Houston Chronicle

Couric sees documentar­ies as new journalism.

- By Jeffrey Fleishman | Los Angeles Times

LOS ANGELES — Pope Francis has soft hands. Such is the assessment of Katie Couric, who met the pontiff recently while attending a conference on stem-cell research at the Vatican. Global news anchor for financiall­y struggling

Yahoo, Couric was in Los Angeles the other day for a very different reason; she was promoting “Under the Gun,” a documentar­y she executive-produced and narrated about violence and America’s gun culture. Once a reigning television personalit­y, Couric, who at CBS became the first woman to solo anchor a network evening news broadcast, is these days figuring out the metrics and rhythms of capturing Internet audiences. She’s also gravitated toward documentar­ies, teaming with director Stephanie Soechtig for “Under the Gun” and “Fed Up,” about diabetes, obesity and other health problems stemming from the food industry’s heavy use of sugar. Couric remains quick and precise, her voice huskier with time. She can slip from a smile to seriousnes­s in a breath, just the way she did in her devastatin­g interview with Sarah Palin in 2008. The following is an edited version of a conversati­on about guns, Donald Trump, the news business and the need for reinventio­n.

Q: “Under the Gun,” which premieres nationwide on the EPIX network on May 15, is one of a number of recent documentar­ies about gun violence. A wide majority of Americans support tighter gun controls, but Congress appears more swayed by the power and money of the National Rifle Associatio­n. Is it that simple?

A: If you peel the layers off the onion what you discover is the multitude of ways the NRA, or the gun lobby, operates. That’s what this film unravels. Is it that simple and where are the fingerprin­ts of the gun lobby when it comes to any efforts to enact stronger regulation­s? We show there is the impact of the gun lobby at every turn, whether it comes to the computeriz­ation of records and the ability of the Bureau of Alcohol, Tobacco, Firearms and Explosives to trace weapons or whether it comes to studying gun violence as a public health issue. It’s almost like a puzzle how all this fits together in a lack of serious action on the part of legislator­s and the public.

Q: The NRA is quite politicall­y adept and tactical in the way it works Washington.

A: The NRA was at one point a completely nonpolitic­al operation, until a 1977 revolt among its members in Cincinnati, when it was taken over by extreme elements of the organizati­on. It’s become such a political and lobbying machine.

Q: Much of the resistance faced by those calling for stricter gun regulation­s is the sanctity of the 2nd Amendment. Is there a way to untangle the passions around a constituti­onal right from the daily scourge of gun violence and body counts?

A: We are not challengin­g the Second Amendment. We believe that people do have a right to bear arms. But we want to look and see how do we reduce gun violence. People can be anti-gun regulation or anti-gun, but nobody’s against stopping gun violence. That’s something we can all agree on.

Q: Why isn’t the gun debate a larger part of the presidenti­al campaign?

A: I think it actually has been lately. Bernie Sanders and Hillary Clinton talk about it a lot. In the Republican Party, the gun lobby holds these candidates hostage in a way. They’re afraid they won’t get the support, and some of the Republican base are avid Second Amendment-rights voters, so (candidates) can’t afford to even allow any wiggle room to enter the picture when it comes to the gun conversati­on.

Q: Many say we’re in a golden age of documentar­ies. Why do you like working on them?

A: You don’t see as much anymore the specials TV networks used to do in tackling big, important issues. Because of the fragmentat­ion of the media, oftentimes television outlets have to try to do things that have mass appeal, and I think some of the more controvers­ial or wonky issues don’t necessaril­y get the time and attention they should. One of the reasons documentar­ies appeal to me is that you can take a long time and take a deep dive to understand an issue and spend 90 minutes explaining it. I think in many ways documentar­ies are the new journalism.

Q: Let’s talk about Donald Trump. He went from novelty to contender to presumptiv­e nominee. Has the media, notably TV, been too easy on him?

A: I think in the early days of the campaign there was just too much unfettered access to the airwaves for Donald Trump. His rallies were covered from start to finish without a lot of contextual­izing of his message. The ratings spiked every time he was on, and (journalist­s) were slightly reticent to ask him super challengin­g questions. There has been a correction to that in the last month or so. His feet are being held to the fire a little more. When there’s real commercial pressure to get high ratings then sometimes it’s very easy not to really consider the impact of the decisions you’re making. Let’s face it, Donald Trump is good television.

Q: How has your transition been from network news to Yahoo and the rhythms of the Internet?

A: I feel really proud of the work I’m doing. I’m able to do a lot of election coverage in a much more relaxed setting. One day I’m interviewi­ng Samantha Bee and the next doing an explainer video on artificial intelligen­ce or Syrian refugees in Rome. It’s been challengin­g at times, but I’ve really learned so much.

 ?? Monica Schipper/ Getty Images for EPIX ?? Katie Couric produced a film that explored the issue of gun violence.
Monica Schipper/ Getty Images for EPIX Katie Couric produced a film that explored the issue of gun violence.

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