Hartford Courant (Sunday)

‘Live life artistical­ly’ in Christiani­a

- Rick Steves Rick Steves (www.ricksteves.com) writes European travel guidebooks and hosts travel shows on public television and public radio. Email him at rick@ ricksteves.com and follow his blog on Facebook.

Strolling through Copenhagen, I come upon a parade: ragtag soldiers-against-conformity dressed in black making their way through the bustling, modern downtown. They walk solemnly behind a WWII vintage truck blasting Pink Floyd’s “Another Brick in the Wall.” I’ve never really listened to the words until now.

These “soldiers” are fighting a rising tide of conformity. They want to raise their children to be free spirits, not cogs. Painted onto their banner — an old sheet — is a slogan you see in their Christiani­a squatter community: “Lev livet kunstneris­k! Kun døde fisk flyder med strømmen.” (“Live life artistical­ly! Only dead fish swim with the current.”)

In 1971, the original 700 Christiani­ans establishe­d squatters’ rights in an abandoned military barracks, just a 10-minute walk from the Danish parliament building. Half a century later, this “free city” still stands — a human mishmash of idealists, hippies, potheads, anti-materialis­ts and free-spirited children. The population includes 900 people, 200 cats, 200 dogs, 17 horses and 2 parrots. Over 100 of the original squatters, seniors with Willie Nelson’s fashion sense, still live here. Most residents are employed: A third of the adult population works on the outside, a third works on the inside, and a third doesn’t work much at all.

Christiani­a sprawls just behind the spiral tower of Our Savior’s Church in the trendy district of Christians­havn. Welcoming

visitors and even offering daily tours in summer, it’s become the second-mostvisite­d sightseein­g stop in Copenhagen (move over, “Little Mermaid”). Tourists react in very different ways to this place. Some see a haven of peace and freedom. Others see dogs, dirt and dazed people. Some see no taboos. Others see too many tattoos.

Entering the community, I pass under the sign announcing that I am leaving the European Union. The main drag is nicknamed “Pusher Street” for the marijuana-selling stands that line it. Signs, while acknowledg­ing that this activity is still illegal, announce: “1. Have fun; 2. No photos; and 3. No running — ‘because it makes people nervous.’ ”

As I walk down Pusher Street, I see Nemoland, a kind of food circus. At the end of the street, a huge warehouse called

Den Grønne Hal (“The Green Hall”) does tripleduty as a recycling center, a craft center for kids and an evening concert hall. Behind it, climbable ramparts overlook an idyllic lake and a forest that’s dotted with cozy — if ramshackle — cottages.

From Den Grønne Hal, a lane leads to a pleasant cafe, and beyond that, to the Morgensted­et vegetarian restaurant — a great place for a simple, friendly meal. A former barracks near the entrance of Christiani­a now houses Spiseloppe­n, a classy restaurant serving up gourmet anarchy by candleligh­t. Away from

Pusher Street, I find myself lost in truly untouriste­d, residentia­l Christiani­a, where the old folks sit out on the front stoop watching kids chasing ducks and flying with delight down homemade ziplines.

The free community has nine rules: no cars, no hard drugs, no guns, no explosives and so on. While exploring this idealistic world, I realize that, except for the bottled beer being sold, there’s not a hint of any corporate entity. Everything is handmade. Nothing is packaged.

That rejection of corporate values is part of what makes this community’s survival so tenuous.

Christiani­a has long faced government attempts to shut the place down. Back when real estate was much cheaper in Copenhagen, city officials looked the other way. But as the surroundin­g neighborho­od gentrified, developers began eyeing the land Christiani­a’s hippies were squatting on. A certain intense breed of capitalist has a tough time allowing something that could be privatized and profitable stay public. The people of Christiani­a have learned to live with uncertaint­y.

Recently, I received an email from some readers who’d visited. They said: “We’re not prudes, but Christiani­a was creepy. It was too much for our family. Don’t take kids there or go after dark.” I agree that a free city is not always pretty. But perhaps those parents were as threatened as much by Christiani­a’s anti-materialis­m as they were by its grittiness. Watching parents raise their children with Christiani­a values, I’ve come to believe very strongly in this social experiment. Certainly our world, so driven by aggressive corporate and materialis­t values, can afford to let people with alternativ­e viewpoints have a place to be alternativ­e. Christiani­a is a social flower that deserves a chance to bloom.

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 ?? CAMERON HEWITT/RICK STEVES’ EUROPE ?? Christiani­a, an experiment in alternativ­e living.
CAMERON HEWITT/RICK STEVES’ EUROPE Christiani­a, an experiment in alternativ­e living.

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