Houston Chronicle

Closing gaps

The new Houston ISD superinten­dent has a chance to repair institutio­nal inequality.

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Richard Carranza’s honeymoon as superinten­dent of HISD lasted three weeks. And then on week four, he became a referee during a bruising battle over whether the district should accept a $7.5 million gift in exchange for the naming rights for the High School for the Performing and Visual Arts.

Ultimately, the HISD trustees did the right thing for students. They accepted a grant from the foundation funded by Rich and Nancy Kinder, Houston’s modern day Jesse Jones. But what should have been a no-brainer turned into an embarrassi­ng tussle when one trustee compared HISD to “a pimp” selling its schools.

The good news is that the gift did succeed in shining a light on a longstandi­ng inequity in school resources for the arts within HISD. Not only are most HISD students unable to afford extracurri­cular arts instructio­n, some do not have access to a robust arts education in elementary and middle school.

The Arts Access Initiative, which was started to develop an action plan to ensure equitable arts access for every K-8 HISD student, found in its 2014-2015 survey of 214 campuses that 27 percent of the schools had no full-time fine arts teacher, 10 percent had no community arts partner, and 17 percent had no arts field trips or clubs.

HSPVA is a jewel of the HISD system and has a well-deserved reputation for its academics as well as its arts education. With more applicants than positions, prospectiv­e students must thread the needle of a highly competitiv­e admissions policy and in addition, demonstrat­e proficienc­y in their artistic field through an audition to secure a spot.

Affluent students have an overwhelmi­ng and unfair advantage in meeting the challenges posed by the rigorous applicatio­n process. They can afford the expensive musical instrument­s, dance and art lessons and books needed to have a shot at achieving excellence.

As a result, HSPVA has a significan­tly lower percentage of low-income students and black and Hispanic students than the district average. While 75.5 percent of the students HISD serves are economical­ly disadvanta­ged, only about 17 percent of HSPVA students are.

Although a superinten­dent of schools can’t close the yawning gap between the poor and affluent in Houston, Carranza has an opportunit­y in his first 100 days to take steps to repair the troubling institutio­nal inequity. The superinten­dent should ask our generous philanthro­pic community to help level the admissions playing field at HSPVA by beefing up lower school arts offerings. In addition, other area high schools need assistance securing the resources they need to give their students an arts education.

The Kinder Foundation grant laid the groundwork for this request, and by approving the grant, the HISD trustees have signaled that they are willing to partner with the donor community.

For starters, Carranza should solicit the community’s help in targeting art deserts. In this arts-rich city, it’s ridiculous that some schools have little to no contact with the arts. Furthermor­e, every band director in Houston should have access to the instrument­s that his students need to perform. Art teachers shouldn’t have to bring their own meager supplies to their classroom. Media classrooms should be stocked with the necessary audio-visual equipment.

Parents should weigh in also. They can learn where their child’s school stands with respect to key arts indicators on a new website set up by the Texas Cultural Trust and can use the informatio­n to advocate for more arts teachers and facilities.

Arts are important for more than enjoyment. Data compiled by the trust, shows that an arts education improves school attendance, that students who complete more art classes have up to 15 percent higher pass rates on standardiz­ed tests than students with fewer arts classes, and that at-risk high school students who complete more than one art class are half as likely to drop out.

With every leadership challenge, comes an opportunit­y. The new superinten­dent should seize his baptismal controvers­y and weigh in to help make the arts vibrant at every school regardless of the neighborho­od’s income level.

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