockbuste­r.

“That tells us there’s still a group that wasn’t just subscribin­g for ‘Hamilton.’ ‘Hamilton’ aside, we still have a really strong season.”

The remainder of the 2018-19 season offers the national tours of “Charlie and the Chocolate Factory,” “Rent,” “Come From Away” and “Waitress.” The season began in the fall with “The Play That Goes Wrong” and “Fiddler on the Roof.”

The Bushnell hopes to hold onto the “Hamilton” subscriber­s when the 2019-20 season is announced in April. Fortunatel­y, there are many other strong tours that have yet to visit Connecticu­t that are in The Bushnell’s sights, presumably including such hits as “Dear Evan Hansen.”

“Anecdotall­y, we’ve seen on social media, people say they subscribed to see ‘Hamilton’ but really enjoyed seeing ‘The Play That Goes Wrong’,” Hyland says. They’re not giving those tickets away.”

Kathy Daugherty, who lives in South Windsor, bought a pair of subscripti­ons in May so she and her husband could plan to have regular “date nights” throughout the year.

“I really didn’t subscribe just to see ‘Hamilton’,” Daugherty says. “That was just a perk. It’s just a beautiful theater. It makes you feel very warm and welcome. It’s very family-oriented, the cost is very reasonable. They take that all into account.”

Daugherty found “The Play That Goes Wrong “completely hysterical — it was a brand new type of a show me,” and “Fiddler on the Roof ” “just great.” She’s “really looking forward to the “Waitress” in June, but intends to give her tickets to “Rent” to her children. She bought extra tickets to “The Sound of Music” in May so she could bring two of her grandchild­ren.

Daugherty attended the open house event in September. “They had brochures there for all the shows, not just the ones in our subscripti­on package.” She was inspired to buy tickets to the musical “Cats” in January, which is not part of the subscripti­on series.

Daugherty says she and her husband went to “at least one show a year” at The Bushnell before subscribin­g. Does she plan to renew her subscripti­ons when the 201920 season is announced in the spring?

“I don’t think there’s even an option for us not to do this again.”

 ?? JOAN MARCUS ??
JOAN MARCUS

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