Houston Chronicle

Light shines on NASA’s ‘hidden’ heroes

New film explores the key roles three black women played in success of the Mercury missions

- By Andrew Dansby

Mimi Valdés and Christine Deoja took two different paths to the Grace Hopper Celebratio­n of Women in Computing Conference, but a story about three women working for NASA in the 1960s brought them together.

Deoja was the local, driving up to the George R. Brown Convention Center in October for the gathering from her job as an engineer at NASA. Valdés arrived from New York, where the former journalist now oversees projects for i am OTHER, the production company started by producer and musician Pharrell Williams. Valdés’ latest project with Williams, the feature film “Hidden Figures,” brought them together to talk about women and the space program.

“Hidden Figures,” which opens Sunday, tells the stories of Katherine Johnson (played by Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson ( Janelle Monáe), three black women who had key roles in the success of the Mercury space program. All three contribute­d to NASA beyond those first missions, though Valdés said, “we had to concentrat­e on the two years around the John Glenn launch, even though their story covers 40 years.”

Because of her background as a writer and editor, Valdés said she “is always looking for stories. My goal is to entertain, educate and inspire. Pharrell and I were looking for a movie that would check those boxes. Pharrell, being from Virginia, he’s obsessed with NASA. Even his clothing logo has an astronaut on it.”

Producer Donna Gigliotti brought to their attention a book proposal by Margot Lee Shetterly, another Virginia native whose father worked at

NASA. Shetterly’s book focused on the contributi­ons Johnson, Vaughan and Jackson made in their decades working for NASA. The producers optioned the story based on Shetterly’s proposal. She worked on her book as Allison Schroeder wrote a screenplay concurrent­ly.

“I think people who followed the mainstream coverage of these events didn’t know about these women,” Valdés said. “But they’re superheroe­s. That’s why the poster looks the way it does. It’s been unfortunat­e because of the circumstan­ces, their story was hidden. All the movies about space, you never see women, especially women of color, in the narrative. So I was grateful for the chance to be part of changing the narrative.

“Hopefully, it’ll inspire a new generation to see these people contributi­ng toward doing something that had never been done before. Octavia thought it was a work of fiction. Taraji and Janelle were shocked and then angry when they found out the story. These women had been removed from the history books.

“Sometimes we don’t communicat­e everything about the things we’re good at.”

Deoja had a similar reaction.

“The first time I heard about them I was shocked. If I wasn’t aware of them, how many other people didn’t know what they did? Their story is a great one.”

“Hidden Figures” charts each woman’s path through gender- and racebased obstacles.

Johnson, a mathematic­ian, began working at the National Advisory Committee for Aeronautic­s in the early-1950s prior to the creation of NASA through the National Aeronautic­s and Space Act. The film follows her from her work as a human “computer” to more involved calculatio­ns required to make John Glenn the first man to orbit the planet.

Though computers — Vaughan’s specialty as a programmer — were used for Glenn’s mission, the astronaut demanded Johnson’s verificati­on of the computer’s calculatio­ns prior to his launch. Jackson, also, worked as a “computer” who later realized her dream of becoming an aerospace engineer.

Deoja called the women “role models.” Her path to NASA was paved in part by them. A book with photos of other galaxies caught her attention in the fifth grade, and science soon became her favored subject.

She read a newspaper story about a local high school boy who, through the High School Aerospace Scholars (HAS) program, spent a summer working with NASA engineers at Johnson Space Center. Deoja applied as a junior in 2003 and was accepted. “That solidified engineerin­g work as what I wanted to do,” she said.

She studied electrical engineerin­g at the University of Texas at Dallas and then went to work for NASA, where she was involved in work on the Internatio­nal Space Station and Orion spacecraft. More recently, she was involved in developmen­t of the Morpheus project, a prototype for a planetary lander capable of vertical takeoffs and landings.

“Watching these missions happen on TV, it can start to look easy,” Deoja said. “And the spotlight is usually on the astronauts and mission control. But there’s so much that has to happen to get to space. The science and engineerin­g and technology, the testing. There are a lot of people who contribute to making it happen.”

 ?? Hopper Stone ?? Katherine G. Johnson (Taraji P. Henson, right center in glasses), flanked by fellow mathematic­ians Dorothy Vaughan (Octavia Spencer, left) and Mary Jackson (Janelle Monáe) meet astronaut John Glenn, the man they helped send into orbit, in “Hidden...
Hopper Stone Katherine G. Johnson (Taraji P. Henson, right center in glasses), flanked by fellow mathematic­ians Dorothy Vaughan (Octavia Spencer, left) and Mary Jackson (Janelle Monáe) meet astronaut John Glenn, the man they helped send into orbit, in “Hidden...
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 ?? Annie Mulligan ?? Producer Mimi Valdés, left, and NASA engineer Christine Deoja met during the Grace Hopper Celebratio­n of Women in Computing Conference.
Annie Mulligan Producer Mimi Valdés, left, and NASA engineer Christine Deoja met during the Grace Hopper Celebratio­n of Women in Computing Conference.

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