Houston Chronicle

Why Rachel Lindsay makes all-too-white 'Bacheloret­te' better.

- By Tiney Ricciardi

From the moment Dallas lawyer Rachel Lindsay stepped out of a limo and onto prime-time television as one of the contestant­s on the 21st season of ABC’s “The Bachelor,” she captivated not only the bachelor but the audience. Wearing a floor-length red dress and sparkling smile, the 31-year-old proved to be charismati­c, witty and a league above the other contestant­s.

Nick Viall, the titular bachelor, was taken by Lindsay and gave her the coveted first impression rose during the season premiere.

The exchange happens every season, but Lindsay grabbed headlines because she made history as the first black woman to get that first rose. She even made it to the final three contestant­s, but was sent home during the episode that aired March 6.

Lindsay would go on to hit many milestones on the reality TV series, most notably landing the star spot of the upcoming “The Bacheloret­te.” She’s the first female of the color to do so. For a show that has been criticized for its lack of diversity, this marks a step forward. But is it progress?

Brandy Zadrozny has been watching “The Bachelor” since 2003 when a friend of hers was a finalist on the show. As a reporter for The Daily Beast, she’s also covered the series for several years and says whenever she has interviewe­d black participan­ts, they often felt like “the token.” They wouldn’t be sent home right away — that would look unflatteri­ng, wouldn’t it? — but they never seemed to stay long enough for fans to get to know them.

Over the show’s many seasons, however, Zadrozny has noticed a gradual evolution. The pool of contestant­s grew more diverse, albeit marginally, and the minority suitors seemed to click better with bachelors and bacheloret­tes.

“I don’t know if the nation has changed or the bachelors they pick have changed,” Zadrozny says, “but it seems like ... these contestant­s actually have a chance.”

Was it organic or on purpose? That’s up for debate. A pair of series hopefuls sued ABC in 2012, accusing the network of intentiona­lly excluding people of color from the cast. A judge, however, dismissed the case, saying casting fell under protection of the First Amendment.

Few will deny that Lindsay seemed like a golden opportunit­y for the network, however.

Kristen Warner, assistant professor in the Department of Journalism and Creative Media at the University of Alabama, studies how women of color are represente­d in TV and film. She believes having Lindsay as the bacheloret­te is a win for black women because it proves the show’s tastemaker­s deem her “worthy of them investing the time and marketing into.” And that’s not any easy find, she says.

“In order for her to be the remotest possible suitor, I think she would need to be 10s across the board,” Warner says. “Her socioecono­mic class, her education, her looks — she needs to be above board in all those things.”

With the combinatio­n of brains and beauty, Lindsay is oft described as the total package, but that doesn’t mean she won’t face challenges.

“It’s going to be very hard when you’re the first black anything,” says Jessalyn Bradley, a Dallas resident and fan of “The Bachelor” and “The Bacheloret­te.”

Bradley grew up in San Antonio surrounded by predominan­tly white and Hispanic peers, so she empathizes with Lindsay as a voice for the black community. The new bacheloret­te will be under a more critical eye than her predecesso­rs, Bradley says, because viewers see her representi­ng an entire demographi­c.

“She’s going to get it from the black community, which I think is stupid, that ‘she’s not black enough,’ ” Bradley says.

The show’s editing also could affect her image. In an NBCBLK editorial, writer Nikki Booker points out that sex sells. “Rachel’s brand will be tarnished if she isn’t careful,” she says.

But what will perhaps most set the tone for the 13th season of “The Bacheloret­te” is the cast of Lindsay’s suitors. ABC announced the new bacheloret­te while she was still competing on “The Bachelor” to reportedly allow more time for casting. Bradley hopes Lindsay to will have “great diversity” of eligible bachelors, otherwise the network is headed down a slippery slope, she says.

“If it’s 10 or 20 black guys, I’ll be honest, I’m not going to watch it because I already know they’re doing that to push (the show) out to me,” she says.

Bradley’s point raises another question: Is Lindsay’s recruitmen­t simply an attempt to lure new audiences?

According to Forbes, about 8 percent of the viewership during Nick Viall’s season of “The Bachelor” is black. That pales in comparison to a program like “Empire,” the audience for which is about 63 percent black, according to a recent Nielsen study. Even Lindsay has said she hardly watched “The Bachelor” before going on.

In the aforementi­oned study, Nielsen analyzed the demographi­c viewership for TV shows that feature a predominan­tly black cast and, interestin­gly, found that the primary audience for three-quarters of them are not black. Four of the five programs with the lowest percentage of black viewership air on ABC — “Black-ish” (20 percent), “Secrets and Lies” (25 percent), “How to Get Away With Murder” (31 percent) and “Scandal” (32 percent) — suggesting the network’s core audience is already receptive to leading black actors.

“Storylines with a strong black character or identity are crossing cultural boundaries to grab diverse audiences and start conversati­ons,” said Andrew McCaskill, senior vice president of Communicat­ions and Multicultu­ral Marketing at Nielsen.

“The Bachelor’s” newfound diversity may seem like a trivial stride toward equality on the heels of America’s first black presidency, but Warner at the University of Alabama argues that pop culture often provides a lens through which people become more informed about society. She points to politician­s who appear on talk shows and “Saturday Night Live,” as well as Shonda Rhimes, who positions people of color in high ranking positions in her TV series, such as “Grey’s Anatomy” and “Scandal.”

“All those kinds of representa­tions, personal and political, inform one another,” Warner said.

Lindsay’s expedition for love on “The Bacheloret­te” will also enable her to talk about dating from a new perspectiv­e. The Dallasite, is eager to foster conversati­ons around race. Her hometown date with Viall in Dallas, for example, was one of the realest moments in “Bachelor” history, as her family discussed the implicatio­ns of interracia­l dating and marriage.

But Lindsay doesn’t want the issue to dominate her season.

In addition to practicing law, Lindsay is a sports fanatic — “Dallas teams, preferably,” she says. She volunteers at the Beacon Hill Preparator­y Institute, an after-school program for at-risk high school students, and works out almost daily.

“I am honored to be the first African-American woman to take on this lead role, but at the same time I don’t want it to become a theme for my entire journey,” Lindsay says.

 ?? Michael Yada / ABC ?? Rachel Lindsay will be ABC’s first black “Bacheloret­te” when it premieres May 22.
Michael Yada / ABC Rachel Lindsay will be ABC’s first black “Bacheloret­te” when it premieres May 22.

Newspapers in English

Newspapers from United States