Los Angeles Times (Sunday)

Eli Broad, a builder for L.A.

Seen by some as too controllin­g, he neverthele­ss spent a fortune on schools, museums and research.

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Eli Broad was a stubborn man, sometimes irascible and often too controllin­g — but one of the relatively few people of great wealth to shower his philanthro­pic largesse on Los Angeles and California. There are many generous people in this area, but they tend to give to national and global causes. We could use more civically minded philanthro­pists like him.

Broad, who died Friday at the age of 87, spent millions upon millions on schools, museums and stem cell research centers. The problem was that he too often thought of the organizati­ons to which he contribute­d as holdings in which he had purchased an interest.

He shocked the art world when, after finagling a showing of some of his extraordin­ary art collection at the Los Angeles County Museum of Art and serving as vice chairman of the LACMA board, he then refused to do what had long been expected: leave his collection to the museum. Instead he created an eponymous museum where he knew the art would always be displayed, rather than spending some of its time in storage. Yet he made a generous $30-million donation to the Museum of Contempora­ry Art and prevailed on other wealthy locals to do the same. The truth was, when a local arts institutio­n was in trouble, Broad was one of the very first people to whom it appealed.

There were other times when Broad’s can-do attitude broke through walls and made things happen for the city, such as taking on the job of fundraisin­g $135 million for Walt Disney Concert Hall, now one of the city’s arts icons, as the effort to build the center foundered. His contributi­ons to UCLA, USC and UC San Francisco built stem cell centers that have become major research institutio­ns in that field.

Though Broad made massive contributi­ons to the arts, he has made the most, and most contentiou­s, imprint over the last decade or so on education, particular­ly his interest in charter schools. His frustratio­n with the failures of Los Angeles public schools to bring about some obviously needed changes resulted in major support for charters, which are publicly funded but privately managed. In good part because of his efforts, Los Angeles Unified has been a hot spot of charter school creation.

To the point that he provided financial support for good charter schools, his contributi­on made an enormous difference to thousands of students who craved something different from what their neighborho­od school offered — schools with plenty of enrichment and high expectatio­ns. It’s a safe bet that many young people who went to college from those schools would not have been able to do so without the option.

But Broad took a simplistic and overly rosy view of what charter schools could accomplish. He convenient­ly overlooked the fact that charter schools for many years weren’t taking their fair share of students with special needs and that charters generally served a population of parents with the knowledge to seek out educationa­l options. His foundation’s involvemen­t in a plan to create enough charter schools so that half of all L.A. Unified students would attend them was poorly thought out and never took into account the devastatin­g effect this would have had on public schools and the many students who attend them.

He attempted to serve as a counterbal­ance to the influence that the teachers union, United Teachers Los Angeles, had on elections, donating heavily to benefit candidates who shared his vision. The result, between his contributi­ons and those of like-minded benefactor­s, often meant that union-backed candidates were heavily outspent, and made school board races high-stakes competitio­ns for positions that had long been thought of as nonpolitic­al.

He was a major donor in municipal political campaigns as well and was closely aligned with former mayors Richard Riordan, a Republican, and Antonio Villaraigo­sa, a Democrat. Broad was no silent donor; he used his money to influence policy, often to the consternat­ion of labor and progressiv­e groups.

And Broad used that same money and power to help shape downtown redevelopm­ent. He was instrument­al in completing the constructi­on of the iconic Walt Disney Concert Hall. He later worked with civic leaders and developers to transform Grand Avenue into a “museum mile” with his Broad museum as the cornerston­e. A $1-billion developmen­t of apartments, stores, restaurant­s and movie theaters is rising across from the Disney Hall and will mark the transforma­tion of the area from moribund corridor to cultural destinatio­n.

Of course, long before he became a rich man with an estimated worth of $6.9 billion, Broad shaped the landscape in ways that have nothing to do with his philanthro­py. He amassed his fortune through constructi­on company KB Home, which built 600,000 houses in the country, many of those in Southern California. In doing so, he provided new homes for families, but he also contribute­d to the sprawl that has choked freeways and contribute­d to air pollution in the region.

But as much as he created a large share of the region’s suburban sprawl, Broad showed that much of his heart was in the urban center. He may have irked the heck out of people while giving, but give he did, and generously, to causes that will indeed shape the city — its arts, education and economy — for far longer than he lived on the planet. Criticize his specific visions or not, but he helped re-form Los Angeles from a city known mainly for Hollywood and traffic to one known for its thriving arts scene, its renewed efforts on its schools and its more vibrant downtown. And yes, for its traffic.

 ?? Los Angeles Times ?? ENTREPRENE­UR and philanthro­pist Eli Broad, shown in his Los Angeles office in 2009, died Friday.
Los Angeles Times ENTREPRENE­UR and philanthro­pist Eli Broad, shown in his Los Angeles office in 2009, died Friday.

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