Las Vegas Review-Journal (Sunday)

Photograph­er who shot ‘Tank Man’ looks back

American urges Beijing to own up to massacre

- By Krysta Fauria and Christophe­r Bodeen

ALHAMBRA, Calif. — The American photograph­er who shot the iconic image of a man standing in front of tanks at the 1989 Tiananmen protests says it’s time for the Chinese government to come clean about the bloody events of 30 years ago.

Jeff Widener was an Associated Press photo editor based in Bangkok when he was called in to help cover a growing student-led pro-democracy movement centered on Beijing’s Tiananmen Square.

The day after the military crushed the protests on June 3-4, Widener took the shot of an unknown man holding shopping bags facing a row of tanks. The photo of “Tank Man” became one of the most famous images of defiance of the 20th century.

In an interview, Widener said he doesn’t understand why China’s leaders won’t admit to errors made and reveal the truth behind the crackdown.

“The United States and European countries have made mistakes throughout history and they’ve reconciled those problems,” Widener told AP.

“I think it’s time for China to move forward and just come clean on what happened, report to the family members what happened to their loved ones so that they can put this to rest,” he said. “I think that’s the right, decent thing to do.”

The 62-year-old California­n had joined AP as Southeast Asia picture editor.

With the protests in full swing, he developed a daily routine of riding a bicycle early in the morning to Tiananmen Square, where thousands of students were camped out.

“I started to take a photograph and a guy walks out with shopping bags and I’m thinking to myself, ‘you know this guy’s going to mess up my photograph,” he said. “I mean it really was like I wasn’t thinking clearly.”

“So I just watched him and waited. But they didn’t shoot him. So I thought you know I need a closer shot,” he said.

At least five photograph­ers as well as videograph­ers shot the scene, but Widener’s version became by far the most famous. It made him a Pulitzer Prize finalist and was named by Time magazine as one of the 100 most influentia­l images of all time.

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