Las Vegas Review-Journal

Reckless rolls into a changing Sahara

- KATS! JOHN KATSILOMET­ES

ARTISTIC and architectu­ral visions are taking hold at the Sahara Las Vegas. The retro-rock outfit Reckless in Vegas has rolled into the Sahara Theater for a six-month engagement.

Then the theater is due for a major renovation next year. It’s convenient that the new headlining act produces an old-vegas sound with a contempora­ry spin.

Vegas native Michael Shapiro’s throwback stage show premieres Thursday night and runs at 8:30 p.m. Thursdays and Fridays into November. Reckless debuted eight years ago at the Mob Bar at the Downtown Grand. If ever a three-piece band were too big for its surroundin­gs, it was on that night. But it was an effective introducti­on. Since then, RIV has played such busy venues as Myron’s at The Smith Center, the Italian American Social Club, Marilyn’s at the Eastside Cannery, The Space and now-closed venues The Lounge at the Palms and Cleopatra’s Barge at Caesars Palace.

The powerhouse trio features founder Shapiro out front, preening, singing and playing a wicked guitar. Chris Nichols is under the fedora while manning the bass. Jack E. Roth drives the band from the drum set.

Showgirls Jolae Brandt-shapiro, Brittany Sourlis and Sarah Leclear-domingo dazzle in beaded costumes and red-feathered headdresse­s, hinting to the days of “Jubilee” and “Folies Bergere.” Backing singers Paige Strafella and Roni Meron boost the vocals. Guest stars jumping in include popular Vegas performers Elyzabeth Diaga of “Queens of Rock” (who performed in June), Kelly Clinton-holmes through July, Anne Martinez in August, Niki Scalera in September and Kelly Vohnn in October.

Vintage black-and-white footage of such Las Vegas-tinged superstars as Elvis, Dean Martin, Sammy Davis Jr.,sonny and Cher and Tony Bennett plays in the background. Reckless performs a nearly unbroken string of rocked-up Vegas standards. “Luck Be a Lady/mr. Bojangles,” “Suspicious Minds,” “Just a Gigolo/“fever,” “These Boots Are Made for Walkin’” and “Danke Schoen” are given a once-over.

The show hits its mark in delivering a unique flavor of Vegas music history. The challenge is filling 300 seats twice a week. But Reckless has the advantage of being presented by the hotel over a six-month run, alternatin­g dates with headlining comic Eddie Griffin, who performs at 8 p.m. Mondays through Wednesdays.

The Sahara Theater will be locked for renovation next year, date to be determined, Sahara President Paul Hobson said. The theater has already undergone a series of makeovers. The room was Life nightclub and then the Foundry in the SLS days. It was redesigned for “Blanc de Blanc” in 2017.

“In talking about the cost of acts coming through Vegas, I think to really be able to capitalize on that idea we would need more seats,” Hobson said. “In its current format, even if we set it up to its maximum, we’re capped at somewhere around 500 or 600. I think we would need something like 1,200 in the same footprint, and we would need that to put us in another category.”

Keyed up

“Thunder From Down Under” and the show’s producer, Adam Steck of SPI Entertainm­ent, received the vaunted Key to the Las Vegas Strip on Tuesday morning. Clark County Commission­er Michael Naft presented the award at the “Welcome to Fabulous Las Vegas” sign. The event was held 21 years to the day that “Thunder” opened at the New Frontier. The show moved to Excalibur, its current home, a year later: first at Merlin’s Theater and currently at Steck’s Thunderlan­d Showroom.

Just after the ceremony, Steck said the show is planning its second residency. And not in Vegas.

“We’re looking at Nashville as our next possible hub,” said Steck, who visited the socalled Nash Vegas last month to scout venues. “There are a lot of bacheloret­tes in Nashville, and we’re thinking of testing the waters there for our next permanent show.” The “Thunder” production also has two touring shows, one currently and another online in 2023.

What Works in Vegas

“Soul of Motown” at the Westgate Cabaret. The production added Wednesday nights, beginning this week. The show runs at 5:30 p.m. Wednesdays and Thursdays, 8 p.m. Fridays, Saturdays and Sundays. Gotta get there — and that goes for yours truly. I’ve seen “Soul” groove it up at events outside the venue, but not a whole show at the Cabaret. Now we have Wednesdays. No excuses.

Who Was Where

Terry Fator was Michael Grimm’s unbilled guest at the Stirling Club on Saturday night for Grimm and

Bill Zappia’s “Givin’ It to

’Em” monthly residency. The two swapped lines on “God Bless the USA” and “America the Beautiful.” The two former “America’s Got Talent” champs had never performed together before, but Zappia has performed extensivel­y with both. He headed up Fator’s band at The Mirage for about a decade.

Fator now wants Grimm to jump into his Thursday night singing showcase at the Bar at Times Square at New Yorknew York. This is the start of a pretty cool partnershi­p.

Cool Hang Alert

Clinton-holmes is the new entertainm­ent director at the Stirling Club, while also headlining the spiffy venue at 7 p.m. Friday (doors at 6). Lily Arce, Noybel Gorgoy, Bobby Brooks Wilson and Elisa Fiorillo guest-star. Cost is $25 for members, $35 for nonmembers; go to thestirlin­gclub.com for info.

John Katsilomet­es’ column runs daily in the A section.

His “Podkats!” podcast can be found at reviewjour­nal. com/podcasts. Contact him at jkatsilome­tes@reviewjour­nal. com. Follow @johnnykats on Twitter, @Johnnykats­1 on Instagram.

 ?? Reckless in Vegas ?? Reckless in Vegas’ Michael Shapiro with dancers Jolae Brandtshap­iro, left, and Agnes Roux will be at the Sahara for six months.
Reckless in Vegas Reckless in Vegas’ Michael Shapiro with dancers Jolae Brandtshap­iro, left, and Agnes Roux will be at the Sahara for six months.
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