Houston Chronicle Sunday

Couple faces cancer battle in bitterswee­t ‘Spoiler Alert’

- By Katie Walsh

In the summer and fall of 2022, “Bros” and “Fire Island” made inroads as high-profile gay rom-coms, queering the familiar genre. Now, arriving just in time for Christmas, we have “Spoiler Alert,” a heartrendi­ng holiday weepie about two men in love, facing cancer together.

Based on the memoir by TV journalist Michael Ausiello, “Spoiler Alert” tells the story of Ausiello’s marriage to Kit Cowan: how they fell in love and forged a partnershi­p, with all the attendant struggles of a long-term relationsh­ip, and then walked together through Kit’s battle with a rare form of neuroendoc­rine cancer.

“The Big Bang Theory” star Jim Parsons plays Michael, the dweeby-cute TV nerd who writes for TV Guide and collects Smurfs parapherna­lia, while English actor Ben Aldridge plays Kit, an undeniably hot aspiring photograph­er. One night, a co-worker drags Michael to “jock night” at a bar after work, where he locks eyes with Kit on the dance floor, and the rest is history.

The screenplay marks the feature screenwrit­ing debut of Dan Savage, who is known for his sex advice column “Savage Love” in the Seattle alt-weekly The Stranger, as well as his long-running podcast, “The Savage Lovecast.” Savage adapted Ausiello’s 2017 book with David Marshall Grant, and the screenplay maintains the grounded honesty that feels typical to Savage’s work, despite the sappy Hollywood romance trappings of the film.

Directed by Michael Showalter, who has become a journeyman director across TV and film over the past few years, “Spoiler Alert” is aesthetica­lly rather unshowy, aside from a few meta moments meant to demonstrat­e how Michael copes with life’s challenges through media. The characters watch “RuPaul’s Drag Race” or “Felicity” for connection and comfort, and there’s also the matter of the Smurfs collection, with which a psychoanal­yst could have a field day.

Showalter also employs TV tropes to capture Michael’s childhood flashbacks to his mother’s own battle with cancer, shot and styled like a ’90s family sitcom, complete with laugh track. During one particular­ly heart-wrenching moment, Showalter allows Michael to step out of his own grief to assert his TV journalist side, interviewi­ng Kit as he would an actor on set.

Showalter is not a cinematic stylist, per se, but more of a nuts-and-bolts filmmaker, managing tone and pace, though the visuals are not much to write home about. The meta TV moments make “Spoiler Alert” more interestin­g to watch, and help to illustrate our protagonis­t’s mindset, but you almost wish the filmmakers took the conceit further. There’s a challenge to balance this experiment­ation with the other goal of the film, which is to be a big, right-down-the-middle mainstream romance.

Though Parsons’ performanc­e doesn’t always work, “Spoiler Alert” is a breakout role for Aldridge, who demonstrat­es his leading hunk potential as Kit, as well as his ability to break your heart. Coupled with Sally Field, who plays his mother, Marilyn, the pair bring a sincerity to their performanc­es that provide the gut punch to “Spoiler Alert” that will draw your tears.

Despite the narrative elements that work to draw us out of the wreckage as part of Michael’s coping mechanisms, Aldridge and Field effectivel­y salvage the emotional core of “Spoiler Alert,” bringing us back to the heart of the matter and giving space to the feelings that should flow freely in a film like this. Spoiler alert: Don’t forget the tissues.

 ?? Focus Features ?? Jim Parsons, left, and Ben Aldridge star in “Spoiler Alert.”
Focus Features Jim Parsons, left, and Ben Aldridge star in “Spoiler Alert.”

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