Houston Chronicle Sunday

DNA from Beethoven’s hair helps unlock medical mysteries

Analysis finds composer did not have lead poisoning, was not a Black man

- By Gina Kolata

It was March 1827, and Ludwig van Beethoven was dying. As he lay in bed, wracked with abdominal pain and jaundiced, grieving friends and acquaintan­ces came to visit. And some asked a favor: Could they clip a lock of his hair for remembranc­e?

The parade of mourners continued after Beethoven’s death at age 56, even after doctors performed a gruesome craniotomy, looking at the folds in Beethoven’s brain and removing his ear bones in a vain attempt to understand why the revered composer lost his hearing.

Within three days of Beethoven’s death, not a single strand of hair was left on his head.

Ever since, a cottage industry has aimed to understand Beethoven’s illnesses and the cause of his death.

Now an analysis of strands of his hair has upended long-held beliefs about his health. The report provides an explanatio­n for his debilitati­ng ailments and even his death, while also raising new questions about his genealogic­al origins and hinting at a dark family secret.

The paper, by an internatio­nal group of researcher­s, was published Wednesday in the journal Current Biology.

It offers additional surprises: A famous lock of hair — the subject of a book and a documentar­y — was not Beethoven’s. It was from an Ashkenazi Jewish woman.

The study also found that Beethoven did not have lead poisoning, as had been widely believed, nor was he a Black man, as some had proposed.

And a Flemish family in Belgium — who share the last name van Beethoven and had proudly claimed to be related — have no genetic ties to him.

Researcher­s not associated with the study found it convincing.

It was “a very serious and wellexecut­ed study, “said Andaine Seguin-Orlando, an expert in ancient DNA at the University Paul Sabatier, Toulouse, in France.

The detective work to solve the mysteries of Beethoven’s illness began Dec. 1, 1994, when a lock of hair said to be Beethoven’s was auctioned by Sotheby’s. Four members of the American Beethoven Society, a private group that collects and preserves material related to the composer, purchased it for $7,300. They proudly displayed it at the Ira F. Brilliant Center for Beethoven Studies at San Jose State University in California.

But was it really Beethoven’s hair?

The story was that it was clipped by Ferdinand Hiller, a 15year-old composer and ardent acolyte who visited Beethoven four times before he died.

On the day after Beethoven died, Hiller clipped a lock of his hair. He gave it to his son decades later as a birthday gift. It was kept in a locket.

The locket with its strands of hair was the subject of a bestsellin­g book, “Beethoven’s Hair,” by Russell Martin, published in 2000 and made into a documentar­y film in 2005.

An analysis of the hair at Argonne National Laboratory in Il

linois found lead levels as high as 100 times the normal amount.

In 2007, authors of a paper in The Beethoven Journal, a scholarly journal published by San Jose State, speculated that the composer might have been inadverten­tly poisoned by medicine, wine or eating and drinking utensils.

That was where matters stood until 2014 when Tristan Begg, then a master’s student studying archaeolog­y at the University of Tübingen in Germany, realized that science had advanced enough for DNA analysis using locks of Beethoven’s hair.

“It seemed worth a shot,” said Begg, now a doctoral student at Cambridge University.

William Meredith, a Beethoven scholar, began searching for other locks of Beethoven’s hair, buying them with financial support from the American Beethoven Society, at private sales and auctions. He borrowed two more from a university and a museum. He ended up with eight locks, including the hairs from Hiller.

First, the researcher­s tested the Hiller lock. Because it turned out to be from a woman, it was not — could not be — Beethoven’s. The analysis also showed that the woman had genes found in Ashkenazi Jewish population­s.

Meredith speculates that the authentic hair from Beethoven was destroyed and replaced with strands from Sophie Lion, the wife of Hiller’s son Paul. She was Jewish.

As for the other seven locks, one was inauthenti­c, five had identical DNA, and one could not be tested. The five locks with identical DNA were of different provenance­s, and two had impeccable chains of custody, which gave the researcher­s confidence that they were hair from Beethoven.

When the group had the DNA sequence from Beethoven’s hair, they tried to answer long-standing questions about his health. For instance, why might he have died from cirrhosis of the liver?

He drank, but not to excess, said Theodore Albrecht, a professor emeritus of musicology at Kent State University in Ohio. Based on his study of texts left by the composer, he described what is known of Beethoven’s imbibing habits in an email.

“In none of these activities did Beethoven exceed the line of consumptio­n that would make him an ‘alcoholic,’ as we would commonly define it today,” he wrote.

Beethoven’s hair provided a clue: He had DNA variants that made him geneticall­y predispose­d to liver disease. In addition, his hair contained traces of hepatitis B DNA, indicating an infection with this virus, which can destroy a person’s liver.

But how did Beethoven get infected? Hepatitis B is spread through sex and shared needles and during childbirth.

Beethoven did not use intravenou­s drugs, Meredith said. He never married, although he was romantical­ly interested in several women. He also wrote a letter — although he never sent it — to his “immortal Beloved,” whose identity has been the subject of much scholarly intrigue.

Details of his sex life remain unknown.

Arthur Kocher, a geneticist at the Max Planck Institute for Evolutiona­ry Anthropolo­gy in Germany and one of the new study’s co-authors, offered another possible explanatio­n for his infection: The composer could have been infected with hepatitis B during childbirth. The virus is commonly spread this way, he said, and infected babies can end up with a chronic infection that lasts a lifetime. In about one-quarter of people, the infection will eventually lead to cirrhosis of the liver or liver cancer.

“It could ultimately lead someone to die of liver failure,” he said.

The study also revealed that Beethoven was not geneticall­y related to others in his family line. His Y chromosome DNA differed from that of a group of five people with the same last name — van Beethoven — living in Belgium today and who, according to archival records, share a 16th-century ancestor with the composer. That indicates there must have been an out-of-wedlock affair in Beethoven’s direct paternal line. But where?

Maarten Larmuseau, a co-author of the new study who is a professor of genetic genealogy at the University of Leuven in Belgium, suspects that Ludwig van Beethoven’s father was born to the composer’s grandmothe­r with a man other than his grandfathe­r. There are no baptismal records for Beethoven’s father, and his grandmothe­r was known to have been an alcoholic. Beethoven’s grandfathe­r and father had a difficult relationsh­ip. These factors, Larmuseau said, are possible signs of an extramarit­al child.

Beethoven had his own difficulti­es with his father, Meredith said. And while his grandfathe­r, a noted court musician in his day, died when Beethoven was very young, he honored him and kept his portrait with him until the day he died.

Meredith added that when rumors circulated that Beethoven was actually the illegitima­te son of Friedrich Wilhelm II or even Frederick the Great, Beethoven never refuted them.

The researcher­s had hoped their study of Beethoven’s hair might explain some of the composer’s agonizing health problems. But it did not provide definitive answers.

The composer suffered from terrible digestive problems, with abdominal pain and prolonged bouts of diarrhea. The DNA analysis did not point to a cause, although it pretty much ruled out two proposed reasons: celiac disease and ulcerative colitis. And it made a third hypothesis — irritable bowel syndrome — unlikely.

Hepatitis B could have been the culprit, Kocher said, although it is impossible to know for sure.

The DNA analysis also offered no explanatio­n for Beethoven’s hearing loss, which started in his mid-20s and resulted in deafness in the last decade of his life.

The researcher­s took pains to discuss their results in advance with those directly affected by their research.

On the evening of March 15, Larmuseau met with the five people in Belgium whose last name is van Beethoven and who provided DNA for the study.

He started right out with the bad news: They are not geneticall­y related to Ludwig van Beethoven.

They were shocked.

“They didn’t know how to react,” Larmuseau said. “Every day, they are remembered by their special surname. Every day, they say their name, and people say, ‘Are you related to Ludwig van Beethoven?’ ”

That relationsh­ip, Larmuseau said, “is part of their identity.”

And now it is gone.

The study’s findings that the Hiller lock was from a Jewish woman stunned Martin, author of “Beethoven’s Hair.”

“Wow, who would have imagined it?” he said. Now, he added, he wants to find descendant­s of Sophie Lion, the wife of Paul Hiller, to see if the hair was hers. And he’d like to find out if she had lead poisoning.

For Meredith, the project has been an amazing adventure.

“The whole complex story is astonishin­g to me,” he said. “And I’ve been part of it since 1994. One finding just leads to another unexpected finding.”

 ?? William Meredith/Ira F. Brilliant Center for Beethoven Studies ?? The Hiller lock, above, did not come from Beethoven but from a woman, according to a scientific analysis. It’s displayed with an inscriptio­n by its former owner, Paul Hiller. Above right, a contempora­ry portrait of Ludwig van Beethoven. By analyzing seven samples of hair, researcher­s debunked myths about the revered composer while raising new questions about his life and death. Right, Dr. Axel Schmidt, co-author of the study from the Institute of Human Genetics at the University Hospital, shows Beethoven’s genome on a laptop screen.
William Meredith/Ira F. Brilliant Center for Beethoven Studies The Hiller lock, above, did not come from Beethoven but from a woman, according to a scientific analysis. It’s displayed with an inscriptio­n by its former owner, Paul Hiller. Above right, a contempora­ry portrait of Ludwig van Beethoven. By analyzing seven samples of hair, researcher­s debunked myths about the revered composer while raising new questions about his life and death. Right, Dr. Axel Schmidt, co-author of the study from the Institute of Human Genetics at the University Hospital, shows Beethoven’s genome on a laptop screen.
 ?? Joseph Karl Stieler via Beethoven-Haus Bonn/New York Times ??
Joseph Karl Stieler via Beethoven-Haus Bonn/New York Times
 ?? Martin Meissner/Associated Press ??
Martin Meissner/Associated Press
 ?? Anthi Tiliakou/Associated Press ?? The Stumpff Lock from composer Ludwig van Beethoven is examined in a laboratory at the Max Planck Institute for the Science of Human History in Germany.
Anthi Tiliakou/Associated Press The Stumpff Lock from composer Ludwig van Beethoven is examined in a laboratory at the Max Planck Institute for the Science of Human History in Germany.

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