Houston Chronicle Sunday

Rushdie, Gabaldon and other authors reflect on books they find most transporti­ng

- By Angela Haupt | WASHINGTON POST

This summer, instead of squeezing one more book into our suitcases, we’ll need what we read to transport us to faraway places: to beaches or villas or anywhere but here. For inspiratio­n, we asked 13 authors who have written particular­ly transporti­ng novels which books they like best when they need to get away. Mary Kay Andrews, whose books include “Hello, Summer” and “The High Tide Club”

Living and working in the sultry American South, where all my novels are set, this time of year I’m especially drawn to author Kate Morton’s atmosphere­drenched books, which hearken me back to the gothic novels of Daphne du Maurier and Victoria Holt. I especially liked Morton’s “The Lake House,” which features an abandoned, crumbling mansion in the Cornwall countrysid­e and the long unsolved disappeara­nce of the beloved toddler son of an aristocrat­ic family during a Midsummer’s Eve party in 1933. Morton’s lush descriptio­ns of the country house, with its chattering stream, sunken garden and, yes, joy of joys — a secret tunnel — plus the twisty dual timeline plot kept me guessing — and longing for a drift on that cool, mistshroud­ed lake.

Pierce Brown, author of the “Red Rising” series

“Something Wicked This Way Comes.” Forget about being transporte­d to far-off lands and fall into the topsy-turvy midnight world that inspired “The Night Circus” and legions of young dreamers. When a summer storm brings an arcane circus to a Midwestern town, two lads are torn from their humdrum ennui into a fantastica­l realm of bearded ladies, malevolent carnies and the infamous Illustrate­d Man. Ray Bradbury might not take you to Mars (this time), but he’ll drag you smiling and screaming back to the wonders and terrors of childhood.

Chanel Cleeton, whose books include “Next Year in Havana”

I recently read Anthony DePalma’s nonfiction book “The Cubans,” and I was instantly transporte­d to Guanabacoa, where DePalma vividly depicts the lives of several families in modern Cuba. DePalma’s writing is evocative and detailed, and the reader feels as though they are walking alongside the people whose aspiration­s and dreams he so poignantly highlights. The country comes alive with each sentence, and the end result is an homage to Cuba and the Cuban people that is both heartbreak­ing and hopeful.

Esi Edugyan, whose books include “Washington Black”

Penelope Fitzgerald’s masterpiec­e “The Blue Flower” is one of the most offhandedl­y charming novels I’ve ever read. It follows the 18th-century German poet Novalis in his quest to marry a 12-year-old girl called Sophie von Kuhn — but this descriptio­n hardly gets at the strange, elliptical nature of Fitzgerald’s storytelli­ng. A funny, transporti­ng, deeply moving novel.

Diana Gabaldon, author of the “Outlander” series

If I had to pick just one, I think it would be “Shogun,” by James Clavell. That one gripped me for a solid three days of reading and completely took me from my own reality into his.

Linda Holmes, author of “Evvie Drake Starts Over”

One of the many reasons I love Andy Weir’s “The Martian” is that it makes Mars, and a very few small enclosed spaces on Mars, so available to the imaginatio­n. It’s easy for space to feel vast and filled with possibilit­y; the book makes living on Mars a matter of plastic and tape, buckets and rows of growing plants. I’m always surprised when I remind myself that it’s a descriptio­n of living on another planet entirely.

Khaled Hosseini, whose books include “The Kite Runner” and “A Thousand Splendid Suns”

“The Paying Guests,” by Sarah Waters. Post-World War I London. An impossible, life-altering love affair. A murder. Twists aplenty. And gorgeous writing to boot.

Min Jin Lee, author of “Free Food for Millionair­es” and “Pachinko”

I tend to work to avoid the difficulti­es of life. So books are my tonic from too much work and too much life. I can’t think of a lovelier book than Italo Calvino’s beautiful novel “The Baron in the Trees” to carry me away to the Ligurian Riviera. I admire Cosimo, the young baron, who decides to leave all and find an alternate life in the trees. In such times, his choices seem perfectly sensible.

Frances Mayes, whose books include “Under the Tuscan Sun” and “See You in the Piazza”

Read and reread, that’s my motto for this surreal zone we’re inhabiting. When I’m longing to pack my bag and go, I turn to the incomparab­le Patrick Leigh Fermor — everything he wrote but especially “Mani: Travels in the Southern Peloponnes­e,” a book that once caused me to travel to that spare and essential region. Another transporte­r: intrepid Freya Stark, lover of the classical world and early explorer of the Middle East. I especially love “The Valleys of the Assassins” and “Alexander’s Path.”

Ruth Reichl, whose books include “Save Me the Plums”

I don’t just want to be in another place — I want to be in another time as well. Nobody has ever created a better magic carpet than Dorothy Dunnett. “The Lymond Chronicles” has all you need to make this modern madness disappear: complex characters (you never know what they will do), distant places (she covers the entire medieval globe), swashbuckl­ing adventures — and a grasp of history that is constantly enlighteni­ng. Happily, once I’ve reread these six volumes, “The House of Niccolò” awaits.

Salman Rushdie, author, most recently, of “Quichotte”

Fourteen years ago, Bill Buford published the brilliant “Heat,” an account of his adventures and misadventu­res, from Greenwich Village to Tuscany, in his quest to become an Italian chef. Now he has surpassed that masterpiec­e with “Dirt,” in which he moves to Lyon, the capital of French cuisine, and takes us on an even richer journey, by turns hilarious, obsessiona­l, informativ­e and borderline deranged, as he seeks to earn his toque. Deeply enjoyable.

V.E. Schwab, author of the “Shades of Magic” series and the forthcomin­g “The Invisible Life of Addie LaRue”

When it comes to escapism, you don’t always have to go to another world — sometimes space is far enough. I’ve long been a fan of Becky Chambers’ “Wayfarers” series, set in a futuristic expanse, a rich tapestry of planets and people. The second book especially, “A Closed and Common Orbit,” is the perfect mix of incredible characters and interstell­ar adventure.

Paul Theroux, whose books include “On the Plain of Snakes: A Mexican Journey”

In my estimation, two of the greatest books to transport a reader in space and time are a novel and a memoir. The novel, “A House for Mr. Biswas,” by V.S. Naipaul — a fractious family, a complex culture, a tiny island, before and after World War I; brilliant, funny, multilayer­ed. And the other, “Christ Stopped at Eboli,” by Carlo Levi, a Jewish Florentine who was banished and isolated to the far south of Italy by Mussolini; a compassion­ate anthropolo­gy, humane and otherworld­ly.

 ?? Associated Press file ?? Author Pierce Brown enjoys the return to “the wonders and terrors of childhood” in “Something Wicked This Way Comes” by Ray Bradbury, pictured.
Associated Press file Author Pierce Brown enjoys the return to “the wonders and terrors of childhood” in “Something Wicked This Way Comes” by Ray Bradbury, pictured.
 ?? Tara Heinemann ?? Esi Edugyan considers “The Blue Flower” by Penelope Fitzgerald, pictured, a masterpiec­e.
Tara Heinemann Esi Edugyan considers “The Blue Flower” by Penelope Fitzgerald, pictured, a masterpiec­e.
 ?? Associated Press file ?? “The Baron in the Trees” by Italo Calvino, shown, is a worthy piece of escapism for Min Jin Lee.
Associated Press file “The Baron in the Trees” by Italo Calvino, shown, is a worthy piece of escapism for Min Jin Lee.
 ?? Chris Ison / Associated Press ?? “A House for Mr. Biswas” by V.S. Naipaul, shown, wonderfull­y transports readers, Paul Theroux says.
Chris Ison / Associated Press “A House for Mr. Biswas” by V.S. Naipaul, shown, wonderfull­y transports readers, Paul Theroux says.
 ?? Bernd Ott ?? Sarah Waters, pictured, produced a piece of “gorgeous writing” with “The Paying Guests,” according to Khaled Hosseini.
Bernd Ott Sarah Waters, pictured, produced a piece of “gorgeous writing” with “The Paying Guests,” according to Khaled Hosseini.
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