POP-UP ART

The visiting exhibit features talent from across the state

The exhibit “Tilting the Basin” is finally tilting toward Southern Nevada.

After a 2½-month run last year at the Nevada Museum of Art in Reno, the show — subtitled “Contemporary Art of Nevada” — officially opens Friday in an Arts District warehouse turned pop-up museum. A Thursday night opening celebration will bring the public together with artists and curators.

Nevada Museum of Art is partnering with the Art Museum at Symphony Park — the organization working toward a future Las Vegas art museum — to present “Tilting the Basin,” which spotlights the work of more than 30 Nevada artists.

Curated by NMA’s JoAnne Northrup and Las Vegasbased Michele C. Quinn of MCQ Fine Art, “Tilting the Basin” reflects the unique voices, and approaches, of artists working in Nevada.

“I don’t want to see five artists doing the same thing,” Qunn says, describing the exhibit as a survey of what’s happening in the state.

And what’s happening is a surprise to a lot of people, Northrup notes, because it’s impressive.

Even though Nevada has a special license plate proclaiming the Silver State to be “Rich in Art,” Northrup says, “art is not the first thing I think of” in connection with Nevada. “I was surprised by the talent.”

Quinn also was “pleasantly surprised” by the Reno artists, but she already knew the quality of work being done in Las Vegas.

In putting “Tilting the Basin” together, the curators wanted to focus on emerging, working artists whose work had shown development over time, Northrup explains.

Six of those artists — three from Southern Nevada, three from Northern Nevada — were featured with multiple works representing, in Northrup’s words, “the strongest work in the state.”

In the case of the featured artists, “just one work doesn’t tell the story,” Quinn says. “It’s a more in-depth view.”

Las Vegas-based Brent Sommerhauser, one of the featured “Tilting the Basin” artists, characterizes the show as “more eclectic than it is cohesive.”

The “eclectic” description definitely fits Sommerhauser’s work, which includes blown glass (“The Well”), woodwork (“Bellmouth,” “Curl”) and drawings — made by forcing air into a chamber, where soft metal fragments leave their marks.

The title of Las Vegas-based Gig Depio’s painting “Bridge the Gap” reflects another “Tilting the Basin” goal: bridging the gap between Northern and Southern Nevada.

“‘Tilting the Basin’ is all about setting cliques and politics aside, and a merging of efforts between our two major art communities in Nevada,’ ” Depio says. “Because Nevada artists make do with little resources and recognition outside our local arts community … it is this very struggle that keeps us on our toes.”

While putting “Tilting the Basin” together, Northrup and Quinn made more than 50 studio visits to choose the 100-plus works by 34 artists.

Initially, Northrup had suggested that Quinn curate a small exhibit focusing on one Las Vegas artist — until NMA executive director David Walker asked, “‘Are there at least 10 really good artists in Nevada?’ ” The “Tilting the Basin” answer: a resounding “yes.” Las Vegas-based JW Caldwell, represented by the theater lobby mural “Time Heals All Wounds,” hopes “Tilting the Basin” will “help to show the art world that beautiful, thoughtful, playful and important art is being made in our state. It’s not just miles of desert punctuated by bright lights.” Read more from Carol Cling at reviewjournalcom. Contact her at ccling@reviewjournal. com and follow @CarolSCling on Twitter.

“‘Tilting the Basin’ is all about setting cliques and politics aside, and a merging of efforts between our two major art communities in Nevada. Because Nevada artists make do with little resources and recognition outside our local arts community … it is this very struggle that keeps us on our toes.” GIG DEPIO LAS VEGAS-BASED ARTIST

PHOTOS COURTESY NEVADA MUSEUM OF ART Artist Megan Berner’s 2016-17 sunrise series, shot on an iPhone, inspires the digital-photography assemblage “Good Morning,” part of the “Tilting the Basin” exhibit.

Nevada’s natural landscape draws Rachel Stiff’s attention in this 2015 mixedmedia work “Behind Lone Mountain.”

Artwork by 19th-century Mexican painter Jose Maria Velasco inspires featured artist Justin Favela’s 2016 glued-paper landscape “The Valley of Mexico from the Santa Isabel Mountain Range,” part of the survey of Nevada contemporary art.

Root-like shapes suspended from the ceiling form a forest of mixed-media Christmas trees in featured artist Galen Brown’s continuing “Trees” series, part of the “Tilting the Bason” show.

Custom tongue-and-groove flooring forms a whirlpool shape in featured artist Brent Sommerhauser’s 2012 “Bellmouth.” The Las Vegas artist calls the show “more eclectic than it is cohesive.”

Featured artist Galen Brown hammered broken rock and glued the pieces together in “Untitled,” revised in 2016.

Timothy Conder, Nick Larsen and Omar Pierce collaborated on the laser-cut, rolled steel sclupture “I Wonder If I Care As Much (Trap).”