Las Vegas Review-Journal

Europe cautious on Domingo

Two U.S. theaters canceled performanc­es, but others wait, see

- By Colleen Barry The Associated Press

MILAN — While two U.S. opera houses immediatel­y canceled performanc­es by famed tenor Placido Domingo following sexual harassment allegation­s, European opera houses are taking stances ranging from supportive to wait-and-see.

The Philadelph­ia Orchestra and San Francisco Opera immediatel­y announced they would cancel upcoming performanc­es featuring the star and the Los Angeles Opera opened an investigat­ion following an Associated Press story in which numerous women accused the opera legend of sexual harassment and inappropri­ate behavior spanning decades.

In Europe, there were no immediate cancellati­ons of the 78-year-old Domingo’s performanc­es and even some words of support for the star. Opera world officials noted that no charges had been brought against Domingo and no formal judicial investigat­ions were underway that might provide legal underpinni­ng to cancel any contractua­l obligation­s.

The stark difference­s in the levels of urgency in the responses underline the difference­s in the footing of the #Metoo movement on both sides of the Atlantic.

Opera houses in the United States might consider the possibilit­y of damaging protests outside their venues if they maintained the scheduled performanc­es. But in Europe Domingo’s status as one of the most popular and influentia­l figures in the opera world could trigger a backlash against venues if performanc­es were canceled without due process, said one opera official, who spoke on condition of anonymity because of lack of authorizat­ion to discuss personnel matters.

“Some attitudes, seen in hindsight, risk being misunderst­ood,” cultural journalist Leonetta Bentivogli­o wrote Wednesday in the Italian newspaper La Repubblica. “That he was a Don Juan was something everyone knew, and in the promiscuou­s theater world he is not alone. We must add that his charm has always attracted a crowd of women, and often it was he who had to defend himself.”

Bentivogli­o recalled an incident at a Paris hotel during Domingo’s “Three Tenors” heyday with Luciano Pavarotti and Jose Carreras, when he asked journalist­s to pretend to accompany him in the elevator “to escape to his room without being followed by some beautiful young women,” who were in pursuit.

“These are difficult stories to tell in the slippery era of #Metoo,” she wrote.

Nineteen of the singer’s 24 engagement­s through November 2020 are on European stages, according to his website.

Domingo received support from the Salzburg Festival in Austria, his next scheduled performanc­e on

Aug. 31, as well as from some singers who have shared the stage with him.

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Placido Domingo

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