Las Vegas Review-Journal

What to do with the scene of the murders

- By John Branch New York Times News Service

The scene of carnage this time was a flat 15-acre parcel of land without any permanent structures. It is a rectangle of blacktop surrounded by busy streets, including the famous Las Vegas Strip. Marketed as “Las Vegas Village” the past couple of years, it has the feel of a small county fairground. There are a few white corporate-style tents on its edges, and a large concert stage at the south end. It has been used to hold small music festivals and rodeos.

On the night of Oct. 1, crowded with about 22,000 people attending a country music concert, it became a kill zone. And one of the many questions left in the wake of the deadliest mass shooting in modern American history is what to do with the place.

From Columbine to Sandy Hook, Mother Emanuel to the Pulse nightclub, those left behind have had to grapple with the murder scene, and the difficult balance between looking back and moving on. Some decided to tear down the buildings where the killing was done; others remodeled and reopened them, or just moved right back in.

Las Vegas poses some unique issues, though: There is nothing permanent about the concert venue, and the killer was not in the same place as the victims. The gunman, Stephen Paddock, fired from the 32nd floor of the Mandalay Bay Resort and Casino, about 500 yards away across Las Vegas Boulevard.

The two sites on opposite ends of the massacre are both owned

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