Hartford Courant

Cuban podcasts find loyal audience

Despite threat of censorship, no subject is off limits

- By Ernesto Londono

There has been little to laugh about in Cuba lately. But on a recent episode of “El Enjambre,” a weekly podcast produced on the island, the three hosts were howling at the latest form of censorship by the state-run telecommun­ications company.

“If you send a text message with the word freedom, the message doesn’t reach the recipient,” Lucía March told her incredulou­s co-hosts, referring to the Spanish language word libertad. “It evaporates, vanishes! I’m serious.”

The exchange was funny, informativ­e and lightheart­ed, traits that have made “El Enjambre” one of the biggest hits among the scores of new Cuban-made podcasts that are now competing for residents’ attention and limited internet bandwidth.

Cubans began having access to the internet on smartphone­s only in 2018. Since then, podcasts about politics, current events, history, entreprene­urship and language have upended how Cubans get their informatio­n, expanding the middle ground between the hyperparti­san content generated by government-run media outlets and American government funded newsrooms that are highly critical of the island’s authoritar­ian leaders.

“There has been exponentia­l growth, and I predict it will continue to multiply,” said Yoani Sánchez, a Cuban journalist who records a daily news podcast plugging stories from the independen­t news portal she runs, 14ymedio. “Cubans by and large are devoted radio listeners, and for that reason they have the potential to

become devoted listeners to podcasts.”

Cuba’s government blocks access to several news websites — including 14ymedio — and recently passed a measure making it a crime to post content that is critical of the Cuban state on social media.

But the authoritie­s have not yet taken action to censor or block access to the more than 220 podcasts that are produced in Cuba or cater largely to Cuban audiences, said Carlos Lugones, founder of Cuba Pod, a platform that promotes and catalogs Cuban podcasts.

The country’s staterun telecommun­ications company did not respond to a request for comment about censoring text messages.

“It’s very difficult for a government to censor a podcast because there are many ways of distributi­ng it,” said Lugones, who believes

the new audio initiative­s are stirring nuanced conversati­ons on the island. “Podcasts spark debates in society all the time. They cause people to reflect.”

A desire to do just that prompted Carlos Condis, an industrial engineer who has opened a few restaurant­s in Havana, to launch “El Enjambre” — Spanish for swarm of bees — in late 2019. The heart of the show is a spirited, spontaneou­s conversati­on among Condis and his co-hosts, March and Yunior García Aguilera. No subject is off limits.

“El Enjambre” provided detailed coverage of the remarkable July 11 anti-government protests in Cuba and searing criticism of the ruthless crackdown that followed.

The hosts also dissected the dismal state of the health care system as COVID-19 cases surged on the island,

mocked the sputtering initiative­s by the government to allow some private-sector activities, such as garage sales, and attempted to read the tea leaves on the future of Washington’s relationsh­ip with Havana.

Condis said he steered clear of using what he views as needlessly polarizing language, refraining, for instance, from referring to the Cuban government as a dictatorsh­ip. The hosts don’t take for granted the relative freedom they have enjoyed so far in criticizin­g the government.

After all, Cuba does not have press-freedom laws and critical journalist­s are often subject to harassment and home detention.

“At any moment, they might go to war with us and take us off the air,” Condis said.

If anyone has been pushing the boundaries, it is Sánchez,

an ardent critic of the government who first gained prominence as an early adopter of technology in 2007, when she began writing a raw and lyrical blog about life on the island.

In December 2018, when Cuba’s telecommun­ications company Etecsa began offering data plans for smartphone­s, Sánchez saw an opportunit­y to expand the reach of her journalism, which had previously been distribute­d as an emailed newsletter and a PDF file.

She began recording short episodes early each weekday while drinking her morning coffee, telling listeners what the weather looked like outside the window of her 14th-floor apartment in Havana. She jokes that the soundtrack of the show is the spoon stirring her cup of coffee, “always bitter and very, very necessary.”

“I must say there are many

people who are not interested in the news we put out because they’re not readers, including older people who don’t see well,” Sánchez said in response to questions, which she answered — fittingly enough — in a series of audio files.

“But the human voice, news that is narrated, sitting together to share a coffee, creates a sense of intimacy, of familiarit­y, of closeness that allows me to reach those people.”

During months of isolation, as COVID-19 cases have surged, podcasts have helped foster a sense of community and a reprieve from boredom.

“You can listen to podcasts while you wash the dishes, while taking a stroll down the street,” said Sánchez. “People feel that I’m inside their homes, sitting at their kitchen table stirring a bitter cup of coffee.”

 ?? YAMIL LAGE/GETTY-AFP ?? People go about their business one July day in Havana. Despite government censorship, many podcasts have found large groups of fans.
YAMIL LAGE/GETTY-AFP People go about their business one July day in Havana. Despite government censorship, many podcasts have found large groups of fans.

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