Barbra Streisand says she’s done performing live
NEW YORK — If you want to see Barbra Streisand sing, watch her upcoming Netflix special because you won’t see her onstage again.
And she’s not just saying it to get you to watch “Barbra: The Music … The Mem’ries … The Magic!,” which debuted on the streaming service this week: Streisand, who didn’t tour for 27 years after forgetting the words at a show in
1967, said performing live concerts is too nerveracking for her to consider doing them again.
“No, I would never do another show. It’s exhausting,” the iconic entertainer said.
“I’m not ever going to sit down and plan another show like I had to do with this one,” she said of the new special, recorded during her tour stop in Miami last year.
Of course, Streisand has said farewell before only to come back.
The performer also explained that she prefers recording music in a studio and filming movies: “It’s a private thing. I don’t care how I look … I’m not being judged at the moment.”
Streisand, 75, talks about her new concert film, her dog (who died this year) and the multiple sexual assault allegations against powerful men in Hollywood and politics.
AP: So you really won’t do another tour?
Streisand: No. No. I know. I can’t. It’s just too vulnerable. It’s too hard for me. I wish I loved it. There are so many performers who perform practically the whole year, you know, 200 or 300 days a year. They love it. And I wish I felt that way. It would be great because it’s very lucrative but I can’t do it. It’s just too hard.
I actually did this last tour for a painting. There was a painting I wanted and it was expensive. I’m a big fan of (Amedeo) Modigliani. There was a painting I wanted that I really had to save up for. … I lent it to the Tate Museum in London. I can’t work for money. I have to work for an object that I love, something I want to live with. …What does money do? It goes somewhere, a stock, a bond. I don’t see it. But a painting I can look at every day and enjoy.
What can fans expect from the Netflix special?
I try to inhabit each song, you know, as an actress.
I try to think of the whole (special) as the producerdirector. I try to be very honest with my audience, talk about the times, you know, the political-ness of it.
When you Netflix and chill, what do you like to watch?
(Laughs) That’s a funny question. I love things like “The Crown.” I love that. And the fact is, my husband (James Brolin) and I are kind of binge-watchers. I remember when we first got “Homeland” or something, somehow I got a hold of like eight of the shows — my God, we just watched those till the morning.
You’ve worked in Hollywood for a long time. Do you think there’s less tolerance for sexual assault in the business since people are being called out and there have been serious consequences?
Yeah. You can understand. I mean, right before I took your call I’m watching MSNBC and a woman is talking about another assault victim of Roy Moore. … Women were frightened. What do you say? What do you say to a man that’s touching you inappropriately? Or (the women are) afraid to lose their jobs or whatever. It’s a conundrum, you know. And now they have the support of other women so they’re speaking out.
Complimenting you should be allowed. It’s the touching or it’s the constant, probably, assaulting, you know, not giving up on someone …
I’m for the truth.
You know what worries me about what children are hearing, what our next generation is hearing and seeing, you know, what upsets me these days is,
“Are they seeing that it’s OK to lie, or to brag about sexual assault? That’s just locker room talk.” Is it right to see the head of the government in the sense never apologizing or retaliating? Is it OK to try to silence people in the press when they don’t agree with you? To lack kindness and humility?