Houston Chronicle

‘The Huntsman: Winter’s War’ misses target

- By Katie Walsh

How do you solve a problem like Kristen (Stewart)?

If you’re the filmmakers of “The Huntsman: Winter’s War,” you write Snow White entirely out of the sequel to “Snow White and the Huntsman.”

This franchise is clearly a valuable property, so it’s no wonder that Universal would return to the well with a sequel, this time directed by Cedric Nicolas-Troyan, the visualeffe­cts supervisor on the first film. But the script acrobatics result in a bizarre prequel/ sequel mash-up where Snow White doesn’t show up in her own fairy tale.

The film focuses on two of the best elements from the first film: Charlize Theron’s wickedly beautiful and scheming Ravenna, a queen who desires power and to be the fairest of them all, and Chris Hemsworth’s ruggedly hunky ax-throwing huntsman, Eric. Added to the mix is Ravenna’s sister Freya (Emily Blunt), a literal ice queen; and Sara ( Jessica Chastain), a fellow huntsman and Eric’s true love.

In the prequel portion, Freya suffers a devastatin­g loss at the hands of her lover, which causes her to spontaneou­sly transform into ice. She retreats to the North to rule as the Ice Queen, where she wears fabulously glittery gowns and builds an army by kidnapping children and forcing them to become her huntsmen (and women). Eric and Sara fall in love there, but Freya, jaded, has only one rule: no love.

In the sequel part, heralded by a “7 years later” title, Eric and Sara have been driven apart, Ravenna’s been dispatched, and Freya is on a kingdom-conquering, kid-snatching roll. The tricky mirror-mirror has gone missing, too, and Eric’s got to get his hands on it before Freya does.

The film feels disjointed and lackluster for the majority. The scenes and character introducti­ons feel random, the time jump implausibl­e, and no one is all that compelling, especially the lone male lead, Hemsworth. The huntsman in “The Huntsman” is the least interestin­g part of this movie, though there’s some entertainm­ent to be found in Hemsworth’s accent — his best impression of Gerard Butler.

It also seems as if the writers of “The Huntsman: Winter’s War” have been catching up on “Game of Thrones” because there are a few uncanny similariti­es — Chastain’s arrow slinging Sara sports a ridiculous Scottish accent to match Jon Snow’s girlfriend Ygritte, and the stormy lovers have to scale ice walls. Worthy of George R.R. Martin? Nah, queen.

One bright spot in the film are the dwarves used for comic relief. Once you get past the digital shrinking of the actors and the low-brow humor, they inject a much-needed levity, and Sheridan Smith almost steals the whole show as the sassy Mrs. Bromwyn.

And every time Theron is on screen, the movie gets crazy campy, and therefore, at least somewhat interestin­g.

Ultimately, the film presents a message that emotional vulnerabil­ity can be a source of strength. It’s a bit self-help-y, but by the end it feels somewhat earned. Shockingly, it’s not through the relationsh­ip of Eric and Sara but through the feuding sister queens.

Even though they’re battling with ice crystals and stabby tentacles, the resentment­s and revelation­s between them feel authentic. However, and despite all the talent involved, this “Huntsman” wildly misses its target.

 ?? Universal Pictures ?? Emily Blunt, left, and Charlize Theron star in “The Huntsman: Winter’s War.”
Universal Pictures Emily Blunt, left, and Charlize Theron star in “The Huntsman: Winter’s War.”

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