Hartford Courant (Sunday)

Composing an ARTIST’S ATELIER

Want to make music at home? These DIYers built their own soundproof studios

- By Charu Suri

Stuck at home but itching to compose and perform music, profession­al and amateur artists turned their living rooms and bedrooms into makeshift studios. But they were quickly reminded that they could disturb their neighbors. A lucky few had the time, space and patience to build full-fledged, soundproof musical ateliers.

Two profession­al musicians became DIYers when they could not open their home to a profession­al to help them because of lockdown; a composer took action when the pandemic took her off the road; and an author was determined to create a safe space for his friends to get together. Here’s how they did it:

Bells are ringing

Natalia Paruz, 45, and Scott Munson, 50

Location: New York City

Instrument­s involved: Paruz is a profession­al bell ringer, musical saw player and occasional harpist. She has several musical saws of different makes, lengths, widths and tapering and also owns a theremin, an electronic musical instrument. She treasures her glass harp — “popular in the 1800s as a home parlor instrument,” she said, that was made before 1886. Munson, her husband, has a grand piano, a vibraphone and a drum set. He, too, is a profession­al musician, with his own jazz band.

The scene: The couple own a two-family house, with the tenants right upstairs. In 2020, “I spent more time in that house than I have ever done,” Paruz said. Of course, so did the tenants. Paruz said the proximity of her renters used to keep her from practicing, but not anymore. “I practice the bells daily,” she said. “I have church gigs, and they are loud!”

Soundproof­ing philosophy: They had hoped to hire profession­al help to soundproof a room in her house, but the lockdown made that impossible. So Paruz spoke to fellow musicians to get a few ideas. Luckily, the house had doublepane windows when they bought it.

The job: The double-pane windows helped, but more needed to be done, so they added foam squares to block the sound. “When we record, we hang heavy blankets on the walls,” Paruz said. One blanket is made for sound absorption and can be purchased online. “The other is just a regular quilt, so I sewed rings on it to enable hanging it.”

Total estimated cost: $600

A composer’s studio

Cheryl Engelhardt, 42

Location: New Paltz, New York

Instrument­s involved: A composer, Engelhardt has been a full-time musician for more than 15 years. She plays the piano, some percussion, the ukulele and “a tiny bit of clarinet,” she said. Engelhardt was nominated for a Grammy this year for her New Age album, “The Passenger,” which was written and composed on a train but mixed in her studio before the renovation­s.

The scene: She bought her three-bedroom house in 2016 for $349,000. It came with a bonus room with slanted angles that she turned into her studio. “I have always had my own studio in my house,” she said, and she always wanted to redo it.

Soundproof­ing philosophy: The pandemic was the trigger she needed, since she was spending much more time indoors. She currently uses the studio to write music and mix her work, as well as operationa­l activities. “Before COVID, I used the space for recording sessions with others,” she said. It is where she and her collaborat­or, Kevin Archambaul­t (who died of cancer in early 2022), co-wrote the musical “Boiler Room Girls.”

The job: Last year, she renovated her studio entirely, which included flooring ($818); enlisting the services of an interior designer ($1,180); a desk ($540); sound treatment ($494); and carpenters to install a shiplap wall (a bead board, a textured wall that gives it a different depth and look). “It took the place of wallpaper or an accent wall, and anytime there’s some texture, that helps with the sound,” she said.

Unwanted noises: She added an extra layer of hardwood flooring in the space. “My studio is on the top floor of the house, almost like an attic, and I wanted something that wouldn’t creak too much. The floor was old plywood, and I could hear the television downstairs and the phone, and now the flooring absorbs all the noise,” she said. “I am so happy with the new space, I want to work in there.”

Total estimated cost: Nearly $6,000

Gathering friends

Jason Reynolds, 38

Location: The Kingman Park neighborho­od of Washington, D.C.

Instrument involved: A Kingsbury upright piano, which was one of the first things moved into the renovated space. It is now a centerpiec­e of the festivitie­s when friends visit.

(Nonmusical) profession: Reynolds is an author of novels and poetry for young adult and middle-grade audiences (two of his most popular books include “Long Way Down,” a novel in verse about a single minute of a young man’s life; and “Ghost,” about a boy who discovers family and confidence after a chance encounter on his middle school track team).

The scene: He owns a four-story row house, with a roof deck built in 1922. He bought the house in two stages: First, he bought the basement and first floor as his primary residence in 2018 for $699,000, and then, when the owner decided to move, the two top floors in 2020 for $860,000.

Soundproof­ing philosophy: His dream was to create a salon and gathering space on the top two floors of the house. “I built this music room and lounge space, trying to build it so that my pod — my friends — had a safe and comfortabl­e space,” he said.

Materials used: “We were always going to soundproof this room,” said Annie Elliott, a designer who helped Reynolds with the space. Elliott said she wallpapere­d the room with 1 millimeter of a cork product, and the layers help with soundproof­ing.

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PETER AND MARIA HOEY/THE NEW YORK TIMES ILLUSTRATI­ONS

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