Lodi News-Sentinel

Home is where the art is?

- JERRY ZEZIMA

When I was in school, I was so bad in art that if I became a painter, I would have starved to death because I couldn’t even draw a good salary.

But my grandchild­ren are in school, and they are so good in art that their works deserve to be in the Louvre

Museum in Paris, the Metropolit­an Museum of Art in New York City and the National Gallery of Art in Washington, D.C.

Instead, they are in the Zezima Museum of Art and Snacks on Long Island, New York. It is an admittedly modest space devoted to the world’s finest paintings, drawings and illustrati­ons, all done with brushes, crayons and markers, all hanging on office, bedroom and family room walls, as well as a refrigerat­or door, and all created by five talented artists ranging in age from 10 to 3.

These wunderkind­s could, in my humble opinion, put Vincent van Gogh to shame, not just because each has an eye for beauty and a nose for trends, but because they all have both their ears.

I acknowledg­e that I don’t know much about art, but I know what I like. It’s the reason I have establishe­d Zezima’s Two Rules of Modern Art.

Rule No. 1: If you see an artwork titled “Spring Butterfly,” but it looks more like the grille of a ’57 Chevy, don’t buy it.

Rule No. 2: If an artist has been working on a piece for months and, when he’s finally finished, calls it “Untitled,” it means even he doesn’t know what it is. Don’t buy that one, either.

If my grandchild­ren’s artwork were for sale, I would urge you to buy it, even though it is priceless and its estimated value is well beyond the ability of even the richest collectors to afford.

Besides, the kids would have to report their income to the IRS (Infantile Revenue Service) and they’d be legally obligated to pay more in taxes than they have in their piggy banks.

That is why I am humbled and gratified that all five of my grandchild­ren have recently made pictures just for me.

One done by my 10-year-old granddaugh­ter is a 9-by-12-inch masterpiec­e, ink on cardboard, its deep hues of blue, green and yellow enhancing a playful drawing of her backyard, with a swing set and a slide meticulous­ly done in black against an azure sky with a bright golden sun containing, in her distinctiv­e handwritin­g, the beautiful words “to Poppie.”

I couldn’t be happier if I received a Monet or a Manet, which would be worth a lot of Money.

This magnificen­t piece, which could pair with van Gogh’s “Starry Night,” should be called “Sunny Day.”

There’s also a portrait of yours truly, with a mustache and a wide smile, which was gifted to me by the aforementi­oned artist for my latest birthday.

It features balloons with my age on them. The inscriptio­n reads: “69 years of being funny.” Sorry, da Vinci, but “The Mona Lisa” has nothing on “The Mirthful Poppie.”

Another work, done by the artist’s 6-year-old sister, is titled “Wonder.” This pen-and-ink drawing lives up to its name, its deceptivel­y simple lines showing an awestruck, long-haired girl, surrounded by stars, standing outside a house with another girl, smiling, in the doorway.

Imagine the price it would fetch in an auction at Christie’s!

The youngest three grandchild­ren, a 6-year-old boy and his 3-year-old twin siblings, a girl and a boy, are major talents in their own right and have gifted me with pieces done in crayon and felt-tipped marker. Some, from the twins, are even enhanced with colorful stickers, a bold statement that says, well, something.

Maybe that’s why they are untitled. Still, they are beautiful, especially the series of floating hearts that express the 6-year-old’s feelings for me and I, of course, for him.

In fact, I (heart) all five of my grandchild­ren, who also work in watercolor­s that sometimes spill onto the kitchen table. But that is a small price to pay for what critics would call true art.

I should take lessons from the kids. As the creator of “Wonder” told me recently, when I attempted a drawing of my own, “You really need to practice, Poppie.”

Someday, one of my pieces will be good enough to hang in the Zezima Museum. I just hope the little artists will let me borrow their crayons.

Jerry Zezima writes a humor column for Tribune News Service and is the author of six books. His latest is “One for the Ageless: How to Stay Young and Immature Even If You’re Really Old.” Email: JerryZ111@optonline.net. Blog: jerryzezim­a.blogspot.com.

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