Houston Chronicle

‘Sorry to Bother You,’ but stream these social satires

- By Aisha Harris NEW YORK TIMES

Sorry to Bother You,” the debut feature film from Boots Riley (the frontman for the hip-hop group the Coup), is a social satire served up in the form of a fever dream, playing wild and loose with cinematic cues and viewers’ expectatio­ns. Cassius Green (Lakeith Stanfield), a twentysome­thing struggling to make rent while living in his uncle’s garage, lands a job as a telemarket­er and quickly rises through the ranks because of his ability to tap into his inner “white voice.” This new position of power puts him at odds with his girlfriend, Detroit (Tessa Thompson), and a colleague, Squeeze (Steven Yeun), who are simultaneo­usly organizing a strike in protest of the company’s unfair labor practices.Cassius also uncovers a sinister, far-reaching plot within the company’s top branch, and that is when things get very, very weird. After you have checked out “Sorry to Bother You,” which is currently in theaters, you may find yourself in the mood for more off-kilter lampoons of corporate greed and societal ills. Here are a few picks from film and TV to get you started.

‘Mayhem’

Yeun also starred in “The Walking Dead,” and he sticks with the zombie theme in “Mayhem” — except this time, the setting is corporate and he is the leading man. He plays Derek, a sullen young lawyer who is exiting the office after having just been fired when the entire building is put under quarantine: “Red Eye,” a global virus that reduces the infected to their base instincts, has been detected, and it will be eight hours before the CDC can neutralize the situation and allow anyone to leave. With that, “Mayhem” warps into a chaotic revenge flick that doubles as a smart commentary on capitalist culture.

Where to watch: Amazon Video, iTunes, YouTube

‘Okja’

This adventure film from Bong Joon Ho takes familiar elements — the unshakable bond between a child and her pet; the greedy, unsympathe­tic adults who threaten that bond — and uses them to create a biting environmen­talist manifesto that still manages to feel wholly imaginativ­e. Mija (An Seo Hyun), a farm girl from South Korea, is devastated when her beloved geneticall­y engineered “super pig,” Okja, is whisked away to the United States to become food. This emotional narrative is supported by a great cast: Tilda Swinton, deliciousl­y daffy as always, plays the chief executive who seeks to profit from Okja alongside Jake Gyllenhaal (in a truly bonkers performanc­e), Paul Dano and Yeun (again!). Have some tissues handy.

Where to watch: Netflix

‘Atlanta’ Season 1, Episode 7: ‘B.A.N.’

Both seasons of “Atlanta” come highly recommende­d, but Episode 7 from the first season makes for a perfect chaser to the bizarrenes­s of “Sorry to Bother You.” A departure from the show’s already unconventi­onal storytelli­ng style, “B.A.N.” drops you in the middle of a broadcast of the fictional talk show “Montague” on a BET-inspired network. Paper Boi (Brian Tyree Henry) is a reluctant guest, brought on to discuss a polarizing tweet he wrote about Caitlyn Jenner, and the subsequent debate makes for a cutting commentary on political correctnes­s in hip-hop and in black culture. Throw in the profile of a black teenager who believes he is actually a 35-year-old white man, and the spot-on parodies of commercial­s that target black audiences, and you have got a very funny satire in just 24 minutes.

Where to watch: Amazon, Hulu, iTunes

‘Black Mirror’ Season 1, Episode 2: ‘Fifteen Million Merits’

In the engrossing second episode of this acclaimed British anthology series, people exist in an enclosed communal space made up almost entirely of video screens flooded with mindless entertainm­ent and advertisin­g. In order to purchase food, entertainm­ent and other living expenses, they spend their days on exercise bikes, generating power in exchange for “merits.” Like “Sorry to Bother You,” “Fifteen Million Merits” is impressive­ly deliberate in its world building, creating an environmen­t that looks at once eerily familiar and uncanny. They also share a few common themes and details, including a critique of class and consumer habits and a fictional game show in which contestant­s are utterly humiliated. The episode also features a captivatin­g Daniel Kaluuya, years before his performanc­e in “Get Out.”

Where to watch: Netflix

‘Get Out’

While we are on the subject of “Get Out”: that instant classic from Jordan Peele is a sweet companion film to “Sorry to Bother You,” and not just because Stanfield leaves a lasting impression in both. Chris (Kaluuya) experience­s increasing­ly unsettling discomfort­s when meeting his white girlfriend’s wealthy East Coast family for the first time, until, by the third act, the stakes have been raised significan­tly. As the events thrust fully into the realm of the surreal, the movie maintains its emotional truth. Nominated for a best-picture Oscar and the winner for best screenplay, “Get Out” is one of the most accurate on screen depictions of what it feels like to be othered as a black person in America.

Where to watch: Amazon, HBO Go, YouTube

 ??  ?? Netflix / Associated Press “Okja” — from South Korean director Bong Joon-ho — is a biting environmen­talist manifesto that still manages to feel wholly imaginativ­e.
Netflix / Associated Press “Okja” — from South Korean director Bong Joon-ho — is a biting environmen­talist manifesto that still manages to feel wholly imaginativ­e.

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