Hartford Courant (Sunday)

6 favorite audiobooks, from a classic to ‘zhuzh’

- By Lauren Christense­n The New York Times

So, you’ve decided you want to listen to a book rather than read one. Maybe you have a car ride ahead of you with friends or loved ones, or maybe you are just finding it harder than usual to concentrat­e on the page (who among us?). But before you download the MP3 version of whatever hardcover you never got around to reading, know that some books are not just entirely distinct on audio but perhaps even better narrative experience­s when heard. Here is a selection of our favorites, across genres and time periods.

By Leo Tolstoy, read by Maggie Gyllenhaal (35 hours, 35 minutes; Audible Studios).

Perhaps 35 hours sounds as daunting to you as the nearly 900-page hard copy. It shouldn’t: Voicing each of the 19th-century Russian novel’s many characters, and giving each his or her own idiosyncra­tic lilt, Gyllenhaal delivers Tolstoy’s pathos and plot with equal grace, sustaining the listener like a marathoner until she crosses the finish line. But by then you won’t even want it to end.

By Andre Leon Talley, read by the author (9 hours, 38 minutes; Random House Audio).

It’s one thing to read the searing critiques and salacious gossip from the halls of Conde Nast by the former Vogue editorat-large, but it’s quite another to hear him tell it in his own distinctiv­e voice. While some passages will feel as if he’s grabbed you backstage at Fashion Week to spill everything, the most affecting ones dive back into his childhood in the rural South, where, Rebecca Carroll wrote in The New York Times Book Review, he “got swallowed whole by the white gaze and was spit out as a too-large Black man when he no longer fit the narrative.”

By Taylor Jenkins Reid, read by Jennifer Beals, Benjamin Bratt, Judy Greer and a full cast (9 hours, 3 minutes; Random House Audio).

Narrated by an ensemble cast (which includes Greer, whose voice is instantly recognizab­le), this story about a fictional band doing drugs and having sex on tour in the ’70s will take you far away from your current mindset and into the irresistib­le melodrama of American rock stars.

The Great Migration was a movement that is impossible to contain in hard numbers, dates or demographi­cs. Wilkerson’s magnificen­t history focuses on three individual Black lives and the paths they took from the South in search of greater freedoms. Audie Award-winning narrator Miles delivers these three interwoven tales, which together represent a phenomenon so much larger than themselves, with all the novelistic empathy they deserve.

By Valeria Luiselli, read by the author and a full cast (11 hours, 16 minutes; Random House Audio).

Luiselli’s novel about a makeshift family (an unnamed husband and wife, his son and her daughter) making their own road trip of sorts from Brooklyn to the Mexican border lends itself almost too naturally to the audio format. Both the narrator and her husband are what she calls “sound documentar­ians,” journalist­s who record the world around them through its noises, musical and otherwise. The voices of their children in the second half also lend a heart-wrenching dimension to this story that no hardcover could approximat­e.

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