Houston Chronicle

Magical undergroun­d Cistern gets illuminate­d

- By Lawrence Elizabeth Knox

A new holiday light show is like no other in Houston.

Buffalo Bayou Partnershi­p will light up one of Houston’s hidden treasures, the undergroun­d cistern, built in 1926 to store Houston’s public drinking water.

The cavernous reservoir, which is the size of one-and-a-half football fields, was decommissi­oned in the mid-2000s due to an irreparabl­e leak. That was hardly the end of its story, however.

In the spring of 2016, Buffalo Bayou Partnershi­p, the nonprofit organizati­on dedicated to revitalizi­ng the bayou, opened the architectu­ral relic to the masses, having rediscover­ed, restored and repurposed it into an accessible venue that has since housed several temporary art installati­ons. Landscape architect Kevin Shanley dubbed it “the Cistern.”

Houstonian­s are invited to see the space as it’s never been seen before with the launch of “Cistern Illuminate­d.” The installati­on, featuring a custom light design by local visual artist and engineer Kelly O’Brien, will offer an enchanting perspectiv­e of the undergroun­d reservoir. Tours will be punctuated with music performanc­es by the Schola Cantorum of the Co-Cathedral of the Sacred Heart.

Upon entry, subtle undulation­s of a warm glow, mimicking that of flickering candleligh­t, will enhance the Cistern’s 200-plus concrete columns and add dimension to their seemingly infinite reflection­s in the glassy water surface below.

Large-scale works by internatio­nal artists have flooded the space with light and color before — the first of which was an abstract rainfall simulation by Venezuelan artist Magdalena Fernández — but O’Brien has taken a different approach. To highlight the

majesty of the Cistern’s raw interior, his focus shifted upward.

“From literally being down in the water in waders, I was able to get a sense for what the Cistern truly was and what it really needed in terms of artistic interventi­on,” said O’Brien, who founded Fenris, a creative fabricatio­n studio, in 2014. “What I discovered through experiment­ation is that what would work well in the space is to take the lights off the water and just light the ceiling. Personally, that’s where I think the magic is.”

O’Brien first started conceptual­izing his design in 2019, after the almost yearlong exhibition “Spatial Chromointe­rference,” an immersive piece of optical illusions by artist Carlos Cruz-Diez. Fast-forward through the pandemic and by the closing of the Cistern’s third installati­on — Anri Sala’s “Time No Longer” — in January, O’Brien had refined his prototype and approached the partnershi­p team, who happened to be in the midst of brainstorm­ing ideas for an innovative holiday program.

“When we saw what he was doing, the lightbulb went off,” said Karen Farber, who the partnershi­p named vice president of external affairs in May 2020. “It’s not an easy thing to make an impact in the space because it’s so large, but Kelly knows how to do that, let alone things like getting down into the water safely and running wires through the water.”

While the intention was always to transform the defunct reservoir into an exhibition venue, incorporat­ing music into its programmin­g has been a more recent commitment. The programs amplify the Cistern’s inherent acoustic quality and 17-second reverberat­ion. Just last month, the organizati­on concluded its latest series, “Undergroun­d Sounds,” with the final of four iterations, featuring the boundary-pushing ensemble Loop38.

Now, it will showcase the complex instrument that is the voice. For five evenings during “Cistern Illuminate­d,” members of the co-Cathedral’s Schola Cantorum will perform three half-hour concerts, singing a mix of ethereal pieces from the seventh century to the present day.

“Live music alone is a special experience, but enhancing it* with any type of visual experience, I think, creates more interest,” said director of music and Cathedral organist Crista Miller, who curated the program, taking into considerat­ion the juxtaposit­ion of light and dark that is present in the installati­on. “I love the opportunit­y to meld various art forms. Even if we did all the music from this concert at another location, it wouldn’t be the same. The Cistern itself is just so unique.”

On view through Jan. 8, “Cistern Illuminate­d” will mark Buffalo Bayou Partnershi­p’s first holiday-themed endeavor in the historic undergroun­d site.

“We have this sense of excitement about trying something new in the space, about doing something special in Buffalo Bayou Park that really takes advantage of the fact that Houston is one of the great places to be in the wintertime,” Farber said. “I hope that this will be the thing, or at least one of the things that we do in an ongoing way.”

 ?? Buffalo Bayou Partnershi­p ?? The “Cistern Illuminate­d” installati­on features a custom light design and musical performanc­es.
Buffalo Bayou Partnershi­p The “Cistern Illuminate­d” installati­on features a custom light design and musical performanc­es.
 ?? Buffalo Bayou Partnershi­p ?? Schola Cantorum, of the Co-Cathedral of the Sacred Heart, will perform on select dates of “Cistern Illuminate­d.”
Buffalo Bayou Partnershi­p Schola Cantorum, of the Co-Cathedral of the Sacred Heart, will perform on select dates of “Cistern Illuminate­d.”

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